Violin Concerto

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This recording of John Adams's Grawemeyer Award–winning Violin Concerto was made with his frequent collaborators violinist Leila Josefowicz, conductor David Robertson, and the St. Louis Symphony Orchestra at Powell Symphony Hall in St. Louis in 2016. The piece features Adams's usual "intelligence, craftsmanship, and quirkiness," says the Boston Globe, and "mingles virtuoso show with soul." 

Description

Nonesuch releases a new recording of John Adams's Grawemeyer Award–winning Violin Concerto (1993) with his frequent collaborators violinist Leila Josefowicz, conductor David Robertson, and the St. Louis Symphony Orchestra on April 27, 2018. The album was recorded at Powell Symphony Hall in St. Louis in 2016. 

Adams's Violin Concerto was co-commissioned by the Minnesota Orchestra, the London Symphony Orchestra, and the New York City Ballet. It was described by the Boston Globe as having "the qualities of intelligence, craftsmanship, and quirkiness that have always marked the composer and his work; this time Adams also mingles virtuoso show with soul, popular appeal with the staying power that comes from intellectual interest." The premiere recording of the work, featuring violinist Gidon Kremer and the London Symphony Orchestra led by Kent Nagano, was released by Nonesuch in 1996.

Josefowicz said of the concerto in an interview with the St. Louis Post-Dispatch, "It was the piece where [Adams] first got to know me as a person and a player, when I was twenty-one. I'm now thirty-eight. When I started playing this piece, it was the confirmation of the new path that I was on, to really go down this new road with new music and with composers, because this experience was so inspiring for me." She further said, "It has a really dancelike feeling, so the violin line is often incredibly syncopated with everything else going on in the orchestra … Basically, it's supposed to make you groove."

Composer John Adams's works, spanning more than four decades, have entered the repertoire and are among the most performed of all contemporary classical music, among them Harmonielehre, Shaker Loops, Chamber Symphony, Doctor Atomic Symphony, Short Ride in a Fast Machine, and his Violin Concerto. His stage works, all in collaboration with director Peter Sellars, include Nixon in China (1987), The Death of Klinghoffer (1991), El Niño (2000), Doctor Atomic (2005), A Flowering Tree (2006), and the Passion oratorio The Gospel According to the Other Mary (2012). In November 2017, Adams's new opera Girls of the Golden West, set during the 1850s California Gold Rush, received its world premiere at San Francisco Opera. The opera's libretto, assembled by Sellars, includes original Gold Rush song lyrics, letters, journal entries, and personal memoirs from the era. This new Violin Concerto album is Nonesuch's thirtieth recording of the works on John Adams, beginning with Harmonielehre in 1986.

Josefowicz, a MacArthur fellow, frequently works with leading international composers, orchestras, and conductors. Violin concertos have been written especially for her by John Adams, Esa-Pekka Salonen, Colin Matthews, and Steven Mackey. Recent highlights from Josefowicz's calendar include performances with the Chicago, Cincinnati, Baltimore, and Melbourne symphonies; Ottawa's National Arts Centre Orchestra; the Orchestre Philharmonique de Radio France; Gürzenich-Orchester Köln; Tonhalle-Orchester Zürich; Filarmonica della Scala; and the Luzerner Sinfonieorchester. Josefowicz's previous Nonesuch recordings are Adams's Scheherazade.2, also with Robertson and the St. Louis Symphony Orchestra, and Road Movies.

David Robertson celebrates his thirteenth and final season as Music Director of the St. Louis Symphony Orchestra (SLSO), which was founded in 1880 and is the second-oldest orchestra in the U.S. During his tenure, Robertson has solidified the SLSO's standing as one of the nation's most vital and innovative ensembles. He is known as a champion of contemporary composers, as evidenced by the SLSO's strong association with John Adams. Robertson and the SLSO's Nonesuch recordings include Adams's City Noir and Saxophone Concerto (2014 Grammy Award), Doctor Atomic Symphony and Guide to Strange Places, and Scheherazade.2. Robertson has frequent projects with the top orchestras and operas houses, internationally.

ProductionCredits

PRODUCTION CREDITS
Produced by Friedemann Engelbrecht
Recorded September 30 and October 1, 2016, at Powell Hall, St. Louis, MO
Recording Engineer: Richard King
Assistant Engineers: Paul Hennerich, Boris Golynskiy
Postproduction Facilities: Teldex Studio, Berlin
Edited, Mixed, and Mastered by Wolfgang Schiefermair

Design by John Heiden for SMOG Design
Photography by Michael Wilson

Executive Producer: Robert Hurwitz

This recording was underwritten in part by New Music USA.

Violin Concerto is published by Hendon Music (Boosey & Hawkes).

Nonesuch Selection Number

562756

ns_album_releasedate
Album Status
Artist Name
John Adams
MusicianDetails

MUSICIANS
Leila Josefowicz, violin

St. Louis Symphony
David Robertson, conductor

Cover Art
UPC/Price
Label
CD+MP3
UPC
075597935059
Label
MP3
Price
10.00
UPC
075597935097
Label
96/24 HD FLAC
Price
14.00
UPC
075597935080
Label
FLAC
Price
11.00
UPC
075597935066
  • 562756

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 67th Grammy Awards: The Black Keys for Best Rock Performance and Best Rock Song for "Beautiful People (Stay High)," from Ohio Players; Ambrose Akinmusire's Owl Song for Best Jazz Instrumental Album; John Adams's Girls of the Golden West for Best Opera Recording and Best Engineered Album, Classical; Timo Andres's The Blind Banister for Best Engineered Album, Classical; and Caroline Shaw and Sō Percussion's Rectangles and Circumstance for Best Chamber Music / Small Ensemble Performance.

