This collection of mid-century works from American composer Elliot Carter presents a study of contrasts, in which seemingly divergent instrumentation, form, and harmony are juxtaposed to create pieces that simultaneously look forward and back. The album captures members of the Contemporary Chamber Ensemble performing these now classic works of American 20th-century music.
This collection of mid-century works from American composer Elliot Carter presents a study of contrasts, in which seemingly divergent instrumentation, form, and harmony are juxtaposed to create pieces that simultaneously look forward and back. The album captures members of the Contemporary Chamber Ensemble performing these now classic works of American 20th-century music.
PRODUCTION CREDITS
Sonata for Cello & Piano recorded August 1968 at Rutgers Presbyterian Church, New York, under the musical supervision of Elliott Carter
Recording Engineer: Marc J. Aubort
Double Concerto for Harpsichord & Piano recorded September 1973 by Phonag Studios, Lindau/Zurich, Switzerland, in cooperation with Elite Recordings, Inc., New York
Recording Directors: Helmuth Kolbe and Joanna Nickrenz
Engineered by Helmuth Kolbe and Robert Lattman
Mastered by Robert C. Ludwig
Coordinator: Teresa Sterne
Design by John William Costa
Cover photograph by Don Hunstein
79183
MUSICIANS
Paul Jacobs, harpsichord, piano
Harvey Sollberger, flute (1-3)
Charles Kuskin, oboe (1-3)
Fred Sherry, cello (1-3, 8-14)
Joel Krosnick, cello (4-7)
Gilbert Kalish, piano (8-14)
The Contemporary Chamber Ensemble (8-14)
Arthur Weisberg, conductor
Paul Dunkel, flute, piccolo
Douglas Hill, horn
Allan Dean, trumpet
John Swallow, trombone
Raymond DesRoches, percussion
Claire Heldrich, percussion
Jacob Glick, viola
Jeffrey Levine, contrabass
George Haas, oboe
Allen Blustine, clarinet/piccolo clarinet
Donald MacCourt, bassoon
Joseph Anderer, horn
Howard Van Hyning, percussion
Richard Fitz, percussion
Linda Quan, violin