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Kronos Quartet’s latest Nonesuch album, Music of Vladimir Martynov, is out today. The album includes three works written or rescored for Kronos by the contemporary Russian composer Vladimir Martynov—The Beatitudes, Schubert–Quintet(Unfinished), and Der Abschied—and features a special guest performance from former Kronos cellist Joan Jeanrenaud. Kronos’ artistic director and founder David Harrington says Martynov’s music “straddles various points of musical history and time; the music seems to me to reflect and absorb humanity in such a beautiful way." Hear preview clips of each piece here.
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Kronos Quartet’s latest Nonesuch album, Music of Vladimir Martynov, is out today. The album includes three works written or rescored for Kronos by the contemporary Russian composer Vladimir Martynov: The Beatitudes (1998, rescored for Kronos, 2006), Schubert–Quintet (Unfinished) (2009), and Der Abschied (2006). Kronos’ artistic director and founder David Harrington says Martynov’s music “straddles various points of musical history and time; the music seems to me to reflect and absorb humanity in such a beautiful way.” You can hear preview clips of each piece below.
To pick up a copy of Music of Vladimir Martynov, head to the Nonesuch Store, where CD orders include high-quality, 320 kbps MP3s of the album.
Born in Moscow in 1946, Martynov was the son of a well-known musicologist and writer. He studied music from a young age and attended the Conservatory before expanding his musical pursuits beyond the traditional classical canon and into folk songs, early music, avant-garde, rock, and electronic music. In 1979, he entered the Spiritual Academy at the Trinity Lavra of St. Sergius, where he worked on preserving and restoring traditional Russian Orthodox chant. He returned to composition in the 1990s with a new style that combined the traditions of American minimalism with the repetitive chant of Russian Orthodoxy.
As Greg Dubinsky writes in the liner notes, Martynov explores the “perspective of the Orthodox Church’s hermetic, ascetic tradition of insight and ecstasy achieved through ceaseless prayer ... In this uninterrupted circular motion, time lacks beginning or end. Through the insistent repetition of a single formula, the mind blocks out the external world ... His goal is to create a music that maintains this pose of enraptured contemplation for as long as possible.” Kronos Quartet has commissioned five works from Martynov, three of which are on this new album.
Kronos requested the arrangement of The Beatitudes (originally written as a choral piece) to close its live-performance program Awakening, which reflects on the terrorist attacks of September 11, 2001. Harrington calls the piece “one of the great works of faith in our repertoire.”
Schubert–Quintet (Unfinished) draws from Schubert’s String Quartet in C Major, using its instrumentation of double cellos, which fulfilled Kronos’ request for a piece reuniting them with former cellist Joan Jeanrenaud. The Quartet’s cellist for 20 years beginning in 1978, Jeanrenaud had not played with the group since 1998 before this recording. She will join them for a performance of Schubert–Quintet (Unfinished) on February 28 at Carnegie Hall’s Zankel Hall.
In Der Abschied (The Farewell), which Martyov wrote as a memorial to his father, the composer uses musical repetition to conjure his late father’s labored last breaths. This piece’s musical “mantra” is from Mahler’s Das Lied Von Der Erde (Songs of the Earth), leading Harrington to call it “the string quartet Mahler never wrote.”
Listen to excerpts from Music of Vladimir Martynov below, then head to the Nonesuch Store to take home a copy of the album today:
Over the course of nearly four decades, San Francisco’s Kronos Quartet has commissioned 750 new works, performed thousands of concerts worldwide, released more than 50 recordings, and collaborated with dozens of artists. Working with composers from nearly every corner of the globe, Kronos has created a new repertoire for string quartet. A non-profit organization, the Kronos Quartet/Kronos Performing Arts Association is committed to mentoring emerging musicians and composers and to creating and performing new works, devoting five months of each year to touring. In 2011, the Quartet received two prestigious international honors: the Avery Fisher Prize in New York and the Polar Music Prize in Stockholm, Sweden. No other musician or ensemble has ever won both prizes, let alone in a single year. The Kronos Quartet members are David Harrington and John Sherba, violin; Hank Dutt, viola; and Jeffrey Zeigler, cello.
See below for all of the currently scheduled Kronos Quartet performances, including three shows in London this month as part of the Quartet's week-long residency of concerts and creative learning events at the Barbican. For additional information on all the events listed here, go to nonesuch.com/on-tour.
