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I, Flathead (Deluxe, CD + Book)

News & Reviews

  • Rolling Stone: Ry Cooder's "I, Flathead" "Light on Flash, Heavy on Feeling"

    Ry Cooder talks to Rolling Stone about I, Flathead, the third in his "California trilogy." The magazine calls the album "light on flash, heavy on feeling." Ry also gives some insight into the forthcoming release of the live album Buena Vista Social Club at Carnegie Hall for the tenth anniversary of the group's performance at the Hall. "That was an amazing show," he says. "It has tremendous energy and verve but no aggression at all."

  • Ry Cooder Discusses "I, Flathead" with Studio 360's Kurt Anderson

    Ry Cooder recently spoke with Studio 360 host Kurt Anderson about his latest Nonesuch release, I, Flathead, the third in his California trilogy of records, as well as the many facets of his rich career. Cooder tells Anderson of, among other things, his earliest professional gigs in his hometown of Los Angeles while still in high school in the 1960s. "My fate was sealed, so to speak," he says, "because I had participated in this most miraculous thing I had ever seen ... that being a record studio."

About this Album

Click here to hear songs from the album, read an excerpt from the I, Flathead novella, and learn more about the cover image.

Ry Cooder completes his California trilogy (which began with 2005’s Chavez Ravine and 2007’s My Name Is Buddy) with I, Flathead, an album of music by the fictional musician Kash Buk and his band the Klowns, characters in Cooder’s 95-page novella. The album and novella were released together on June 24, 2008, by Nonesuch / Perro Verde Records.

The novella tells the story of Kash Buk and his friend Shakey the alien, along with various friends, lovers, enemies, and associates in a bygone California filled with deserts, salt-flat racing, Native Americans, seedy dance halls, amusement parks, and sinister plots. The album comprises fourteen songs by Buk, a hard-boiled salt flat racer and roadhouse musician. With the story and the music, Cooder creates a universe where “strange people are the norm,” drawing from country western music, popular mechanics magazines, and science fiction films.

Following Chavez Ravine, which examined loss of place and history, and My Name Is Buddy, which explored the loss of solidarity and unity, I, Flathead reflects change and disruption in a young, post-war, do-it-yourself culture of outsiders obsessed with racing cars fashioned from military surplus parts and flathead engines.

As Kash Buk explains, “You got your hard times, your good times, a dog story for you animal lovers, and a forbidden-race love song, which every record ought to have at least one of. You’re going to meet the ghost of Dick Nixon the drag racer, plus a bonus Red-Scare speciality for all you politically-minded hi-brow foot-stompers out there. I felt it was important to include a circus story since most people agree the circus is a mirror for ‘life itself.’ And you can’t say you got a record album unless there is a selection of honky-tonk heart-ache ballats, so I took care of the ballat chores for you.” He continues, “And I spatially wanted to pay o-mage to the steel guitar legends of yore. It has been my privilege to know quite a few. That’s a hard-bitten, un-sung fraternity, and I figured if I remember them, some body might remember me some day and raise a glass some where and put a nickel in the juke-box.”

Cooder produced the album and wrote or co-wrote all the songs. He sings and plays mandolin, guitar, and bass on the album, along with Mariachi Los Camperos; Joachim Cooder, and Jim Keltner on drums; Rene Camacho on bass; Francisco Torres on trombone; Ron Blake and Jon Hassell on trumpet; Anthony Gil on bass sax; Flaco Jimenez on accordion, Gil Bernal on tenor sax; Jared Smith on keyboards; Martin Pradler on electric piano and drums; and Juliette Commagere on vocals.

Credits

MUSICIANS
Ry Cooder, vocals (1-13), guitar (1-14), mandolin (1), bass (1, 2, 14), laud (10), electric piano (11)
Joachim Cooder, drums (1, 3, 5, 8-14), timbales (7)
Martin Pradler, drums (2, 4)
Rene Camacho, bass (3, 5-11, 13)
Jim Keltner, drums (6, 7)
Erika, screaming cheerleader (6)
Josh, Flathead (6)
Fernando Ruleas,  himself (8)
Francisco Torres, trombone (8)
Ron Blake, trumpet (8)
Anthony Gil, bass sax (8)
Flaco Jimenez, accordion (10)
Gil Bernal, tenor sax (12)
Jon Hassell, trumpet (12)
Jared Smith, keyboards (12)
Martin Pradler, electric piano (13)
Juliette Commagere, vocals (14)

PRODUCTION CREDITS
Produced by Ry Cooder
Recorded and mixed by Martin Pradler at Little Pink Studio, Los Angeles
additional recording at Sage And Sound Studios, Hollywood, assisted by Alex Pavlides
Ocean Studio, Burbank, assisted by Albert Mata
Mastered by Stephen Marcussen @ Marcussen Mastering

All songs written by Ry Cooder (Hi-Lo Shag Music BMI), except tracks 1,
14 also by Joachim Cooder (Zegama Beach Music BMI), track 12 also by
Joachim Cooder, Jared Smith (Privy Seal Music ASCAP)
Mariachi Los Camperos arrangement (track 1), string arrangement (tracks 7, 9, 10) by Jesus Guzman

Package Design: Martin Pradler, Ry Cooder
Cover Photo: © Ron Kellogg Collection

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