Today marks the release of The Low Anthem's new album, Smart Flesh. Rolling Stone gives the album four stars, saying: "It's as if the Band stripped their prairie-gothic majesty down to Tom Waits' early barfly essentials." The Los Angeles Times calls it "a gorgeous, inventively arranged set of reverb-rich roots ballads." Paste sums it up as "soft-spoken stories that’ll stop you in your tracks." The Providence Journal calls it "a stunning, incandescent gem of a recording." The Daily Telegraph gives the album four stars: "These exquisitely voiced musings on love, healing and mortality really hit the spot." Uncut says, "It's all stunningly beautiful."

Brad Mehldau's new 2CD/DVD solo album Live in Marciac is out today on Nonesuch. The Los Angeles Times says: "Mehldau's technical mastery can be enough to make your head spin, but the feeling is invigorating." The Financial Times gives four stars to the "enthralling" album, as does the Daily Telegraph. The Boston Globe says it showcases "what he does best." The Independent on Sunday calls it "a triumph of imagination and structure. Quite simply, he's on fire, inspired, out there, playing with the gods." The Irish Times gives the album a perfect five stars. "A joy at every level—and another contender for the year’s best." Watch an excerpt of Mehldau improvising on "My Favorite Things" here.

Wanda Jackson is set to kick off her months-long US tour in Philadelphia tonight, featuring music from her new Jack White-produced album, The Party Ain't Over. The Philadelphia Inquirer says the songs on the new album "are proof of a match made in heaven." The New York Times says Jackson "still sounds fantastic, and her gnarled, feisty vocals are a good fit with Mr. White’s scrappy production." The San Francisco Chronicle says Jackson "is, now and forever, the Queen of Rockabilly, and she shows it again and again on the album's 11 cuts." Seattle Weekly exclaims: "Holy damn, is this record a keeper."

The Low Anthem and their forthcoming album, Smart Flesh, are the subject of a feature article in the New York Times, which looks at the abandoned pasta sauce factory in which it was recorded as "one of the instruments" on the album. "There is nothing idiosyncratic about what underlies their appeal," says the Times. "The songs are sticky and gorgeous, often because of Mr. Miller’s fungible, memorable voice." The Washington Post looks at the band's shared interest in "thinking outside the musical box." The Guardian says the factory's "effect is as bewitching as it is chilling." The Independent gives the album four stars and says the band's "textural palette is broader than ever on Smart Flesh."

The Low Anthem is the subject of the cover story in the Providence Phoenix, which looks at their new album, Smart Flesh, and, the heady year that preceded it. "The subject matter on the new disc revolves around life’s inevitable end," says the Phoenix, "delivered with such poise and poignancy that it’s easily the band’s most impressive album." KCRW calls it "their best album yet ... With ghostly echoes of such luminous predecessors as Bob Dylan, Leonard Cohen and the country side of the Rolling Stones, The Low Anthem has raised the bar for practitioners of the high-lonesome side of indie folk sounds in the new decade."

Jessica Lea Mayfield has been a Next Big Thing by SPIN magazine. "Black Keys-approved, smart-ass country-rock ingénue." That's what SPIN says to expect from Mayfield's "stunning" new album, Tell Me. USA Today's Pop Candy podcast features her song "Blue Skies Again," saying: "Her voice really is like a patch of blue sky." The Huffington Post names Tell Me its Must-Play Pick of the Week, describing her vocal delivery as "full of detached rapture. No vocal gymnastics. Nothing too emotional. Just those words that perfectly capture the awkwardness and awesomeness of infatuation mixed with unsure bravado."

Brad Mehldau’s 2CD/DVD solo album Live in Marciac is out in just one week, on February 22. The Times of London says: "If you haven’t bought a jazz album since The Köln Concert, this would make a good follow-up." Jazzwise gives it four stars and features Mehldau in this month’s issue. He also spoke with The Huffington Post. "His breathtaking command of his instrument is undeniable," says the site. "But what he is able to say musically as a soloist within the context of each song combined with his improvisations is simply masterful."

As Jessica Lea Mayfield's tour with Justin Townes Earle continues through Valentine's Day, Pitchfork says her work has "the emotional force of the best country music and distinguishes her from other songwriters." On her new album, Tell Me, "Mayfield works to break free of her country confines and showcase her vocals in new, unexpected settings," says Pitchfork. Across the album's 11 tracks, Mayfield's songs prove "positively kaleidoscopic, both musically and emotionally." Scripps Howard gives the album four stars and calls Mayfield a "singularly talented singer."

Jessica Lea Mayfield new album, Tell Me, was released yesterday to rave reviews. "[O]ur advance copy of Jessica Lea Mayfield’s Tell Me was one of the few things keeping us sane during this long, dark, miserable winter," raves American Songwriter, citing the album's "gorgeous vocals, breathtaking production and, most importantly, great songs." Says PopMatters: "Tell Me manages to maintain the beautifully busted feel of Mayfield’s breakout record, but also succeeds in a new and ambitious sonic landscape." She continues her tour with Justin Townes Earle this week.

Chris Thile makes his second appearance on The Travel Channel's The Traveler’s Guide to Life tonight. His travels brought him to Iowa last weekend to perform his Mandolin Concerto with the Waterloo Cedar Falls Symphony. "Thile gave a lively and intense performance of his newly composed concerto," says the Waterloo Cedar Falls Courier, and a "sublime" encore of Bach. He was home in NYC to perform with guitarist Michael Daves last night and hits the road again with Punch Brothers this weekend. Banjoist Noam Pikelny recently spoke with the A.V. Club about the group's Grammy nominations, among many other things.

Jessica Lea Mayfield's Nonesuch debut album, Tell Me, produced by The Black Keys' Dan Auerbach, is out today. The album makes the New York Times's Critics' Choice list of new CDs. "It’s refreshing," says the Boston Globe, "to see her blossom on her seductive new sophomore album." The LA Times says: "Her cool connects her to Patsy Cline; her haunted side recalls Gillian Welch." The AP calls it "a dark and moody album, full of delights throughout, and if it doesn't make Mayfield a star, that too will be heartbreaking." 

The Metropolitan Opera production of John Adams's Nixon in China continues this weekend, following this week's Met premiere. "When John Adams's opera Nixon in China had its world premiere in 1987, it was provocative, edgy, audacious," says the Washington Post. "Twenty-four years later, it's come to the Metropolitan Opera and, along the way, become a Modern Masterpiece." The Huffington Post calls it "a thrill."