Chris Thile, Edgar Meyer Preview New Album at Aspen

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Chris Thile and Edgar Meyer will preview their forthcoming, self-titled debut duo album tonight in a special concert at the Aspen Music Festival. On the record, due out September 23 and available now for pre-order in the Nonesuch Store, are 12 original songs by the two musicians. There's also a deluxe version that includes a 50-minute DVD with performances, rehearsals, and behind-the-scenes footage with Edgar and Chris. The Aspen Times says Chris's first Nonesuch record, Punch, with the Punch Brothers, takes "acoustic music to an appreciably higher level."

Copy

Chris Thile and Edgar Meyer will preview their forthcoming, self-titled
Nonesuch duo debut tonight in a special concert at the Aspen Music
Festival's Harris Concert Hall. On the album, due out September 23 and available now for pre-order in the Nonesuch Store, are 12 original songs by the two musicians, who have been performing together on-and-off for a number of years. There's also a deluxe version of the album that includes a 50-minute DVD with performances, rehearsals, and behind-the-scenes footage with Edgar and Chris.

Leading up to tonight's performance, the Aspen Times's Stewart Oksenhorn talks to Chris about his pairing with Meyer, which you can read here, and reviews Chris's first Nonesuch record, Punch, with the Punch Brothers, released in February. In the latter article, Oksenhorn says that with the music of Punch, the band aimed "to expand the boundaries of string music while keeping it all acoustic" and, indeed, has succeeding in bringing "acoustic music to an appreciably higher level."

While Punch Brother's roots may be in bluegrass, particularly in its instrumentation, it has not limited itself to the strictures of any one genre in creating its new sound. Writes Oksenhorn:

The drive of bluegrass is replaced by a more free-floating rhythmic sensibility that can turn on a dime from a glide to a chug, and right back again. The rhythmic ideal at play here is reason enough for aspiring string players to study Punch; the opening track, “Punch Bowl,” in just three and a half minutes, covers an enormous range of tempos.

From the opening track, the album moves on to its centerpiece, the multi-movement work penned by Chris, The Blind Leaving the Blind, which, says Oksenhorn, "covers huge swaths of territory. The aim is to blend tightly composed sections with passages of blinding group improvisation, and the Punch Brothers do it so well here, it’s often hard to tell which they’re doing at any given time."

To read the full review, visit aspentimes.com. To read Oksenhorn's interview with Chris, click here. For more on tonight's performance, visit aspenmusicfestival.com.

featuredimage
Edgar Meyer & Chris Thile [cover]
  • Wednesday, August 13, 2008
    Chris Thile, Edgar Meyer Preview New Album at Aspen

    Chris Thile and Edgar Meyer will preview their forthcoming, self-titled
    Nonesuch duo debut tonight in a special concert at the Aspen Music
    Festival's Harris Concert Hall. On the album, due out September 23 and available now for pre-order in the Nonesuch Store, are 12 original songs by the two musicians, who have been performing together on-and-off for a number of years. There's also a deluxe version of the album that includes a 50-minute DVD with performances, rehearsals, and behind-the-scenes footage with Edgar and Chris.

    Leading up to tonight's performance, the Aspen Times's Stewart Oksenhorn talks to Chris about his pairing with Meyer, which you can read here, and reviews Chris's first Nonesuch record, Punch, with the Punch Brothers, released in February. In the latter article, Oksenhorn says that with the music of Punch, the band aimed "to expand the boundaries of string music while keeping it all acoustic" and, indeed, has succeeding in bringing "acoustic music to an appreciably higher level."

    While Punch Brother's roots may be in bluegrass, particularly in its instrumentation, it has not limited itself to the strictures of any one genre in creating its new sound. Writes Oksenhorn:

    The drive of bluegrass is replaced by a more free-floating rhythmic sensibility that can turn on a dime from a glide to a chug, and right back again. The rhythmic ideal at play here is reason enough for aspiring string players to study Punch; the opening track, “Punch Bowl,” in just three and a half minutes, covers an enormous range of tempos.

    From the opening track, the album moves on to its centerpiece, the multi-movement work penned by Chris, The Blind Leaving the Blind, which, says Oksenhorn, "covers huge swaths of territory. The aim is to blend tightly composed sections with passages of blinding group improvisation, and the Punch Brothers do it so well here, it’s often hard to tell which they’re doing at any given time."

    To read the full review, visit aspentimes.com. To read Oksenhorn's interview with Chris, click here. For more on tonight's performance, visit aspenmusicfestival.com.

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, February 7, 2025
    Friday, February 7, 2025

    A deluxe edition of Wilco’s 2004 Grammy Award–winning album A Ghost Is Born is out now. The box set comprises either nine vinyl LPs and four CDs or nine CDs—including the original album, alternates, outtakes, and demos, charting the making of A Ghost Is Born—plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions. It includes sixty-five previously unreleased music tracks as well as a forty-eight-page hardcover book with previously unpublished photos and a new liner note by Grammy-winning writer Bob Mehr. There is also a new vinyl pressing of the original album in a two-disc package, and a two-CD expanded version of the original album with bonus track highlights from the full deluxe edition repertoire. The two-CD version is also available on streaming services worldwide.

    Journal Topics: Album ReleaseArtist News
  • Wednesday, February 5, 2025
    Wednesday, February 5, 2025

    Rhiannon Giddens reunites with her former Carolina Chocolate Drops bandmate Justin Robinson on What Did the Blackbird Say to the Crow, due April 18. Produced by Giddens and Joseph "joebass" DeJarnette, the album features Giddens on banjo and Robinson on fiddle, playing eighteen of their favorite North Carolina tunes. Many were learned from their late mentor, legendary North Carolina Piedmont musician Joe Thompson; one is from another musical hero, the late Etta Baker. Giddens and Robinson recorded outdoors at Thompson’s and Baker’s North Carolina homes, as well as the former plantation Mill Prong House, accompanied by the sounds of nature, including two different broods of cicadas, which had not emerged simultaneously since 1803, creating a true once-in-a-lifetime soundscape. A video of “Hook and Line,” a traditional tune from Joe Thompson’s repertoire and filmed at his home in Mebane, NC, may be seen here. The duo, along with four other string musicians, embarks on Rhiannon Giddens & The Old-Time Revue Tour April 25.

    Journal Topics: Album ReleaseArtist NewsVideo