The work of Cincinnati, Ohio-based photographer Michael Wilson has graced the covers of countless Nonesuch albums over the years, including the iconic imagery featured on Nonesuch albums by David Byrne, Bill Frisell, Emmylou Harris, Randy Newman, the Brad Mehldau Trio, and Nicholas Payton. His photography will be on display in an exhibit at the Boone County Public Library in Cincinnati beginning this Wednesday. Michael will be on hand to discuss his work in an opening reception that night.

When John Adams's opera Doctor Atomic premiered at the San Francisco Opera in October 2005, the New York Times' Anthony Tommasini declared that it "must surely be considered the musical event of the year in America." Documentary filmmaker Jon Else was there when the curtain went up, as he had been throughout the previous year, capturing the efforts of the composer and his longtime collaborator, director/librettist Peter Sellars, to tell, through opera, the story of J. Robert Oppenheimer and the start of the nuclear age. Times film critic Stephen Holden calls the resulting documentary, Wonders Are Many, "enthralling." The film makes its way from successful festival runs to its theatrical debut, opening in NYC and LA this afternoon. Doctor Atomic makes its Metropolitan Opera debut in this October. 

The Bang on a Can Marathon---which the New York Times calls "an annual orgy of new music," takes places this weekend, bringing 12 hours of free music to the World Financial Center's Winter Garden in downtown NYC. The event kicks off at 6 PM on Saturday evening with Alarm Will Sound's performance of the third movement to John Adams's Son of Chamber Symphony. The San Francisco Chronicle calls it a "vivacious" piece that "bursts with the technical prowess and cogent wit of the composer's finest efforts." As the clock turns past midnight, Steve Reich's Daniel Variations is scheduled to be performed by SIGNAL.

Sam Phillips's new album, Don't Do Anything, is out Tuesday, and she'll celebrate by kicking off a two-week tour of in-store performances at Borders from coast to coast, starting with her hometown store in LA. Rolling Stone picks "Little Plastic Life" as a standout track off the record, including the song in its "Single Minded" list. "The magnificent Sam Phillips returns with a song that demonstrates her knack for blending curious vocals with a big parched strum," writes Rolling Stone. "To put it another way: she was Feist before there was Feist." Beliefnet says of the new album: "This underrated singer's unique vocal stylings are at their finest here, and the musical arrangements are masterful." The site lauds Sam's "prowess as an artist of true distinction," one who "still has the courage to encapsulate her emotions and experiences in her music in a way few artists ever do."

Bill Frisell's latest release, History, Mystery, receives five stars from the Manchester Evening News (UK). On the album, Bill's "mellifluous guitar, enhanced by pedals and switches, interacts with a genteel string trio and flesh and blood drummer." For the "ethereal/beautiful" music on History, Mystery, "Frisell creates a world full of mystery, enigma and romance, transforming classic Americana like "A Change Is Gonna Come" along the way. Two CDs doesn't seem to overstretch a great artist at his peak."

The Black Keys have closed out the UK leg of their Attack & Release tour and will soon be heading south for stops in Australia and New Zealand in mid-June. Reviewing the new album, JamBase describes it as music that "crawls into your marrow and disturbs your rest. It's not the blues but it's gone drinking with them. For sure, it's rock 'n' roll but with a haunted echo behind even the good time pronouncements ... [T]he imagination and talent gathered on Attack & Release make it a shoe-in for Best of 2008 lists everywhere. Often that sounds like hype but in this case it's just a statement of fact. Once in a while quality just shines out in a way that can't be denied."

David Byrne's latest project, Playing the Building, is set to open this Saturday in downtown New York City. Byrne has created a sound installation in which he's turned an entire building, the early 20th-century Battery Maritime Building, into a working instrument that visitors can play. Admission is free, with an opening reception Saturday evening at 6 PM and the exhibit open Fridays, Saturdays, and Sundays through August 10. 

Many a fan of the TV series Gilmore Girls, which ran from 2000 to 2007 on the WB network, got to know the music of the show's composer, Sam Phillips. Sam wrote original music throughout the series' seven-season run; the show also featured songs from her Nonesuch debut, Fan Dance, and its follow-up, A Boot and Shoe. And Sam herself even joined Lorelei and Rory Gilmore in fictional Stars Hollow, Connecticut, as a troubadour of sorts. Now, with Sam's third Nonesuch album, Don't Do Anything, set for release this Tuesday and available for pre-order now, fans of the show can enter to win a free, signed and personalized copy of the CD at GilmoreGirlsNews.com. The contest is on now and runs through June 5. 

Emmylou Harris's new Nonesuch release, All I Intended to Be, is due out June 10. Crawdaddy!'s Steve Matteo calls "Harris's recent albums, including this new one, some of the best music she has ever made ... [H]er voice remains the heart of her music. The aching compassion with which she sings reveals a voice as real as any in music today." Matteo concludes with high praise for "this superb recording": "It would appear that Harris is simply incapable of making a bad album."

T Bone Burnett's recently released Tooth of Crime earns 3.5 out of 4 stars in the Boston Phoenix, which calls the album "a sonic adventure thanks to Burnett's current signatures: booming drum kits sans cymbals, knotty guitars, lyrics sung through amplifiers, and an open, airy quality that's the antithesis of modern rock production."

Made in Dakar, Orchestra Boabab's first album of new recordings since 2002, was released last week. Billboard says the collection of new songs and new takes on classic Baobab tunes proves to be "a great retrospective" on the band with "no shortage of stylistic turns." The review calls it "a major thrill" to have the chance to rediscover some of the many hard-to-find classics, "retracked in grand fashion" for the new album.