Build a Bridge

Submitted by nonesuch on
Release Date
DescriptionExcerpt

The multiple Tony winner expands her repertoire with stunning interpretations of material by John Mayer, Rufus Wainwright, Randy Newman, Neil Young, Laura Nyro, and others, as well as by Broadway compatriot Adam Guettel. The Boston Globe called this collection “a revelation.”

Description

“Ms. McDonald … forces one to reconsider conventional musical definitions. What is the difference between a show tune, a theater song and an art song when someone of Ms. McDonald’s formidable talent and impeccable taste takes them on? The vocal luster and intense commitment she imparts to whatever she sings automatically lifts it to a higher elevation.” —New York Times

Nonesuch released Audra McDonald’s first solo album in four years—Build a Bridge—in September 2006. Known for her work on Broadway, which has earned her four Tony Awards, and her musical theater and classical performances with her ensemble and the world’s most renowned orchestras, McDonald looked beyond her usual repertoire for this record. The result is a thirteen-song collection of music written by artists from the pop world, including Elvis Costello, Randy Newman, Laura Nyro, and Neil Young; younger songwriters John Mayer, Rufus Wainwright, and Nellie McKay; and compositions by her longtime friend and collaborator, musical theater writer Adam Guettel (The Light in the Piazza), among others. “I just choose material that moves me. My hope with this album is that people who are familiar with the artists will enjoy a different take on them,” McDonald says about changing things up a bit for her fourth Nonesuch solo record. “It’s still me,” she continues. “I’m not singing these songs with a different voice or style. As always, I chose songs that I enjoy mining for their emotional gold.”

To help her find her way, McDonald turned to her longtime musical director Ted Sperling, who recommended she bring in Doug Petty, a session keyboardist who has played on albums by Sarah McLachlan and Roseanne Cash, to handle production duties.

When McDonald performed several songs that appear on Build a Bridge at Lincoln Center’s American Songbook series in January 2005, the New York Times called her a “one-woman crossroads of vocal genres whose conceptual flair and vocal flexibility upend conventional wisdom about the boundaries between classical and popular song.”

Build a Bridge was recorded between November 2005 and March 2006 in New York and Los Angeles as McDonald prepared to make her operatic debut with the Houston Grand Opera. The Fresno, CA, native has been working pretty much non-stop since making her Broadway debut in The Secret Garden shortly after graduating from Juilliard in 1993. From there, her career picked up apace when she earned Tony awards in 1994, 1996, and 1998 for Carousel, Master Class, and Ragtime, and again in 2004 for the revival of A Raisin in the Sun.

In addition, McDonald has recorded three previous solo albums for Nonesuch—Way Back to Paradise (1998), How Glory Goes (2000), and Happy Songs (2002)—toured the US, and appeared regularly on many of the great stages of the world including in London, Paris, and Berlin. On television, McDonald has performed in numerous PBS specials and starred in Mister Sterling on NBC and Private Practice on ABC. In 2001, she was nominated for an Emmy for her performance in Wit—the HBO film of the Pulitzer Prize-winning play directed by Mike Nichols and starring Emma Thompson.

ProductionCredits

PRODUCTION CREDITS
Produced and arranged by Doug Petty
Co-produced by Ted Sperling
Recorded and mixed by Todd Whitelock
Recorded November 13-17, 2005, at Right Track Recording, New York, NY
ProTools Engineer: Timmy Olmstead
Assistant Engineer: Justin Shturtz
Overdubs at Sony BMG Studios, New York, NY
ProTools/Assistant Engineer: Mike Peters
Additional recording by Dan Petty at The Path, North Hollywood, CA
Track 6 produced by Fred Hersch, recorded September 29, 2005, by Michael McDonald at Avatar Studios, New York, NY
Track 11 recorded by Jonny Mead at Rebel Studio, Los Angeles, CA
Mixed at Sony BMG Studios
Assistant mix engineer: Dave Stoller
Track 8 mixed by David Way and Todd Whitelock
Tracks 9 and 11 mixed by Dan Petty at The Path
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

Cover design by Barbara de Wilde
Design by Gabriele Wilson
Cover photography by Michael Wilson

Nonesuch Selection Number

79862

Number of Discs in Set
1disc
ns_album_artistid
76
ns_album_id
639
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
Audra McDonald
MusicianDetails

MUSICIANS
Audra McDonald, vocals (1-13)

Doug Petty, piano (1, 2, 4-8, 10, 12), organ (1-8, 10, 12)
Dan Petty, electric and acoustic guitars (1-5, 7-12)
Pete Donovan, bass (1-5, 7, 8, 10, 11)
Shawn Pelton, drums, percussion (1, 2, 4, 5, 7, 8, 10, 12)
Ted Sperling, piano (3, 13)
Jay Bellerose, percussion (4, 12)
Fred Hersch, piano (6)
Gilmer Gomes, percussion (9)

Orchestra:
Sandra Park, Sharon Yamada, Soo Hyun Kwon, Jung Sun Yoo, Lisa Kim, Matt Lehman, Mateuz Wolski, Antoine Silverman, violin
Robert Rinehart, Karen Dreyfus, Nick Cords, viola
Alan Stepansky, Elizabeth Dyson, Anja Wood, cello
Jon Manasse, clarinet
Erik Ralske, French horn
Brian Mahany, euphonium
Mike Davis, trombone
George Flynn, bass trombone
String quartet: Sandra Park, Lisa Kim, violin; Robert Rinehart, viola; Alan Stepansky, cello

Cover Art
UPC/Price
Label
CD+MP3
UPC
075597986228BUN
Label
MP3
Price
11.00
UPC
075597986266
  • 79862

News & Reviews

  • In celebration of Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, an extremely limited quantity of 100 box sets containing newly created prints from his Nonesuch archive, out now. You can take a quick look inside here. Designed by the Grammy-winning team at SMOG Design, each box comprises twenty 12" x 12" prints, numbered and signed by the photographer. Artists featured are Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres, who wrote a note for the box.

