Frisell works in quartet setting, including cellist / ”jazz-a-phone” fiddler Hank Roberts. The Philadelphia Inquirer declared, “Frisell is not only a master of an unusual guitar-based sonic tapestry, he's one of the few composers capable of writing for an interactive ensemble.”
Frisell works in quartet setting, including cellist / ”jazz-a-phone” fiddler Hank Roberts. The Philadelphia Inquirer declared, “Frisell is not only a master of an unusual guitar-based sonic tapestry, he's one of the few composers capable of writing for an interactive ensemble.”
PRODUCTION CREDITS
Produced by Wayne Horvitz
Recorded and mixed by Roger Moutenot
Recorded October 1990 at Dreamland Studios, Woodstock, New York, and February 1991 at Power Station, New York City
Assistant Engineers: Harvey Sorgen, Reed Ruddy, Matthew “Boom” Lamonica
Additional recording January 1991 at Ironwood Studios, Seattle, Washington
Engineer: Jay Follette
Mixed at Lawson Productions, Seattle
Mastered by Robert C. Ludwig
Design by Anne Johnson
Cover photograph by Joel Meyerowitz
Executive Producer: Robert Hurwitz
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MUSICIANS
Bill Frisell, guitars, ukelele
Hank Roberts, cello, jazz-a-phone fiddle
Kermit Driscoll, basses
Joey Baron, drums