Formed in 2009, James Farm is an acoustic jazz quartet consisting of saxophonist Joshua Redman, pianist Aaron Parks, bassist Matt Penman and drummer Eric Harland. These four free-thinking musicians all individually hold a stake in the future of jazz, and together form a group with a new take on song-based improvisation, a group that invites you to share in the navigation of their own musical future.

From their first gig at the Montreal Jazz Festival they have been writing and honing music that carries strong melodies and buoyant grooves, but defies facile comparisons. They strive, in their own words "to make new musical connections for the times we live in, and make new beats for what now surrounds us." Indeed, there is a physicality to their music, as well as an urgency that comes across in the live performances especially. This band wants to move you, and only asks for an open mind.

In August 2010, after a year of touring during which the band's many compositions got explored, re-imagined and cast out, James Farm went into the studio, the Clubhouse in upstate New York for four days of intense recording. The result is a unique accomplishment. From the mysterious first bars of the opener 'Coax' you can tell this is not going to be your garden variety jazz recording. The tunes are skillfully crafted, with unusual and unexpected forms, and the influences borrow from a wide musical palate with grooves, textures and atmospheres suggestive of rock, ambient or electronic music. 'Polliwog' starts with a gut-bucket pulse and ends in an ethereal resting place. 'Bijou' calls to mind life in a simpler time, and 'Chronos' kindles with determined fire and is a true musical journey, albeit through other-worldly waters. Indeed this band creates, above all, singular atmospheres from its balance of free, in-the-moment dialogue, and attention to the architecture and larger narrative of its tunes.

"Our debut recording is like a late-night walk through a crowded hotel—open the doors, there's a story and a slice of real life behind each one."

These four virtuoso instrumentalists are committed to finding new ways to balance their work as composers with the vitality of improvisation, melding the two into a brand of storytelling uniquely their own. They're also committed to the concept of the Band, where the whole is truly greater than the sum of its parts. Penman explains, "there's an artistic strength in being four equal members of a group that we're enjoying exploring. Put our four heads together and you get a lot of ideas … some of them cosmic, some of them plain nuts, but it's all part of the process."

Part of the musical rapport you can put down to history; Redman, Penman and Harland all worked extensively together in the SFJazz Collective 2005-2007, while Parks and Penman traded duties on each other's latest records, both with Eric Harland on drums. But there is obvious chemistry at work here. Parks explains "James Farm makes me play in a different way, sometimes taking more chances than I would otherwise. It forces me to step up.” He continues, "One of the things I love in this band is the balance of different energies. Our individual temperaments seem to be complementary in a way that makes for a unique creative environment, one with natural and intuitive communication, where we're constantly challenging and bringing out different sides of one another. It's complex and it's simple and it feels like a living thing."

As evidenced by their debut disc, the members of James Farm have established a level of trust and creativity even in their relatively short tenure as a group. Redman says, "I think we were willing to take some chances and try some things that go beyond what you would typically hear or do in an acoustic jazz quartet.  I'm hoping this is just the beginning."

The press response suggests that the band's appeal is immediate, with the San Jose Mercury News describing the music thus: "Organically there are hip-hop, rock and North African beats, Radiohead trance textures, classic motifs. Yet somehow this acoustic quartet doesn't give up the post-Miles-Trane-and-all-else attitude of a contagiously interactive jazz band, with small explosions happening from nanosecond to nanosecond.” All About Jazz calls it "as contemporary and provocative as anything in mainstream jazz today," with "moments of palpable spirituality."

Overall, James Farm gives followers of contemporary music much to be excited about with their forward-thinking and open approach to the jazz idiom. For all their compositional ambitions, their spirit is still best summed up by their drummer. “I have no idea what’s going to happen,” Harland admits, “but I am looking forward to the journey.”