  • For Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, 100 box sets of 20 newly created prints from his Nonesuch archive, due September 13. Here, Wilson shares stories from the photo sessions behind the images in the box, with Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres.

Buy Now

  • About This Album

    “Ms. McDonald … forces one to reconsider conventional musical definitions. What is the difference between a show tune, a theater song and an art song when someone of Ms. McDonald’s formidable talent and impeccable taste takes them on? The vocal luster and intense commitment she imparts to whatever she sings automatically lifts it to a higher elevation.” —New York Times

    Nonesuch released Audra McDonald’s first solo album in four years—Build a Bridge—in September 2006. Known for her work on Broadway, which has earned her four Tony Awards, and her musical theater and classical performances with her ensemble and the world’s most renowned orchestras, McDonald looked beyond her usual repertoire for this record. The result is a thirteen-song collection of music written by artists from the pop world, including Elvis Costello, Randy Newman, Laura Nyro, and Neil Young; younger songwriters John Mayer, Rufus Wainwright, and Nellie McKay; and compositions by her longtime friend and collaborator, musical theater writer Adam Guettel (The Light in the Piazza), among others. “I just choose material that moves me. My hope with this album is that people who are familiar with the artists will enjoy a different take on them,” McDonald says about changing things up a bit for her fourth Nonesuch solo record. “It’s still me,” she continues. “I’m not singing these songs with a different voice or style. As always, I chose songs that I enjoy mining for their emotional gold.”

    To help her find her way, McDonald turned to her longtime musical director Ted Sperling, who recommended she bring in Doug Petty, a session keyboardist who has played on albums by Sarah McLachlan and Roseanne Cash, to handle production duties.

    When McDonald performed several songs that appear on Build a Bridge at Lincoln Center’s American Songbook series in January 2005, the New York Times called her a “one-woman crossroads of vocal genres whose conceptual flair and vocal flexibility upend conventional wisdom about the boundaries between classical and popular song.”

    Build a Bridge was recorded between November 2005 and March 2006 in New York and Los Angeles as McDonald prepared to make her operatic debut with the Houston Grand Opera. The Fresno, CA, native has been working pretty much non-stop since making her Broadway debut in The Secret Garden shortly after graduating from Juilliard in 1993. From there, her career picked up apace when she earned Tony awards in 1994, 1996, and 1998 for Carousel, Master Class, and Ragtime, and again in 2004 for the revival of A Raisin in the Sun.

    In addition, McDonald has recorded three previous solo albums for Nonesuch—Way Back to Paradise (1998), How Glory Goes (2000), and Happy Songs (2002)—toured the US, and appeared regularly on many of the great stages of the world including in London, Paris, and Berlin. On television, McDonald has performed in numerous PBS specials and starred in Mister Sterling on NBC and Private Practice on ABC. In 2001, she was nominated for an Emmy for her performance in Wit—the HBO film of the Pulitzer Prize-winning play directed by Mike Nichols and starring Emma Thompson.

    Credits

    MUSICIANS
    Audra McDonald, vocals (1-13)

    Doug Petty, piano (1, 2, 4-8, 10, 12), organ (1-8, 10, 12)
    Dan Petty, electric and acoustic guitars (1-5, 7-12)
    Pete Donovan, bass (1-5, 7, 8, 10, 11)
    Shawn Pelton, drums, percussion (1, 2, 4, 5, 7, 8, 10, 12)
    Ted Sperling, piano (3, 13)
    Jay Bellerose, percussion (4, 12)
    Fred Hersch, piano (6)
    Gilmer Gomes, percussion (9)

    Orchestra:
    Sandra Park, Sharon Yamada, Soo Hyun Kwon, Jung Sun Yoo, Lisa Kim, Matt Lehman, Mateuz Wolski, Antoine Silverman, violin
    Robert Rinehart, Karen Dreyfus, Nick Cords, viola
    Alan Stepansky, Elizabeth Dyson, Anja Wood, cello
    Jon Manasse, clarinet
    Erik Ralske, French horn
    Brian Mahany, euphonium
    Mike Davis, trombone
    George Flynn, bass trombone
    String quartet: Sandra Park, Lisa Kim, violin; Robert Rinehart, viola; Alan Stepansky, cello

    PRODUCTION CREDITS
    Produced and arranged by Doug Petty
    Co-produced by Ted Sperling
    Recorded and mixed by Todd Whitelock
    Recorded November 13-17, 2005, at Right Track Recording, New York, NY
    ProTools Engineer: Timmy Olmstead
    Assistant Engineer: Justin Shturtz
    Overdubs at Sony BMG Studios, New York, NY
    ProTools/Assistant Engineer: Mike Peters
    Additional recording by Dan Petty at The Path, North Hollywood, CA
    Track 6 produced by Fred Hersch, recorded September 29, 2005, by Michael McDonald at Avatar Studios, New York, NY
    Track 11 recorded by Jonny Mead at Rebel Studio, Los Angeles, CA
    Mixed at Sony BMG Studios
    Assistant mix engineer: Dave Stoller
    Track 8 mixed by David Way and Todd Whitelock
    Tracks 9 and 11 mixed by Dan Petty at The Path
    Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

    Cover design by Barbara de Wilde
    Design by Gabriele Wilson
    Cover photography by Michael Wilson