KRONOS QUARTET IN CONCERT
Jan 12
Serbian National Theater
Novi Sad, SERBIA
Jan 15
Klub Zak
Gdansk, POLAND
Jan 18
Cité de la musique
Paris, FRANCE
Jan 19
Salle Jean-Cocteau
Clermont-Ferrand, FRANCE
Jan 24
Hackney Empire
London, UNITED KINGDOM
Jan 26
Barbican Hall
London, UNITED KINGDOM
Jan 27
Wilton's Music Hall
London, UNITED KINGDOM
Jan 29
(Le) Poisson Rouge*
New York, NY
Feb 5
Hertz Hall, Cal Performances
Berkeley, CA
Feb 12
Dinkelspiel Auditorium, Stanford University
Stanford, CA
Feb 15
Krannert Center for the Performing Arts
Urbana, IL
Feb 17
Schwartz Center for the Performing Arts, Emory University
Atlanta, GA
Feb 18
Dekelboum Concert Hall, Clarice Smith Performing Arts Center
College Park, MD
Feb 22&23
Kogod Theatre, Clarice Smith Performing Arts Center
College Park, MD
Feb 25
Shea Center for the Performing Arts, William Paterson University
Wayne, NJ
Feb 28
Zankel Hall, Carnegie Hall**
New York, NY
Mar 3
Roy Thomson Hall
Toronto, ON
Mar 11
Walt Disney Concert Hall
Los Angeles, CA
Mar 15-17
Forum, Yerba Buena Center for the Arts
San Francisco, CA
Mar 21
Kaul Auditorium, Reed College
Portland, OR
Mar 23
Neptune Theatre, Seattle Theatre Group
Seattle, WA
Apr 12
Campbell Hall, UCSB
Santa Barbara, CA
Apr 24
Van Duzer Theatre, Humboldt State University
Arcata, CA
May 11&12
Novellus Theater
San Francisco, CA
May 18
Grote Zaal, Muziekgebouw
Amsterdam, NETHERLANDS
May 19
Jurriaanse Zaal, De Doelen
Rotterdam, NETHERLANDS
May 21&22
Cité de la musique***
Paris, FRANCE
May 23
MC2***
Grenoble, FRANCE
May 25
Glasgow Royal Concert Hall***
Glasgow, UNITED KINGDOM
May 27
Wales Millennium Centre***
Cardiff, UNITED KINGDOM
May 29
Birmingham Symphony Hall***
Birmingham, UNITED KINGDOM
* free Philip Glass 75th birthday concert ** w/ Joan Jeanrenaud: NY Premieres of works by Vladimir Martynov, Nicole Lizée, and Donnacha Dennehy
*** w/ Philip Glass: Dracula the music and film
featuredimage
Kronos Quartet: "Music of Vladimir Martynov" [cover]
Kronos Quartet's "Music of Vladimir Martynov" Out Now with Former Kronos Cellist Joan Jeanrenaud As Special Guest
Kronos Quartet’s latest Nonesuch album, Music of Vladimir Martynov, is out today. The album includes three works written or rescored for Kronos by the contemporary Russian composer Vladimir Martynov: The Beatitudes (1998, rescored for Kronos, 2006), Schubert–Quintet (Unfinished) (2009), and Der Abschied (2006). Kronos’ artistic director and founder David Harrington says Martynov’s music “straddles various points of musical history and time; the music seems to me to reflect and absorb humanity in such a beautiful way.” You can hear preview clips of each piece below.
To pick up a copy of Music of Vladimir Martynov, head to the Nonesuch Store, where CD orders include high-quality, 320 kbps MP3s of the album.
Born in Moscow in 1946, Martynov was the son of a well-known musicologist and writer. He studied music from a young age and attended the Conservatory before expanding his musical pursuits beyond the traditional classical canon and into folk songs, early music, avant-garde, rock, and electronic music. In 1979, he entered the Spiritual Academy at the Trinity Lavra of St. Sergius, where he worked on preserving and restoring traditional Russian Orthodox chant. He returned to composition in the 1990s with a new style that combined the traditions of American minimalism with the repetitive chant of Russian Orthodoxy.
