On the Transmigration of Souls

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Release Date
DescriptionExcerpt

This Pulitzer Prize- and Grammy Award-winning piece was written in honor of the heroes and in memory of the victims of the attacks of September 11, 2001. The Atlantic Monthly called the piece “a breakthrough” with “something unique to say to a wide public”; London’s Independent dubbed it “imperative listening.” 

Description

2004 Grammy Winner

This Pulitzer Prize– and Grammy Award–winning piece, a New York Philharmonic and Lincoln Center's Great Performers co-commission, was written in honor of the heroes and in memory of the victims of the attacks of September 11, 2001. It was made possible with the generous support of a longtime New York family. The Atlantic Monthly called the piece “a breakthrough” with “something unique to say to a wide public”; London’s Independent dubbed it “imperative listening.”

 

 

ProductionCredits

PRODUCTION CREDITS
Produced by John Adams and Lawrence Rock
Recorded in concert September 19-24, 2002, at Avery Fisher Hall, Lincoln Center, New York City
Engineered by Lawrence Rock
Soundscape engineering by Mark Grey
Mixed by John Kilgore at Masque Sound, New York City
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

Design by John Gall
Photography by Joel Meyerowitz

Executive Producer: Robert Hurwitz

Nonesuch Selection Number

79816

Number of Discs in Set
1disc
ns_album_artistid
2
ns_album_id
558
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
John Adams
MusicianDetails

MUSICIANS
New York Philharmonic: Lorin Maazel, conductor
New York Choral Artists: Joseph Flummerfelt, director
Brooklyn Youth Chorus: Dianne Berkun, director
Philip Smith, solo trumpet
Preben Antonson, boy’s voice
Other Voices: Sam Adams, Emily Adams, Ditsa Pines, Deborah O’Grady, Morgan Staples

Cover Art
UPC/Price
Label
CD+MP3
UPC
075597981629BUN
Label
MP3
Price
9.00
UPC
075597981667
  • 79816

Track Listing

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 67th Grammy Awards: The Black Keys for Best Rock Performance and Best Rock Song for "Beautiful People (Stay High)," from Ohio Players; Ambrose Akinmusire's Owl Song for Best Jazz Instrumental Album; John Adams's Girls of the Golden West for Best Opera Recording and Best Engineered Album, Classical; Timo Andres's The Blind Banister for Best Engineered Album, Classical; and Caroline Shaw and Sō Percussion's Rectangles and Circumstance for Best Chamber Music / Small Ensemble Performance.

  • "Right from the start, the very first notes sound almost like a pickaxe going against rock and then against that the singing has a certain quality that I think has that same simplicity of affect," composer John Adams says of his 2017 opera, Girls of the Golden West, in a new Boosey & Hawkes video marking the work's recently released first recording. "All of that comes together in this opera in a way that I think only opera can actually address, because it addresses you on an intellectual level, but it also fundamentally touches you on an emotional level." You can see what else he had to say here.

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  • About This Album

    2004 Grammy Winner

    This Pulitzer Prize– and Grammy Award–winning piece, a New York Philharmonic and Lincoln Center's Great Performers co-commission, was written in honor of the heroes and in memory of the victims of the attacks of September 11, 2001. It was made possible with the generous support of a longtime New York family. The Atlantic Monthly called the piece “a breakthrough” with “something unique to say to a wide public”; London’s Independent dubbed it “imperative listening.”

     

     

    Credits

    MUSICIANS
    New York Philharmonic: Lorin Maazel, conductor
    New York Choral Artists: Joseph Flummerfelt, director
    Brooklyn Youth Chorus: Dianne Berkun, director
    Philip Smith, solo trumpet
    Preben Antonson, boy’s voice
    Other Voices: Sam Adams, Emily Adams, Ditsa Pines, Deborah O’Grady, Morgan Staples

    PRODUCTION CREDITS
    Produced by John Adams and Lawrence Rock
    Recorded in concert September 19-24, 2002, at Avery Fisher Hall, Lincoln Center, New York City
    Engineered by Lawrence Rock
    Soundscape engineering by Mark Grey
    Mixed by John Kilgore at Masque Sound, New York City
    Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

    Design by John Gall
    Photography by Joel Meyerowitz

    Executive Producer: Robert Hurwitz

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