Beethoven’s Op. 10 piano sonatas were a critical step in the composer's career, both absorbing the influences of Mozart and Haydn and superseding them, pointing the way for his own artistic development. Goode, whose interpretations the New York Times describes as possessing “both integrity and immediacy,” performs the three Op. 10 sonatas in their entirety.
Beethoven’s Op. 10 piano sonatas, published together in 1798, were a critical step in the composer's career, both absorbing the influences of Mozart and Haydn and superseding them, pointing the way for his own artistic development. Richard Goode, whose interpretations the New York Times describes as possessing “both integrity and immediacy,” performs the three Op. 10 sonatas in their entirety.
PRODUCTION CREDITS
Produced and engineered by Max Wilcox
Recorded at the American Academy and Institute of Arts and Letters, New York City
Art direction and design: M&Co., New York
Photography by Chris Callis
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MUSICIANS
Richard Goode, piano