As Greg Dubinsky writes in the liner notes, Martynov explores the “perspective of the Orthodox Church’s hermetic, ascetic tradition of insight and ecstasy achieved through ceaseless prayer ... In this uninterrupted circular motion, time lacks beginning or end. Through the insistent repetition of a single formula, the mind blocks out the external world ... His goal is to create a music that maintains this pose of enraptured contemplation for as long as possible.” Kronos Quartet has commissioned five works from Martynov, three of which are on this new album.
Kronos requested the arrangement of The Beatitudes (originally written as a choral piece) to close its live-performance program Awakening, which reflects on the terrorist attacks of September 11, 2001. Harrington calls the piece “one of the great works of faith in our repertoire.”
Schubert–Quintet (Unfinished) draws from Schubert’s String Quartet in C Major, using its instrumentation of double cellos, which fulfilled Kronos’ request for a piece reuniting them with former cellist Joan Jeanrenaud. The Quartet’s cellist for 20 years beginning in 1978, Jeanrenaud had not played with the group since 1998 before this recording. She will join them for a performance of Schubert–Quintet (Unfinished) on February 28 at Carnegie Hall’s Zankel Hall.
In Der Abschied (The Farewell), which Martyov wrote as a memorial to his father, the composer uses musical repetition to conjure his late father’s labored last breaths. This piece’s musical “mantra” is from Mahler’s Das Lied Von Der Erde (Songs of the Earth), leading Harrington to call it “the string quartet Mahler never wrote.”
Listen to excerpts from Music of Vladimir Martynov below, then head to the Nonesuch Store to take home a copy of the album today:
Over the course of nearly four decades, San Francisco’s Kronos Quartet has commissioned 750 new works, performed thousands of concerts worldwide, released more than 50 recordings, and collaborated with dozens of artists. Working with composers from nearly every corner of the globe, Kronos has created a new repertoire for string quartet. A non-profit organization, the Kronos Quartet/Kronos Performing Arts Association is committed to mentoring emerging musicians and composers and to creating and performing new works, devoting five months of each year to touring. In 2011, the Quartet received two prestigious international honors: the Avery Fisher Prize in New York and the Polar Music Prize in Stockholm, Sweden. No other musician or ensemble has ever won both prizes, let alone in a single year. The Kronos Quartet members are David Harrington and John Sherba, violin; Hank Dutt, viola; and Jeffrey Zeigler, cello.
See below for all of the currently scheduled Kronos Quartet performances, including three shows in London this month as part of the Quartet's week-long residency of concerts and creative learning events at the Barbican. For additional information on all the events listed here, go to nonesuch.com/on-tour.
KRONOS QUARTET IN CONCERT
Jan 12
Serbian National Theater
Novi Sad, SERBIA
Jan 15
Klub Zak
Gdansk, POLAND
Jan 18
Cité de la musique
Paris, FRANCE
Jan 19
Salle Jean-Cocteau
Clermont-Ferrand, FRANCE
Jan 24
Hackney Empire
London, UNITED KINGDOM
Jan 26
Barbican Hall
London, UNITED KINGDOM
Jan 27
Wilton's Music Hall
London, UNITED KINGDOM
Jan 29
(Le) Poisson Rouge*
New York, NY
Feb 5
Hertz Hall, Cal Performances
Berkeley, CA
Feb 12
Dinkelspiel Auditorium, Stanford University
Stanford, CA
Feb 15
Krannert Center for the Performing Arts
Urbana, IL
Feb 17
Schwartz Center for the Performing Arts, Emory University
Atlanta, GA
Feb 18
Dekelboum Concert Hall, Clarice Smith Performing Arts Center
College Park, MD
Feb 22&23
Kogod Theatre, Clarice Smith Performing Arts Center
College Park, MD
Feb 25
Shea Center for the Performing Arts, William Paterson University
Wayne, NJ
Feb 28
Zankel Hall, Carnegie Hall**
New York, NY
Mar 3
Roy Thomson Hall
Toronto, ON
Mar 11
Walt Disney Concert Hall
Los Angeles, CA
Mar 15-17
Forum, Yerba Buena Center for the Arts
San Francisco, CA
Mar 21
Kaul Auditorium, Reed College
Portland, OR
Mar 23
Neptune Theatre, Seattle Theatre Group
Seattle, WA
Apr 12
Campbell Hall, UCSB
Santa Barbara, CA
Apr 24
Van Duzer Theatre, Humboldt State University
Arcata, CA
May 11&12
Novellus Theater
San Francisco, CA
May 18
Grote Zaal, Muziekgebouw
Amsterdam, NETHERLANDS
May 19
Jurriaanse Zaal, De Doelen
Rotterdam, NETHERLANDS
May 21&22
Cité de la musique***
Paris, FRANCE
May 23
MC2***
Grenoble, FRANCE
May 25
Glasgow Royal Concert Hall***
