
This three-disc set with The Budapest Festival Orchestra led by Iván Fischer marks Richard Goode's first recordings of these masterpieces. “Goode is one of the great pianists of our time," says the Denver Post, "and he might well be without equal when it comes to the music of Beethoven.”

On this two-disc set, Frisell re-assembles material he composed for the theatre piece Mysterio Sympatico and NPR's Stories from the Heart of the Land. Performing with an octet, Frisell "plays electric guitar with serene assurance" (New York Times).

On his first solo album in 20 years, this legendary Malian master of the kora—the 21-string West African harp—mixes “fearsome technique with a deep humanism and a magical ability to improvise scintillating runs out of thin air” (Guardian, UK).

N’Dour, backed by his legendary Super Étoile band and guest vocalist Neneh Cherry, delves further into Senegalese musical traditions and the “give and take” across cultures. The sound, says the Washington Post, is “intricate, indigenous, and characteristically exhilarating.”

The Boston Globe calls Day Trip "Metheny at his best, creating music of understated sophistication by interacting sublimely with equally talented musicians" in a trio outing with bassist Christian McBride and drummer Antonio Sanchez; includes two live Nonesuch Store bonus downloads—"Traveling Fast" and " TromsØ."

Singer-songwriter Rokia Traoré—whose work Time has lauded as "mesmerizing, casting its spell with virtuoso vocals, rich textures and startling diversity"—combines electric guitar with traditional instrumentation on nine self-penned tunes plus the Gershwin classic "The Man I Love." The Guardian gives fives stars to this "intriguing, sophisticated and often intimate set that is quite unlike any of the other great music Mali has produced."

"Television’s greatest series deserves a great soundtrack album," declares the San Francisco Chronicle, "and that’s what it gets." This compilation mixes dialogue snippets, Baltimore hip-hop, and end-of-season montage tracks from five years of The Wire, as well as four versions of the opening-credit song, Tom Waits’s "Way Down in the Hole."

This 10-disc compilation surveys 40 years of the iconic artist's work: groundbreaking early solo pieces, the revolutionary Einstein on the Beach, film scores, etudes, symphonies, and much more. The elegantly designed "interim report," as critic Tim Page writes in his liner note, traces the evolution of "the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music—simultaneously."

Newman's first all-new studio recording in nine years incorporates both the scathingly satirical and the unabashedly tender. Variety says the album finds Randy "at the height of his powers," and Time Out New York's six-star review says the "outstanding album ... confirms his place among our best living songwriters."
![Revolutionary Road [Soundtrack] Revolutionary Road [Soundtrack]](http://nonesuch.com/sites/nonesuch/files/imagecache/section-artists-latestrelease/albums/coverart/newman-revolutionary-road.jpg)
Director Sam Mendes' film version of the classic, 1961 Richard Yates novel, starring Kate Winslet and Leonardo DiCaprio, features a beautifully evocative score by Thomas Newman, along with three timeless tunes from the era by The Ravens, The Orioles, and The Ink Spots.

"Reich has done it again," writes the Los Angeles Times' Mark Swed. "Daniel Variations is compelling, lofty, universal, and very powerful. Reich has written gorgeous, overwhelming music before, but in this he outdoes himself." Includes the exclusive Nonesuch Store bonus download, Dance Patterns.

Redman calls this album of original tunes "a further exploration of the trio format ... an expansion on, and an extension of, Back East," his acclaimed 2007 trio session. With a ready-for-anything lineup—bassists Larry Grenadier and Reuben Rogers and drummers Brian Blade and Gregory Hutchinson—he stretches the shape of the trio setting, on the most audacious of these tracks, performing with the entire lineup in a double-trio configuration. Exclusive Nonesuch Store bonus download: "Alef Ituk."

Released in the UK in the fall of 2007, Orchestra Baobab’s Made in Dakar has landed on many British year-end best-of lists. Their first album in six years "tingles with rejuvenating glee, confirming their status as the jewel in the crown of African pop" (The Mirror, UK). Includes the exclusive Nonesuch Store bonus download, "Mamadou."

This new, two-disc compilation is both companion to Adams's memoir of the same name and an exploration of his Nonesuch catalog. The composer, declares The New Yorker, "has addressed life as it is lived now, and he has found a language that makes sense to a wide audience."

Kronos’s career-long collaboration with minimalist pioneer Terry Riley continues with this work, written for the Quartet and pipa virtuoso Wu Man. The piece, "with its lullabies and entrancing Chinese songs and sweet disposition, brims with joy," writes the Los Angeles Times. Exclusive Nonesuch Store bonus download: “Tusen Tankar,” a traditional Scandinavian folk song.