  • "Right from the start, the very first notes sound almost like a pickaxe going against rock and then against that the singing has a certain quality that I think has that same simplicity of affect," composer John Adams says of his 2017 opera, Girls of the Golden West, in a new Boosey & Hawkes video marking the work's recently released first recording. "All of that comes together in this opera in a way that I think only opera can actually address, because it addresses you on an intellectual level, but it also fundamentally touches you on an emotional level." You can see what else he had to say here.

  • About This Album

    Nonesuch releases a new recording of John Adams's Grawemeyer Award–winning Violin Concerto (1993) with his frequent collaborators violinist Leila Josefowicz, conductor David Robertson, and the St. Louis Symphony Orchestra on April 27, 2018. The album was recorded at Powell Symphony Hall in St. Louis in 2016. 

    Adams's Violin Concerto was co-commissioned by the Minnesota Orchestra, the London Symphony Orchestra, and the New York City Ballet. It was described by the Boston Globe as having "the qualities of intelligence, craftsmanship, and quirkiness that have always marked the composer and his work; this time Adams also mingles virtuoso show with soul, popular appeal with the staying power that comes from intellectual interest." The premiere recording of the work, featuring violinist Gidon Kremer and the London Symphony Orchestra led by Kent Nagano, was released by Nonesuch in 1996.

    Josefowicz said of the concerto in an interview with the St. Louis Post-Dispatch, "It was the piece where [Adams] first got to know me as a person and a player, when I was twenty-one. I'm now thirty-eight. When I started playing this piece, it was the confirmation of the new path that I was on, to really go down this new road with new music and with composers, because this experience was so inspiring for me." She further said, "It has a really dancelike feeling, so the violin line is often incredibly syncopated with everything else going on in the orchestra … Basically, it's supposed to make you groove."

    Composer John Adams's works, spanning more than four decades, have entered the repertoire and are among the most performed of all contemporary classical music, among them Harmonielehre, Shaker Loops, Chamber Symphony, Doctor Atomic Symphony, Short Ride in a Fast Machine, and his Violin Concerto. His stage works, all in collaboration with director Peter Sellars, include Nixon in China (1987), The Death of Klinghoffer (1991), El Niño (2000), Doctor Atomic (2005), A Flowering Tree (2006), and the Passion oratorio The Gospel According to the Other Mary (2012). In November 2017, Adams's new opera Girls of the Golden West, set during the 1850s California Gold Rush, received its world premiere at San Francisco Opera. The opera's libretto, assembled by Sellars, includes original Gold Rush song lyrics, letters, journal entries, and personal memoirs from the era. This new Violin Concerto album is Nonesuch's thirtieth recording of the works on John Adams, beginning with Harmonielehre in 1986.

    Josefowicz, a MacArthur fellow, frequently works with leading international composers, orchestras, and conductors. Violin concertos have been written especially for her by John Adams, Esa-Pekka Salonen, Colin Matthews, and Steven Mackey. Recent highlights from Josefowicz's calendar include performances with the Chicago, Cincinnati, Baltimore, and Melbourne symphonies; Ottawa's National Arts Centre Orchestra; the Orchestre Philharmonique de Radio France; Gürzenich-Orchester Köln; Tonhalle-Orchester Zürich; Filarmonica della Scala; and the Luzerner Sinfonieorchester. Josefowicz's previous Nonesuch recordings are Adams's Scheherazade.2, also with Robertson and the St. Louis Symphony Orchestra, and Road Movies.

    David Robertson celebrates his thirteenth and final season as Music Director of the St. Louis Symphony Orchestra (SLSO), which was founded in 1880 and is the second-oldest orchestra in the U.S. During his tenure, Robertson has solidified the SLSO's standing as one of the nation's most vital and innovative ensembles. He is known as a champion of contemporary composers, as evidenced by the SLSO's strong association with John Adams. Robertson and the SLSO's Nonesuch recordings include Adams's City Noir and Saxophone Concerto (2014 Grammy Award), Doctor Atomic Symphony and Guide to Strange Places, and Scheherazade.2. Robertson has frequent projects with the top orchestras and operas houses, internationally.

    Credits

    MUSICIANS
    Leila Josefowicz, violin

    St. Louis Symphony
    David Robertson, conductor

    PRODUCTION CREDITS
    Produced by Friedemann Engelbrecht
    Recorded September 30 and October 1, 2016, at Powell Hall, St. Louis, MO
    Recording Engineer: Richard King
    Assistant Engineers: Paul Hennerich, Boris Golynskiy
    Postproduction Facilities: Teldex Studio, Berlin
    Edited, Mixed, and Mastered by Wolfgang Schiefermair

    Design by John Heiden for SMOG Design
    Photography by Michael Wilson

    Executive Producer: Robert Hurwitz

    This recording was underwritten in part by New Music USA.

    Violin Concerto is published by Hendon Music (Boosey & Hawkes).

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