"John Adams is the voice of America," asserts Los Angeles Times music critic Mark Swed in his review of Adams's new memoir, Hallelujah Junction. "His instrumental music," Swed explains, "and particularly that for the orchestra, conveys the American experience broadly." The review goes on to examine the biography and works Adams addresses in the memoir, including his operas Nixon in China, The Death of Klinghoffer, and Doctor Atomic, which Swed calls "an essential part of the American discussion." The book, he concludes, "offers the voice of America straight from the horse's mouth, and to read something so intelligent, reasoned and caring sure feels good these days."

Randy Newman continues his world tour in the Midwest this week. The Chicago Tribune's Greg Kot previews tomorrow night's show in nearby Waukegan by assuring his readers that, with the new album, Randy's "standards remain high, his work stellar ... Instead of growing content and nostalgic, Newman remains at his acerbic best on Harps and Angels, his deceptively jaunty, blues-based, luminously orchestrated pop songs brimming with dark humor and pointed commentary that continues in the tradition of '70s classics such as 'Sail Away,' 'Louisiana,' and 'Political Science.'"

The successful of the vinyl release of Wilco's latest album, Sky Blue Sky, is one example the Chicago Tribune music critic Greg Kot uses to illustrate the recent resurgence of the medium for music fans, young and old alike. The Buena Vista Social Club at Carnegie Hall LP, released last week, joins other recent vinyl releases from Nonesuch like The Black Keys' Attack & Release, The Magnetic Fields' Distortion, and Laurie Anderson's 7" vinyl single "Mambo and Bling," the first recorded music from her piece, Homeland. Kot speaks with Sam Phillips, who asserts: "I love my vinyl, and I play it all the time. Nothing sounds like it. Who would've thought?"

Orchestra Baobab were the featured guests on yesterday's episode of NPR's World Café. The show includes band member interviews and live performances from the group. You can listen online now at npr.org, which says the band, in its early days, created "a gorgeous, unique mix of harmonies, guitar, saxophone, bass, and drums which started a musical renaissance." Host David Dye says they were "the band in Dakar in the 1970s" and attests that "now, their latest album, Made in Dakar, shows that they are as inventive as ever."

John Adams's new memoir, Hallelujah Junction: Composing an American Life, is an "absorbing book," says the New York Times, "which at times reads like a quest narrative that travels through the whole landscape of 20th-century music." Adams has created a "particularly American" sound, reads the review. "His music is both lush and austere, grand and precise. To make an analogy to two poets whose work he has set to music, it’s Walt Whitman on the one hand and Emily Dickinson on the other." The "soundtrack" to the book is available in the companion Nonesuch retrospective, also available now.

David Byrne, who just announced European dates for his current tour, Songs of David Byrne and Brian Eno, has been performing in California all week. San Diego City Beat calls the show "classic Byrne ... a great reminder of Byrne’s genius and his continuing relevance as a performance artist." The Orange County Register calls the Los Angeles show "remarkable" with "Byrne as good as he's ever been since his heyday." The Oakland Tribune calls the Byrne/Eno pairing "one of the greatest partnerships to ever occur in the recording studio," writing that "time has served to validate the significance of" their recently reissued collaboration My Life in the Bush of Ghosts, which has "played a huge role in shaping modern electronic music."

Buena Vista Social Club at Carnegie Hall, released last week on high-grade vinyl and set for release as a double CD next Tuesday, is featured on the latest edition of NPR's All Songs Considered. The show's host, Bob Boilen, introduces "Silencio," the touching duet between Ibrahim Ferrer and Omara Portuondo, by saying of the entire set: "What I love about this music is how gently it all hangs together. It's both relaxed and precise at the same time."

Bill Frisell begins an eight-set residency at Yoshi's Oakland tomorrow night with guitarist Russell Malone. The two performed together last night in Grand Rapids, Michigan, in what the Grand Rapids Press 3-1/2 star review describes as a "singular evening of comparing and contrasting electric-guitar styles." Frisell played a duo set of a different sort late last month with drummer Matt Wilson at the Monterey Jazz Festival, in what the All About Jazz reviewer names among his "personal highlights from the festival." Label mate Joshua Redman had opened the festival with "a rousing trio set, hearkening back to the Sonny Rollins' trio recordings from the late fifties."

Isabel Bayrakdarian began her North American tour music from her recently released Nonesuch debut, Gomidas Songs, this past weekend in California and heads to Vancouver tonight. The Star-Ledger gives the album four stars and says this "charming artist with a warm, gleaming voice ... sounds utterly authentic in these piquant, touching songs." The San Francisco Chronicle says Saturday's tour opener there, by "the brilliant Armenian Canadian singer," was "transfixing ... a wondrous showcase for singer and composer alike." Her voice's "vivid, dark-hued tone and sumptuous phrasing imbued every piece of music with warmth and urgency. Her singing reached great heights of oratorical splendor when necessary, but the simplicity of some of the more straightforward songs was equally touching."

Edgar Meyer and Chris Thile's tour with music from their recently released self-titled debut duo disc on Nonesuch, takes a week's hiatus before resuming in Raleigh next Wednesday. In the mean time, Chris will be performing with label mate Brad Mehldau at New York's Poisson Rouge on Friday in a benefit for Obama. Last night in Seattle, Meyer and Thile gave a performance that, says the Seattle Times, "showcased the rigorous yet accessible, and engrossing, experimentation that defines their intermittent partnership ... [T]he boldness of this duo's performance will not be easily forgotten." After their Sunday show in Portland, The Oregonian calls them "masters of their respective instruments unconstrained by considerations of genre."  Chris also found time to talk to the Los Angeles Times about another passion of his: The Cubs.

Audra McDonald will join fellow Tony Award winner and famed Sondheim interpreter Barbara Cook for a very special concert event titled Audra McDonald & Barbara Cook: Broadway Voices for Change, on Sunday, October 19, at 8 PM, at New York's Al Hirschfeld Theatre. Proceeds from the event will benefit America Votes, the largest grassroots voter mobilization effort in the US, supporting a broad economic and social justice agenda.

Tonight at the 92nd Street Y in New York City: The Composer's Voice: John Adams. John Adams will talk with Juilliard dean Ara Guzelimian about his career; his opera Doctor Atomic, which receives its New York premiere at the Met next week; and his new memoir, Hallelujah Junction, just published by Farrar, Straus & Giroux. The program also features "musical illustrations" by mezzo-soprano Sasha Cooke, baritone Jordan Shanahan, and pianist Linda Hall.