These 15 MP3s contain the complete music—over three hours—from all three Friday-night sets of the Trio's October 2006 residency at the Village Vanguard featured on their two-disc Live album, including tunes by Thelonious Monk, Benny Goodman, Paul Simon, and Radiohead.
![There Will Be Blood [Soundtrack] There Will Be Blood [Soundtrack]](http://nonesuch.com/sites/nonesuch/files/imagecache/section-artists-latestrelease/albums/coverart/greenwood-there-will-be-blood-OST.jpg)
Greenwood's hauntingly dramatic score for Paul Thomas Anderson's epic film starring Daniel Day-Lewis; includes three bonus tracks—orchestral versions of “HW / Hope of New Fields” and “Prospectors Quartet” plus “De-Tuned Quartet”—available only from the Nonesuch Store.

In one of the most eagerly awaited collaborations in alt-rock, The Black Keys are joined by producer and creative co-conspirator Danger Mouse (Gnarls Barkley), adding more instrumentation and effects to the band’s sound but preserving their inherent soulfulness, groove, and raw energy.

A stellar cast of musicians and friends join Harris for this Brian Ahern-produced set showcasing her extraordinary gifts as songwriter, song finder, and interpreter. Guests include the McGarrigles, Dolly Parton, Vince Gill, and members of the Seldom Scene. LP pressed on 180-gram audiophile-quality vinyl; includes complete album on CD.

Double-bassist Meyer and Punch Brothers mandolin player Thile, both Grammy Award–winning virtuosos, incorporate bluegrass, folk, country, and classical elements into this musical tête-à-tête. It has the pedigree of a superstar session but feels like a conversation between friends. Deluxe edition includes DVD with performances, rehearsals, and behind-the-scenes interviews with the duo.

Phillip’s first self-produced disc is spare and haunting, with a pronounced rock feel. Players include renegade classicists the Section Quartet. Includes exclusive Nonesuch Store bonus downloads: new versions of “Zero Zero Zero,” “Taking Pictures,” and “I Don’t Know Why.”
![Sweeney Todd: The Demon Barber of Fleet Street [Soundtrack] (Deluxe Edition) Sweeney Todd: The Demon Barber of Fleet Street [Soundtrack] (Deluxe Edition)](http://nonesuch.com/sites/nonesuch/files/imagecache/section-artists-latestrelease/albums/coverart/sondheim-sweeney-todd-OST-deluxe.jpg)
Complete music—all 20 songs—from the Tim Burton–directed film (2008 Golden Globe winner for Best Picture) of the Stephen Sondheim musical starring Johnny Depp in a performance the New York Times called "stunning in every dimension." Includes an 80-page bound booklet with an introductory note by the director, lyrics, and full-color photos.

John Adams wrote his 2006 opera for, he says, "a time of global awareness." The composer drew inspiration from Mozart's Magic Flute and ancient Indian folk-tales; the libretto, co-written by Adams and director Peter Sellars, is in English and Spanish. The New Yorker calls the work "opulent, dreamlike, fiercely lyrical"; the Los Angeles Times calls this "a terrific recording."

Cooder’s trilogy exploring a historic/mythic/surreal California (Chavez Ravine, My Name Is Buddy) culminates with this remarkable 14-song album in which Cooder assumes the gruff yet chummy voice of Kash Buk, a hard-living, car-racing, guitar-playing man with a space-alien sidekick.
Christina Courtin, the New York City–based singer/songwriter/violinist, is due to make her Nonesuch album debut this year. She starts the year off with a performance in the city this Thursday night at Le Poisson Rouge, with singer/pianist/composer Gabriel Kahane opening. The New York Times says Courtin's voice "feels uniquely otherworldly, as if it couldn’t possibly be entirely human born." Time Out New York lists her among the people to watch in 2009, praising "her commanding, undulating voice" and finding in her songs "an exquisiteness that extends beyond any genre ghetto."
John Adams's memoir Hallelujah Junction was featured on 2008's final episode of NPR.org's Book Tour, which broadcast a reading from the book the composer gave in November. The show's host calls Adams "one of America's leading avant-garde composers, and as he proves in this compelling memoir, possibly one of the loveliest human beings you're likely to encounter between the covers of a book." She describes his compositions as "erudite, philosophical, but spun through with the play and polish of popular culture."
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