This reprint of Wilco's 2004 Grammy-winning album A Ghost Is Born features the original album with a new cover made for its 20th anniversary. āAnother engrossing, unorthodox record," said Mojo. "With the low-key yet magnificent A Ghost Is Born Tweedy's offering plenty more reasons to believe in the redemptive powers of Wilco.ā "Spectacular," Uncut exclaimed. "Their most engaging album yet."
Nonesuch releases this reprint of Wilcoās 2004 Grammy Awardāwinning album A Ghost Is Born on February 7, 2025. The 2-LP set comprises the original album with a new cover made for its 20th anniversary.
A Ghost Is Born was released commercially on June 22, 2004, debuting at No. 8 on the Billboard chart. The album, which Mehr calls āan eclectic array of dark ballads, upbeat pop songs, Krautrock chug, noise rock freakouts, and roots rock abandon,ā was widely acclaimed as one of 2004ās best, appearing in year-end lists of Mojo, NPR, NME, the Associated Press, the Wire, Rolling Stone, the Village Voice, and Uncut, among many others. The album earned the band its first Grammy, for Best Alternative Music Album. The album also won a Grammy for Best Recording Package.
āAnother engrossing, unorthodox record," said Mojo. "With the low-key yet magnificent A Ghost Is Born Tweedy's offering plenty more reasons to believe in the redemptive powers of Wilco.ā
āThere's a sense that every note and sound on Ghost," said Rolling Stone, "even the spontaneous ones, have been selected for private but rigorous reasons. A drum tap here, a glimmering hammer dulcimer there, a jab of distorted guitar, an echo suddenly opening new spacesāon Ghost, they say what words cannot.ā
āSpectacular," exclaimed Uncut in a five-star review. "Their most engaging album yet. Wilco are getting closer and closer to their essence.ā
For the A Ghost Is Born recording, Wilco was Jeff Tweedy, John Stirratt, Leroy Bach, Glenn Kotche, and Mikael Jorgensen; Jim OāRourke, who mixed the bandās previous release Yankee Hotel Foxtrot, co-produced the album with Wilco. Leroy Bach left Wilco at the completion of the sessions and the band announced the addition of two new members: Pat Sansone and Nels Cline. Sansone and Cline toured with Wilco to promote AGIB and that lineup has remained unchanged since 2004. As Tweedy said to Mehr for his new liner note, āMaking that record, and then finding this lineup, that was the start of somethingāof having a band that can play anything. Thatās why, twenty years later, weāre still here and still going.ā
Wilco first began sessions for what would become A Ghost Is Born in early 2002 at Chicagoās Soma E.M.S., where they had mixed Yankee Hotel Foxtrot. Much of the album was tracked live in the studio with OāRourke and engineer Chris Shaw. They also reunited there with engineer and soon-to-be-bandmate Mikael Jorgensen.
At Soma, the band began sketching out music using Tweedyās notebooks of lyrics, poetry, and prose. Mehr notes: āIn between more traditional song tracking, the group would engage in a series of conceptual improvisations in the studio. These musical experiments, broadly known as āFundamentalsā ā¦were part of what Kotche said was āan attempt to search for a new group identity. To see what we could make this band into.āā
In the fall of 2003, the band relocated to New York to finish recording at Sear Sound. āIt seemed like the band needed to get out of Chicago, get out of the working mode theyād been in, and only be thinking about making a record,ā OāRourke told Mehr. There, playing together in the corner of a large studio, the album began to take its final shape.
Emerging from a period of addiction and rehab, Tweedy discussed how he feels about A Ghost Is Born in retrospect. As he told Mehr, āI was worried the album was going to feel like something dark and not me anymore. But the album was ahead of me as a person. It was the part of me that I was trying to preserveāenthusiastic and furious about the world, as well as open and loving. I reached that in the music, before I could get there emotionally on my own.ā
A Ghost Is Born was the second Wilco release on Nonesuch Records, preceded by the landmark Yankee Hotel Foxtrot. The relationship with Nonesuch would last nearly a decade and include two more studio albumsāSky Blue Sky and Wilco (the album)āalong with a live album and a live DVD, plus reissues of earlier records, before Wilco began its own label, dBpm.
PRODUCTION CREDITS
Produced by Wilco and Jim OāRourke
Recorded at Sear Sound, NYC
Engineered by Chris Shaw
Mixed by Jim OāRourke
Assistant Engineer: T. J. Doherty
Additional Engineering: Jim OāRourke
Track 8-11 (non-drone section) recorded at SOMA E.M.S., Chicago, engineered by Mikael Jorgensen (Tim Iseler, assistant), with additional recording at Sear Sound, engineered by Jim OāRourke
Mixed at Sear Sound by Jim OāRourke
Mastered by Steve Rooke at Abbey Road, London
All songs written by Jeff Tweedy, except tracks 2 also by Jorgensen, 7 also by Kotche, 10 also by Jorgensen/Girard, 11 also by Stirratt/Kotche/Jorgensen/Bach/OāRourke
Design by Peter Buchanan-Smith with Dan Nadel for PictureBox, Inc.
Photography by Michael Schmelling and Peter Buchanan-Smith
Reissue Credits:
Reissue Produced For Release by Cheryl Pawelski & Jeff Tweedy
Mastered by Bob Ludwig, Brian Lee and Bob Jackson
Additional Mixes by Tom Schick at The Loft ā Chicago, IL
Audio Editing and Mastering Preparation: Michael Graves, Jordan McLeod & Cheryl Pawelski at Osiris Studio ā Los Angeles, CA.
Restoration, Disc 2, Track 8 by Michael Graves at Osiris Studio ā Los Angeles, CA
Art Direction by Peter Buchanan-Smith
MUSICIANS
Jeff Tweedy, vocals (01-1-01-12), electric guitar (01-01, 01-06, 01-09, 01-10), electric lead guitar (01-02, 01-03), acoustic baritone 12-string guitar (01-04, 01-07), acoustic guitar (01-06-01-08, 01-10, 01-12), 6-string acoustic bass (01-11), loops, filters, synths (01-11)
John Stirratt, bass (01-01, 01-03, 01-06-01-10, 01-12), electric guitar (01-02), background vocals (01-02, 01-03-01-06), piano (01-04), electric rhythm guitar (01-5), acoustic guitar (01-11), loops, filters, synths (01-11)
Leroy Bach, piano (01-01, 01-06, 01-08, 01-12), Korg CX-3 organ (01-02, 01-08), bass (01-04), vibes (01-07), electric guitar (01-09), acoustic guitar (01-10-01-11), loops, filters, synths (01-11)
Glenn Kotche, drums (01-01-01-12), hammer dulcimer (01-08, 01-11-01-12), percussion (01-08), loops, filters, synths (01-11)
Mikael Jorgensen, synthesizer (01-01), piano (01-2-01-05, 01-07, 01-10, 01-12), RMI Rocksichord (01-03, 01-06), Farfisa organ (01-04, 01-07, 01-12), Fenix modular synthesizer (01-08), stylophone (01-08), Serge modular synthesizer (01-11)
Jim OāRourke, piano (01-01, 01-03-01-04, 01-10), bass (01-02, 01-05), electric rhythm guitar (01-03, 01-06), ARP 2600 (01-03), acoustic guitar (01-04, 01-08), electric lead guitar (01-05), Korg CX-3 organ (01-07), loops, filters, synths (01-11), electric guitar (01-11)
with
Frankie Montuoro, hammer dulcimer (01-05)
Karen Waltuch, viola (01-05)
Tim Barnes, percussion (01-06)