Glasgow, UNITED KINGDOM
May 27
Wales Millennium Centre***
Cardiff, UNITED KINGDOM
May 29
Birmingham Symphony Hall***
Birmingham, UNITED KINGDOM
* free Philip Glass 75th birthday concert ** w/ Joan Jeanrenaud: NY Premieres of works by Vladimir Martynov, Nicole Lizée, and Donnacha Dennehy
*** w/ Philip Glass: Dracula the music and film
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Kronos Quartet's "Music of Vladimir Martynov" Out Now with Former Kronos Cellist Joan Jeanrenaud As Special Guest
Kronos Quartet’s latest Nonesuch album, Music of Vladimir Martynov, is out today. The album includes three works written or rescored for Kronos by the contemporary Russian composer Vladimir Martynov: The Beatitudes (1998, rescored for Kronos, 2006), Schubert–Quintet (Unfinished) (2009), and Der Abschied (2006). Kronos’ artistic director and founder David Harrington says Martynov’s music “straddles various points of musical history and time; the music seems to me to reflect and absorb humanity in such a beautiful way.” You can hear preview clips of each piece below.
To pick up a copy of Music of Vladimir Martynov, head to the Nonesuch Store, where CD orders include high-quality, 320 kbps MP3s of the album.
Born in Moscow in 1946, Martynov was the son of a well-known musicologist and writer. He studied music from a young age and attended the Conservatory before expanding his musical pursuits beyond the traditional classical canon and into folk songs, early music, avant-garde, rock, and electronic music. In 1979, he entered the Spiritual Academy at the Trinity Lavra of St. Sergius, where he worked on preserving and restoring traditional Russian Orthodox chant. He returned to composition in the 1990s with a new style that combined the traditions of American minimalism with the repetitive chant of Russian Orthodoxy.
As Greg Dubinsky writes in the liner notes, Martynov explores the “perspective of the Orthodox Church’s hermetic, ascetic tradition of insight and ecstasy achieved through ceaseless prayer ... In this uninterrupted circular motion, time lacks beginning or end. Through the insistent repetition of a single formula, the mind blocks out the external world ... His goal is to create a music that maintains this pose of enraptured contemplation for as long as possible.” Kronos Quartet has commissioned five works from Martynov, three of which are on this new album.
Kronos requested the arrangement of The Beatitudes (originally written as a choral piece) to close its live-performance program Awakening, which reflects on the terrorist attacks of September 11, 2001. Harrington calls the piece “one of the great works of faith in our repertoire.”
Schubert–Quintet (Unfinished) draws from Schubert’s String Quartet in C Major, using its instrumentation of double cellos, which fulfilled Kronos’ request for a piece reuniting them with former cellist Joan Jeanrenaud. The Quartet’s cellist for 20 years beginning in 1978, Jeanrenaud had not played with the group since 1998 before this recording. She will join them for a performance of Schubert–Quintet (Unfinished) on February 28 at Carnegie Hall’s Zankel Hall.
In Der Abschied (The Farewell), which Martyov wrote as a memorial to his father, the composer uses musical repetition to conjure his late father’s labored last breaths. This piece’s musical “mantra” is from Mahler’s Das Lied Von Der Erde (Songs of the Earth), leading Harrington to call it “the string quartet Mahler never wrote.”
Listen to excerpts from Music of Vladimir Martynov below, then head to the Nonesuch Store to take home a copy of the album today:
Over the course of nearly four decades, San Francisco’s Kronos Quartet has commissioned 750 new works, performed thousands of concerts worldwide, released more than 50 recordings, and collaborated with dozens of artists. Working with composers from nearly every corner of the globe, Kronos has created a new repertoire for string quartet. A non-profit organization, the Kronos Quartet/Kronos Performing Arts Association is committed to mentoring emerging musicians and composers and to creating and performing new works, devoting five months of each year to touring. In 2011, the Quartet received two prestigious international honors: the Avery Fisher Prize in New York and the Polar Music Prize in Stockholm, Sweden. No other musician or ensemble has ever won both prizes, let alone in a single year. The Kronos Quartet members are David Harrington and John Sherba, violin; Hank Dutt, viola; and Jeffrey Zeigler, cello.
