Amadou & Mariam are gearing up for Nonesuch's March 24 US release of their latest album, Welcome to Mali. They're also preparing for a US tour that will include a number of dates opening for Coldplay. Spinner says the pair will have no trouble rocking out for the arena crowds, citing Amadou's love of rockers like AC/DC and suggesting "this shouldn't surprise anyone who has followed the rise of the couple in recent years from obscurity to international sensations. There was always a broad rock and pop consciousness in even their most straightforward music." "People can get into our music because they can hear the rock in it, the pop in it," Amadou tells Spinner. "People can find things they know in it. Maybe that's why it touches them."

Joshua Redman's new album, Compass, released last month, features pieces for trio, a format he had explored on his previous release, Back East, as well as the bold combination of all five members of its two separate trios into a double trio. In the March issue of JazzTimes magazine, writer Jeff Tamarkin talks to Redman about his taking "the trio concept to another place altogether," as he "ups the ante on the standard trio model" for Compass.

Elliott Carter: A Nonesuch Retrospective, a four-disc set featuring the recordings of the composer's works made for the label from 1968 to 1985, was recently released in celebration of the Carter's 100th birthday. "Among tributes to the centenarian master," says the Sunday Times (UK) in its four-star review, "few are as nicely judged as this set of recordings made for Nonesuch." The Buffalo News gives three stars to "this exceptional four-disc box," asserting that the performances it features "give the music its optimal opportunity to be heard."

John Adams's two most recent operas were performed in opposite hemispheres this past weekend: A Flowering Tree (2006), in its Australian premiere at the Perth International Arts Festival Friday and Saturday, and Doctoc Atomic (2005) in English National Opera's continuing London production. Western Australia Today describes the former's score as "complex, occasionally challenging and often beautiful," eliciting an enthusiastic response from the audience and multiple curtain calls. The Australian suggests, in light of the festival's success, "Adams might have come away reassured that appetites for high-quality artistry can survive, even thrive, in a recession."

Rokia Traoré was the closing act at this year's WOMADelaide, the Adelaide, Australia, leg of the global World of Music and Dance festival, last night. The Australian says that with her "distinctive, soulful voice" in full effect, "Traoré rocked the park. Traoré has successfully forged her Malian roots with western blues, funk and jazz elements and at times the energy was electrifying ..." The paper's review of her new album, Tchamantché, calls it "the epitome of intelligent, minimalist music, with sparse accompaniment, thoughtful arrangements and subtle percussion."

Dan Auerbach keeps on with the Keep It Hid tour in Chicago and Minneapolis ... Adams's A Flowering Tree receives its Australian premiere in Perth; Doctor Atomic continues in London ... Afro-Cuban All Stars two-show Texas ... Glass brings Book of Longing to Taiwan ... Kronos caters to the younger set ... Brad Mehldau Trio plays Perth and Wellington festivals ... Fernando Otero joins Arturo O'Farrill in New York ... Mandy Patinkin teams up with Patti LuPone to tour ... Joshua Redman's Compass trio plays Italy and Poland ... Allen Toussaint turns the Keys to New Orleans in San Diego ... and more ...

Rokia Traoré is the subject of a feature interview on Pitchfork today, in which the Malian singer-songwriter now living in France discusses her career and describes the inspiration and influences behind her latest Nonesuch release, Tchamantché. "Over 10 years and four incredibly well-received albums," says Pitchfork, "Rokia Traoré has become one of world music's great synthesizers, combining the rhythms and traditions of diverse cultures from Africa and Europe into a complex sound that only she could create."

In a segment exploring the recent and, in many ways, unexpected resurgence of vinyl, ABC News's Nightline says, "Those big old discs are back in a big way," with sales up 89% last year. Anchor Terry Moran spoke with Washington, DC's Crooked Beats record store owner Bill Daley, who shows Moran Wilco's Sky Blue Sky LP as an example of a recent innovation in the field: the inclusion of the complete album on CD, inside the LP sleeve. Wilco was an early pioneer in offering both formats in a single package with the release of that record in May 2007.

Dan Auerbach brings the music from Keep It Hid, his recently released sol debut, back home to Ohio tonight for a concert at the Beachland Ballroom in Cleveland with Hacienda and Those Darlins. The Boston Globe reports from Sunday's show that "the sold-out crowd certainly got what it came to hear: 90 minutes of blissfully loud, fiercely focused rock 'n' roll with heart and soul." Dan's "guitar solos were compact, penetrating bursts of roughed-up chords that chopped predictable blues-rock cliches to ribbons. And while easy to overlook, [his] voice proved an invaluable asset."

Steve Reich & Musicians' performance capped off a marathon concert at Lincoln Center's newly renovated Alice Tully Hall Tuesday night for the Hall's Opening Nights Festival. Starting the concert off was Alarm Will Sound, followed by Bang on a Can All-Stars with Glenn Kotche, whose Mobile the New York Times describes as a "bright-edged, vigorously syncopated" piece. The Times says Reich and his ensemble gave "a supple account" of the composer's Music for 18 Musicians, "a pivotal work in Mr. Reich’s canon and a score that helps define the boundary between Minimalism and post-Minimalism."

Steve Reich, Glenn Kotche and Bang on a Can All-Stars, and Alarm Will Sound help celebrate the opening of Lincoln Center's spectacularly revamped Alice Tully Hall Starr Theater with a marathon evening of performances titled New York, New Music, New Hall tonight. Kotche and Bang on a Can give the New York premiere of his piece Mobile, and Steve Reich & Musicians with Synergy Vocals perform Reich's Music for 18 Musicians. It's all part of the Center's two-week Opening Nights Festival to inaugurate the new space.

Dan Auerbach plays the second of two New York area shows tonight at the Bowery Ballroom in downtown Manhattan, with openers Hacienda, which will also form his backing band, and Those Darlins. They performed last night at the Williamsburg Hall of Music in Brooklyn and the night before at Boston's Paradise Club. There, the Boston Herald says, he took "the ragged, groovy, electrified vibe of a classic Fillmore set" and fit it "with a post-grunge, post-punk, post-Black Sabbath fury," to create "original, jagged, fire-spitting guitar workouts fit for today."