Track Listing
Click tracks with speaker icon to listen| 1 | A Night Away (Metheny/Mehldau) | 7:59 |
| 2 | The Sound of Water (Metheny) | 3:53 |
| 3 | Fear and Trembling (Mehldau) | 6:56 |
| 4 | Don't Wait (Metheny) | 7:08 |
| 5 | Towards the Light (Metheny) | 8:10 |
| 6 | Long Before (Metheny) | 6:57 |
| 7 | En La Tierra Que No Olvida (Metheny) | 7:43 |
| 8 | Santa Cruz Slacker (Mehldau) | 6:09 |
| 9 | Secret Beach (Mehldau) | 9:07 |
| 10 | Silent Movie (Metheny) | 6:03 |
| 11 | Marta's Theme (from "Passagio per il Paradiso") (Metheny) | 2:31 |
News & Reviews
- Wednesday, June 17, 2009
Audiophile Audition: Pat Metheny "Lets the Creative Spirit Loose" on "One Quiet Night"; Four Stars
Pat Metheny settled into his home studio in New York City with a new baritone guitar one November evening in 2001 to experiment with a low "Nashville tuning." The result is the Grammy-winning One Quiet Night, now reissued on Nonesuch. Audiophile Audition gives the album four stars, describing it as "an intimate performance featuring Metheny's baritone guitar and his imagination ... a confidential, quiet affair, exemplified by the title track, which follows an unadorned template: extemporizing on a single melody and sustaining a solitary mood, in this case a lightly rural and rustic feeling."
- Monday, January 26, 2009
New Group's "Mourning Becomes Electra," Featuring Score by Pat Metheny, Opens This Week
Pat Metheny has composed and performed new music for The New Group's revival of Eugene O'Neill's Mourning Becomes Electra, directed by Scott Elliott and starring Lili Taylor and Jena Malone. Previews begin tomorrow night, with the official opening night on February 19. The play will run at New York's New Group @ Theatre Row on 42nd Street through April 18. Pat recorded his solo guitar score on an 1860s instrument contemporary to the play's Civil War-era setting.
About this Album
“Individually, the performers are as sharp as you would expect, but it is their interplay that sets this release apart. Mehldau’s knack for probing away at the structure of a tune and Metheny’s fleet-fingered flights of fancy complement each other beautifully.”—Independent (UK)
Nonesuch releases the second collaboration between guitarist Pat Metheny and pianist Brad Mehldau—Quartet—on March 13, 2007. The record features seven tracks written by Metheny, three by Mehldau, and one jointly written tune. Mehldau’s bandmates, drummer Jeff Ballard and bassist Larry Grenadier, play on seven of the songs, while the remaining three are duets. The four musicians go on a 27-city North American tour—including stops in Los Angeles, Berkeley, Chicago, Boston, Washington, and New York—March 15–April 15.
Quartet follows the 2006 release Metheny Mehldau, which primarily was a duet record (with Ballard and Grenadier on two tracks), and also featured original compositions by Pat Metheny and Brad Mehldau. Jazzwise (UK)called that album “the jazz event of the year by some distance.” “I have followed Brad’s career closely as he has emerged as the major young jazz musician of his generation,” Metheny says. “Somehow it always seemed like we would do something together. From the first note of the first take of the first tune we played, we both could just play pretty much full out.”
Mehldau agrees: “When you do a collaborative project with someone, one thing that you hope is that neither of you will have to adjust too radically to make the other person comfortable. In this situation with Pat, it was the opposite.” He continues, “Having the chance to make music with Pat Metheny has been nothing short of a dream come true for me. Pat is one of the musicians who made me want to play jazz from an early age.”
Credits
MUSICIANS
Pat Metheny, guitar (1, 3, 6-8, 10, 11), 42-string guitar (2), acoustic guitar (4), guitar synth (5, 9)
Brad Mehldau, piano (1-11)
Larry Grenadier, bass (1-11)
Jeff Ballard, drums (1-11)
PRODUCTION CREDITS
Produced by Pat Metheny
Recorded December 2005 at Right Track Recording, New York, NY
Engineered by Pete Karam
Assistant Engineers: Hyomin Kang, Angie Teo, Justin Schturtz
Mixed by Rob Eaton at Right Track Recording
Additional Mixing by Pete Karam
Mastered by Ted Jensen at Sterling Sound, New York, NY
Guitar Tech: Carolyn Chrzan
Production assistance: David Oakes
Design by Doyle Partners
Cover photograph by Arild Danielsen
Executive Producer: Robert Hurwitz























