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Cécile McLorin Salvant's new album, Mélusine, released last month on CD and digitally, is now available on vinyl worldwide here. The album features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyòl. "Anyone who thinks they already know the full extent of Cécile McLorin Salvant's artistry should listen to Mélusine without further delay," exclaims Jazzwise. "It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn."
Copy
Cécile McLorin Salvant’s new album, Mélusine, released last month on CD and digitally on Nonesuch Records, is now available on vinyl worldwide here. The album features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyòl. You can take a quick look inside the vinyl here:
"Anyone who thinks they already know the full extent of Cécile McLorin Salvant's artistry should listen to Mélusine without further delay," exclaims Jazzwise. "It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn."
“Mélusine retains the intellectual curiosity of Salvant’s jittery, questing catalogue,” says Mojo. “As with 2022’s Ghost Song, Salvant’s imaginative backdrops draw on jazz, blues, folk and vaudeville, double daring her audience to follow her next flight of fancy.”
Mélusine follows last year’s Grammy-nominated label debut, Ghost Song, which received tremendous critical praise, including spots on best albums of 2022 lists from the New York Times and NPR, among others. Salvant has North American tour dates into the summer, including performances at the Big Ears and SFJAZZ Festivals and at New York’s Jazz at Lincoln Center. See below for all of the currently scheduled dates; for all the latest, visit nonesuch.com/on-tour.
The new album was recorded to tape. Its songs tell the story of the European folkloric legend of Mélusine, written by Jean d’Arras in 1393. It tells of a man, Raymondin, who is overwhelmed with grief after accidentally killing his uncle in a boar hunting accident. Wandering in the forest, he encounters three women bathing. The most beautiful of them, Mélusine, sees him and demands justification for his indiscretion. She promises to make him a great lord if he marries her—on the condition that he never sees her on Saturdays.
He agrees, and they are happy until the weekend his brother visits, sharing rumors that his wife is unfaithful. He becomes angry and uses his sword to cut a hole in Mélusine’s iron door. She’s bathing in her marble tub, and he sees that below the waist, she has the body of a snake. When she realizes that he’s looking, she turns into a dragon and flies out the window, returning to visit her descendants on their deathbeds.
“I have a memory from my childhood of being in the dentist’s office, waiting to get my teeth cleaned, and hearing this wonderful music from the French Caribbean. I was too young to know what it was called, but it was like zouk. I wrote this five years ago, after Wynton [Marsalis] invited me to sing at the Marciac festival. So I had it around, with only a vague idea of the rhythm,” Salvant says.
“For this track I wanted to play with musicians with whom I shared a cultural heritage. Right away when I played it for Godwin [Louis, the multi-instrumentalist who plays saxophone and sings on Mélusine] he said, ‘I know what kind of song this is.’ He did a compas thing on it, and it just made me smile. All I had was something vague—a sound heard in a dentist office in Miami at age twelve—and he made it specific,” she continues.
“This is the song where she says, ‘Let’s get married but don’t mess with Saturdays.’ It’s classically a song I’d write—a sweet song about people who love each other, but there’s destruction in there too.”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her work Ogresse is an ambitious long-form musical fable based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world; it was recently announced that she has partnered with French studio Miyu Productions and will co-direct a feature-length film version with Belgian animator Lia Bertels.
Cécile McLorin Salvant's New Album, ‘Mélusine, Now on Vinyl
Cécile McLorin Salvant’s new album, Mélusine, released last month on CD and digitally on Nonesuch Records, is now available on vinyl worldwide here. The album features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyòl. You can take a quick look inside the vinyl here:
"Anyone who thinks they already know the full extent of Cécile McLorin Salvant's artistry should listen to Mélusine without further delay," exclaims Jazzwise. "It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn."
“Mélusine retains the intellectual curiosity of Salvant’s jittery, questing catalogue,” says Mojo. “As with 2022’s Ghost Song, Salvant’s imaginative backdrops draw on jazz, blues, folk and vaudeville, double daring her audience to follow her next flight of fancy.”
Mélusine follows last year’s Grammy-nominated label debut, Ghost Song, which received tremendous critical praise, including spots on best albums of 2022 lists from the New York Times and NPR, among others. Salvant has North American tour dates into the summer, including performances at the Big Ears and SFJAZZ Festivals and at New York’s Jazz at Lincoln Center. See below for all of the currently scheduled dates; for all the latest, visit nonesuch.com/on-tour.
The new album was recorded to tape. Its songs tell the story of the European folkloric legend of Mélusine, written by Jean d’Arras in 1393. It tells of a man, Raymondin, who is overwhelmed with grief after accidentally killing his uncle in a boar hunting accident. Wandering in the forest, he encounters three women bathing. The most beautiful of them, Mélusine, sees him and demands justification for his indiscretion. She promises to make him a great lord if he marries her—on the condition that he never sees her on Saturdays.
He agrees, and they are happy until the weekend his brother visits, sharing rumors that his wife is unfaithful. He becomes angry and uses his sword to cut a hole in Mélusine’s iron door. She’s bathing in her marble tub, and he sees that below the waist, she has the body of a snake. When she realizes that he’s looking, she turns into a dragon and flies out the window, returning to visit her descendants on their deathbeds.