See below for all of the currently scheduled Kronos Quartet performances, including three shows in London this month as part of the Quartet's week-long residency of concerts and creative learning events at the Barbican. For additional information on all the events listed here, go to nonesuch.com/on-tour.
KRONOS QUARTET IN CONCERT
Jan 12
Serbian National Theater
Novi Sad, SERBIA
Jan 15
Klub Zak
Gdansk, POLAND
Jan 18
Cité de la musique
Paris, FRANCE
Jan 19
Salle Jean-Cocteau
Clermont-Ferrand, FRANCE
Jan 24
Hackney Empire
London, UNITED KINGDOM
Jan 26
Barbican Hall
London, UNITED KINGDOM
Jan 27
Wilton's Music Hall
London, UNITED KINGDOM
Jan 29
(Le) Poisson Rouge*
New York, NY
Feb 5
Hertz Hall, Cal Performances
Berkeley, CA
Feb 12
Dinkelspiel Auditorium, Stanford University
Stanford, CA
Feb 15
Krannert Center for the Performing Arts
Urbana, IL
Feb 17
Schwartz Center for the Performing Arts, Emory University
Atlanta, GA
Feb 18
Dekelboum Concert Hall, Clarice Smith Performing Arts Center
College Park, MD
Feb 22&23
Kogod Theatre, Clarice Smith Performing Arts Center
College Park, MD
Feb 25
Shea Center for the Performing Arts, William Paterson University
Wayne, NJ
Feb 28
Zankel Hall, Carnegie Hall**
New York, NY
Mar 3
Roy Thomson Hall
Toronto, ON
Mar 11
Walt Disney Concert Hall
Los Angeles, CA
Mar 15-17
Forum, Yerba Buena Center for the Arts
San Francisco, CA
Mar 21
Kaul Auditorium, Reed College
Portland, OR
Mar 23
Neptune Theatre, Seattle Theatre Group
Seattle, WA
Apr 12
Campbell Hall, UCSB
Santa Barbara, CA
Apr 24
Van Duzer Theatre, Humboldt State University
Arcata, CA
May 11&12
Novellus Theater
San Francisco, CA
May 18
Grote Zaal, Muziekgebouw
Amsterdam, NETHERLANDS
May 19
Jurriaanse Zaal, De Doelen
Rotterdam, NETHERLANDS
May 21&22
Cité de la musique***
Paris, FRANCE
May 23
MC2***
Grenoble, FRANCE
May 25
Glasgow Royal Concert Hall***
Glasgow, UNITED KINGDOM
May 27
Wales Millennium Centre***
Cardiff, UNITED KINGDOM
May 29
Birmingham Symphony Hall***
Birmingham, UNITED KINGDOM
* free Philip Glass 75th birthday concert ** w/ Joan Jeanrenaud: NY Premieres of works by Vladimir Martynov, Nicole Lizée, and Donnacha Dennehy
*** w/ Philip Glass: Dracula the music and film
Composer and trumpeter Ambrose Akinmusire’s honey from a winter stone is out January 17, 2025, on Nonesuch Records. The album, which Ambrose calls a “self-portrait,” features improvisational vocalist Kokayi, pianist Sam Harris, Chiquitamagic on synthesizer, drummer Justin Brown, and the Mivos Quartet. Akinmusire says, “In many respects this entire work is inspired by and is an homage to the work of the composer Julius Eastman and his organic music concept." The opening track, “muffled screams,” is out now.
Nonesuch releases a deluxe edition of Wilco’s 2004 Grammy Award–winning album A Ghost Is Born on February 7, 2025. The box set comprises either nine vinyl LPs and four CDs or nine CDs—including the original album, alternates, outtakes, and demos, charting the making of A Ghost Is Born—plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions. It includes sixty-five previously unreleased music tracks as well as a forty-eight-page hardcover book with previously unpublished photos and a new liner note by Grammy-winning writer Bob Mehr. An alternate version of “Handshake Drugs,” recorded during the studio sessions at New York’s Sear Sound, twenty-one years ago this month, is out now. There will also be a new vinyl pressing of the original album in a two-disc package, and a two-CD expanded version of the original album with bonus track highlights from the full deluxe edition repertoire. The two-CD version will also be available on streaming services worldwide.