Audra McDonald's "Go Back Home" Concert Airs on PBS's Live From Lincoln Center

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Audra McDonald performs songs from her new album and more on "Audra McDonald In Concert: Go Back Home," airing on PBS's Live From Lincoln Center tonight. The show presents McDonald's May 9 at performance in New York City for Lincoln Center's spring gala, which the New York Times called "absolutely thrilling." USA Today, in recommending tonight's show, says: "McDonald has one of the warmest, most glorious singing voices on the planet." McDonald discusses her inclusion of Adam Gwon's "I'll Be There" on the album and concert in a new video clip you can watch here.

Copy

Audra McDonald, whose first solo album in seven years, Go Back Home, was released on Nonesuch Records earlier this week, performs songs from the album and more on "Audra McDonald In Concert: Go Back Home," airing on PBS stations across the United States for the season finale of Live From Lincoln Center, starting tonight at 9 PM ET/PT (check local listings). The show presents McDonald's May 9 performance at Avery Fisher Hall in New York City for Lincoln Center's spring gala.

"Absolutely thrilling," raved the New York Times music critic Stephen Holden of the concert. "The very sound of the word 'thrilling,' with its suggestion of an embedded trill, evokes qualities inherent in Ms. McDonald’s soprano, which seemed to unfurl in ever-richer textures as she imbued songs with a sense of bursting possibility." McDonald, he concludes, is "a defining voice of our time."

"As usual, PBS is a great place for fans of good music to spend the TV portion of their Memorial Day weekend," says USA Today's Robert Bianco. "[T]hose who know McDonald only from Private Practice will find out what Broadway fans discovered many Tonys ago: McDonald has one of the warmest, most glorious singing voices on the planet."

Last fall, McDonald was named the official host of Live From Lincoln Center, adding a new chapter to her long history with the Lincoln Center campus, where she attended The Juilliard School and won her first Tony Award for her performance in Lincoln Center Theater’s production of Carousel.

Many of the selections on Go Back Home, as on the concert program, are by composers with whom McDonald has long been associated (Adam Guettel, Michael John LaChiusa, and Stephen Sondheim, among others), while some songs, including the Kander and Ebb title track, are by names that are relatively new to her repertoire.

In addition, Audra McDonald continues her tradition of championing works by an emerging generation of composers, represented by Adam Gwon, among others. She talks about her choice of Gwon's moving song "I'll Be There" for the album and what it means to her in a short video clip here:

Audra McDonald recently spoke with BroadwayWorld for an "InDepth InterView" Q&A about the new album, the PBS special, and more, available now at broadwayworld.com.

To pick up a copy of Go Back Home, head to the Nonesuch Store, where CD orders include a download of the complete album at checkout. You can hear the album track "Some Days," with music by Steven Marzullo and text by James Baldwin, here:

featuredimage
Audra McDonald: "Go Back Home" [full cover]
  • Friday, May 24, 2013
    Audra McDonald's "Go Back Home" Concert Airs on PBS's Live From Lincoln Center

    Audra McDonald, whose first solo album in seven years, Go Back Home, was released on Nonesuch Records earlier this week, performs songs from the album and more on "Audra McDonald In Concert: Go Back Home," airing on PBS stations across the United States for the season finale of Live From Lincoln Center, starting tonight at 9 PM ET/PT (check local listings). The show presents McDonald's May 9 performance at Avery Fisher Hall in New York City for Lincoln Center's spring gala.

    "Absolutely thrilling," raved the New York Times music critic Stephen Holden of the concert. "The very sound of the word 'thrilling,' with its suggestion of an embedded trill, evokes qualities inherent in Ms. McDonald’s soprano, which seemed to unfurl in ever-richer textures as she imbued songs with a sense of bursting possibility." McDonald, he concludes, is "a defining voice of our time."

    "As usual, PBS is a great place for fans of good music to spend the TV portion of their Memorial Day weekend," says USA Today's Robert Bianco. "[T]hose who know McDonald only from Private Practice will find out what Broadway fans discovered many Tonys ago: McDonald has one of the warmest, most glorious singing voices on the planet."

    Last fall, McDonald was named the official host of Live From Lincoln Center, adding a new chapter to her long history with the Lincoln Center campus, where she attended The Juilliard School and won her first Tony Award for her performance in Lincoln Center Theater’s production of Carousel.

    Many of the selections on Go Back Home, as on the concert program, are by composers with whom McDonald has long been associated (Adam Guettel, Michael John LaChiusa, and Stephen Sondheim, among others), while some songs, including the Kander and Ebb title track, are by names that are relatively new to her repertoire.

    In addition, Audra McDonald continues her tradition of championing works by an emerging generation of composers, represented by Adam Gwon, among others. She talks about her choice of Gwon's moving song "I'll Be There" for the album and what it means to her in a short video clip here:

    Audra McDonald recently spoke with BroadwayWorld for an "InDepth InterView" Q&A about the new album, the PBS special, and more, available now at broadwayworld.com.

    To pick up a copy of Go Back Home, head to the Nonesuch Store, where CD orders include a download of the complete album at checkout. You can hear the album track "Some Days," with music by Steven Marzullo and text by James Baldwin, here:

    Journal Articles:Artist NewsTelevision

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Monday, January 13, 2025
    Monday, January 13, 2025

    Congratulations to composer and pianist Timo Andres on receiving the Chamber Music Society of Lincoln Center's Elise L. Stoeger Prize—a $25,000 cash prize, awarded biennially by CMS to recognize significant contributions to the field of chamber music composition. Andres says: “I feel equally challenged and freed to take risks when I write chamber music, and writing it, I’ve learned the most about becoming a better composer and musician. To be recognized in this medium by one of its greatest institutional standard-bearers is a huge and unexpected honor.”

    Journal Topics: Artist News
  • Wednesday, January 8, 2025
    Wednesday, January 8, 2025

    David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”

    Journal Topics: Album ReleaseArtist NewsVideo