“I have a memory from my childhood of being in the dentist’s office, waiting to get my teeth cleaned, and hearing this wonderful music from the French Caribbean. I was too young to know what it was called, but it was like zouk. I wrote this five years ago, after Wynton [Marsalis] invited me to sing at the Marciac festival. So I had it around, with only a vague idea of the rhythm,” Salvant says.
“For this track I wanted to play with musicians with whom I shared a cultural heritage. Right away when I played it for Godwin [Louis, the multi-instrumentalist who plays saxophone and sings on Mélusine] he said, ‘I know what kind of song this is.’ He did a compas thing on it, and it just made me smile. All I had was something vague—a sound heard in a dentist office in Miami at age twelve—and he made it specific,” she continues.
“This is the song where she says, ‘Let’s get married but don’t mess with Saturdays.’ It’s classically a song I’d write—a sweet song about people who love each other, but there’s destruction in there too.”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her work Ogresse is an ambitious long-form musical fable based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world; it was recently announced that she has partnered with French studio Miyu Productions and will co-direct a feature-length film version with Belgian animator Lia Bertels.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Cécile McLorin Salvant's New Album, ‘Mélusine, Now on Vinyl
Cécile McLorin Salvant’s new album, Mélusine, released last month on CD and digitally on Nonesuch Records, is now available on vinyl worldwide here. The album features a mix of five originals and interpretations of nine songs, dating as far back as the twelfth century, mostly sung in French along with Occitan, English, and Haitian Kreyòl. You can take a quick look inside the vinyl here:
"Anyone who thinks they already know the full extent of Cécile McLorin Salvant's artistry should listen to Mélusine without further delay," exclaims Jazzwise. "It's a remarkable recording in several respects. Beautifully recorded, Salvant continues to confound and delight at every turn."
“Mélusine retains the intellectual curiosity of Salvant’s jittery, questing catalogue,” says Mojo. “As with 2022’s Ghost Song, Salvant’s imaginative backdrops draw on jazz, blues, folk and vaudeville, double daring her audience to follow her next flight of fancy.”
Mélusine follows last year’s Grammy-nominated label debut, Ghost Song, which received tremendous critical praise, including spots on best albums of 2022 lists from the New York Times and NPR, among others. Salvant has North American tour dates into the summer, including performances at the Big Ears and SFJAZZ Festivals and at New York’s Jazz at Lincoln Center. See below for all of the currently scheduled dates; for all the latest, visit nonesuch.com/on-tour.
The new album was recorded to tape. Its songs tell the story of the European folkloric legend of Mélusine, written by Jean d’Arras in 1393. It tells of a man, Raymondin, who is overwhelmed with grief after accidentally killing his uncle in a boar hunting accident. Wandering in the forest, he encounters three women bathing. The most beautiful of them, Mélusine, sees him and demands justification for his indiscretion. She promises to make him a great lord if he marries her—on the condition that he never sees her on Saturdays.
He agrees, and they are happy until the weekend his brother visits, sharing rumors that his wife is unfaithful. He becomes angry and uses his sword to cut a hole in Mélusine’s iron door. She’s bathing in her marble tub, and he sees that below the waist, she has the body of a snake. When she realizes that he’s looking, she turns into a dragon and flies out the window, returning to visit her descendants on their deathbeds.
“I have a memory from my childhood of being in the dentist’s office, waiting to get my teeth cleaned, and hearing this wonderful music from the French Caribbean. I was too young to know what it was called, but it was like zouk. I wrote this five years ago, after Wynton [Marsalis] invited me to sing at the Marciac festival. So I had it around, with only a vague idea of the rhythm,” Salvant says.
“For this track I wanted to play with musicians with whom I shared a cultural heritage. Right away when I played it for Godwin [Louis, the multi-instrumentalist who plays saxophone and sings on Mélusine] he said, ‘I know what kind of song this is.’ He did a compas thing on it, and it just made me smile. All I had was something vague—a sound heard in a dentist office in Miami at age twelve—and he made it specific,” she continues.
“This is the song where she says, ‘Let’s get married but don’t mess with Saturdays.’ It’s classically a song I’d write—a sweet song about people who love each other, but there’s destruction in there too.”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her work Ogresse is an ambitious long-form musical fable based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world; it was recently announced that she has partnered with French studio Miyu Productions and will co-direct a feature-length film version with Belgian animator Lia Bertels.
The original cast album of Adam Guettel’s Broadway musical Days of Wine and Roses, with a book by Craig Lucas, starring Kelli O’Hara and Brian d’Arcy James, is now available on CD, following its recent digital release. “Repeated listenings compound the amazement,” the New York Times says of Guettel’s work, which “has always offered that kind of challenge—initially leaving a feeling of: Beautiful, but wait, I need to hear it again—and those up for it have a way of coming away shining like Moses down from the Mount. The new score has the same effect.” Guettel, O'Hara, and d'Arcy James—all of whom have been nominated for Tony Awards for Days of Wine and Roses—will sign copies of the CD at the Drama Book Shop in NYC this Wednesday, May 22.
Brad Mehldau’s After Bach II and Après Fauré are out now on Nonesuch Records. The Bach album comprises four preludes and one fugue from the Well-Tempered Clavier, as well as the Allemande from the fourth Partita, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of Bach—including Mehldau’s Variations on Bach’s Goldberg Theme. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s works.
