Julia Bullock is on the latest episode of the Criminal podcast to talk with host Phoebe Judge about singer/songwriter Connie Converse on this year's 50th anniversary of Converse's disappearance. "'One by One' is about seeking connection in times when maybe you're feeling isolated and acknowledging that you are in communion with other people, even in times of great despair," Bullock says of the Converse song, which she sings on her Grammy Award–winning debut solo album, Walking in the Dark. "Sometimes I'm struck with searing emotion while singing her songs, which in some ways is sort of surprising, because it's not like the melodies are really demanding, but I think she found this extraordinary way to release emotion."

Ahead of their concert at Barbican Hall in London on Wednesday, Rhiannon Giddens and her band were on BBC Radio 4's Front Row to talk with presenter Tom Sutcliffe about her new album, You're the One, and perform two songs from it live in the studio: "If You Don't Know How Sweet It Is" and "Yet to Be." You can hear the conversation and performances here.

Ambrose Akinmusire's album Owl Song, Cécile McLorin Salvant's Ghost Song and Mélusine, and Yussef Dayes' Black Classical Music are all topics of conversation on the latest New York Times Popcast episode, "An Elastic and Impressive Moment in Jazz," hosted by Times music critic Jon Caramanica, with guests and Times music writers Marcus J. Moore and Giovanni Russonello. You can hear their conversation about "impressive recent releases" and this moment in jazz here.

"Beloved for her enthralling narrative flair, impeccable vocal mastery, and passion for traversing an extensive spectrum of musical genres, Cécile McLorin Salvant is one of the few true reigning divas of jazz," Brian Levine says of his guest on The Gould Standard in the second in a two-part interview. "But her creativity, curiosity, and wayfaring imagination take her well beyond the boundaries of any one style or genre of expression." You can watch part two of their conversation here.

"As hypnotic as anything she’s written, 'Dawning' is a revelation," Rob Thormeyer says of the new song from guitarist/composer Yasmin Williams, his guest on the latest episode of his For Songs podcast. "It signals a re-awakening of life after a catastrophic pandemic, new love, hope, and, well, pretty much whatever you want." The track—featuring Aoife O’Donovan on vocals, Kafari on rhythm bones, and Nic Gareiss’ percussive dancing—provides an early peek at her Nonesuch debut album, due in 2024 (details to come). You can hear their conversation here.

The Magnetic Fields’ Stephin Merritt is on BBC World Service’s Music Life with Beirut's Zach Condon and Blondie's Debbie Harry and Chris Stein. They discuss artistic self-expression, the influence of location on songwriting, and what unexpected musical genres have inspired them. You can hear it here. The Magnetic Fields, who just completed a European tour, will tour the US with songs from 69 Love Songs next year for the album's 25th anniversary. Their 2004 Nonesuch debut album, i, was released on vinyl for the first time this past spring.

“What I find most compelling about her is her musical adventurousness, her willingness to voyage across centuries and make the music of different times, cultures, and mindscapes uniquely her own,” Brian Levine says of Cécile McLorin Salvant, his guest on The Gould Standard, a podcast from the Glenn Gould Foundation about the arts, culture, and contemporary society. “Cécile’s questing spirit is fully on display in her newest album, Mélusine, and its predecessor, Ghost Song.” You can watch their conversation—the first of two parts, with the second forthcoming—here.

“Her music shows off her passion for storytelling and finding the connections between vaudeville, blues, jazz, baroque, and folkloric music. And her latest album, Mélusine, showcases all of that,” Jess Gillam says of Cécile McLorin Salvant, her guest on BBC Radio 3’s This Classical Life. “Her live shows are absolutely electric, full of drama, invention, and commitment to the music.” Salvant shares some of her favorite music—by Puccini, Gabriel Bataille, Camarón de la Isla, and Wanda Jackson—as does Gillam, whose own selections include (past This Classical Life guest) Caroline Shaw’s Plan & Elevation: V. The Beech Tree, from Orange, Shaw’s Grammy-winning album with Attacca Quartet. You can hear the episode here.

“The multi-instrumentalist, producer, and singer-songwriter Lætitia Tamko even surprised herself when many of the songs she wrote in the wake of the loss of her best friend and closest collaborator were rhythmic electropop gems,” Sheroes host Carmel Holt says of her guest, aka Vagabon. “A feeling of celebrating life and giving herself the gift of solace and fun in the music she was creating came together on a new collection of songs for her third full-length album, Sorry I Haven’t Called.” You can hear their conversation here.

“This week’s guest is a trailblazer, a musical activist, a multi-disciplinary, multi-genre artist who has truly carved her own path of both honoring and celebrating lineage and creating a new one for generations to come,” Carmel Holt says of the guest on the third-anniversary episode of her show Sheroes. “Now nearly two decades into her career, Rhiannon Giddens has become one of the most awe-inspiring and influential artists of our time.” Holt talks with Giddens—who was also the radio show’s first guest three years ago—about her Grammy-nominated new album, You’re the One, and more. You can hear their conversation here.

“In many ways, John Adams is the quintessential California composer,” Nadia Sirota writes in the introduction to Adams’ audio interview with the California Festival, a statewide initiative showcasing contemporary classical music, including live performances at venues across the state over the past three weeks. Adams, a resident of Northern California since moving there from New England in 1971, talks about his early days in the area and the inspiration behind some of his most influential early works, like Christian Zeal and Activity, Phrygian Gates, Shaker Loops, and Harmonielehre. You can hear what he has to say here.

“Rhiannon Giddens added to her impressive list of accomplishments earlier this year when the Grammy winner and MacArthur ‘Genius’ Grant recipient won the 2023 Pulitzer Prize in Music as co-composer of the opera Omar,” Kallao says of his guest on NPR’s World Cafe. “The highly decorated singer-songwriter, instrumentalist, composer, and author is relentlessly busy, so we are thrilled to talk to her about her new album, You’re the One.” You can hear their conversation and a live performance of songs from the Grammy-nominated new album and from earlier albums Freedom Highway and Tomorrow Is My Turn here.