This seven-disc box set contains all Nonesuch recordings of Polish composer Henryk Górecki's works—Lerchenmusik, Symphony No. 3, String Quartets Nos. 1–3, Miserere, Kleines Requiem für eine Polka, Harpsichord Concerto, and Good Night—as well as the newly released first recording of Górecki's final composition, Symphony No. 4, Tansman Episodes, which was completed by Górecki’s son Mikolaj after his father's death. "A commanding, haunting farewell … a conscious summing-up," says the New Yorker of the final piece; "the ailing composer may have sensed that it would be his valediction."
Nonesuch Records released Henryk Górecki: A Nonesuch Retrospective, a seven-disc box set containing all Nonesuch recordings of Górecki works—Lerchenmusik; Symphony No. 3; String Quartets Nos. 1, 2, and 3; Miserere; Kleines Requiem für eine Polka; Harpsichord Concerto; and Good Night—as well as the first recording of the late composer's final work, Symphony No. 4, Tansman Episodes, on January 22, 2016.
The recording of Symphony No. 4, available both in the box and individually, was made during the 2014 world premiere performance at Royal Festival Hall with co-commissioner London Philharmonic Orchestra conducted by Andrey Boreyko. The piece, which pays homage to Górecki’s fellow Polish composer Alexsander Tansman, was incomplete at the time of Górecki’s 2010 death and thus missed its previously scheduled premiere. However the score had precise indications for orchestration, which Górecki’s son Mikolaj, also a composer, used to complete it. The Daily Telegraph said the piece "caps Górecki's reputation as an orchestral composer, but it also contains some surprises. The music … features some brutal juxtapositions of massively powerful music with slow, intimate passages for solo instruments, including prominent parts for piano and organ."
The first vinyl LP of the beloved 1992 Nonesuch recording of Górecki’s Symphony No. 3 also will be released on January 22.
Born in 1933, Henryk Górecki spent most of his life in southern Poland. He was a leading composer of the Polish avant-garde in the 1950s and later reached a worldwide audience in the 1990s thanks to the success of his Symphony No. 3. The work was composed in 1976, and was at that time shocking in its tonality and simplicity, but it was with the release of the 1992 Nonesuch recording of the piece, featuring Dawn Upshaw and the London Sinfonietta, that it attracted international attention, selling more than a million copies and climbing to the top of the classical music charts in both the US and the UK. On the unexpected popularity of the piece, the composer remarked, "Perhaps people find something they need in this piece of music ... somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed."
The London Philharmonic Orchestra was founded in 1932 by Sir Thomas Beecham. Since then, its principal conductors have included Sir Adrian Boult, Sir Georg Solti, Klaus Tennstedt, and Kurt Masur. In 2007, Vladimir Jurowski became the Orchestra’s principal conductor. The London Philharmonic Orchestra has been performing at Southbank Centre’s Royal Festival Hall since it opened in 1951, becoming resident orchestra in 1992. It also has residencies in Brighton and Eastbourne, and performs regularly around the UK. The Orchestra frequently tours abroad: highlights of the 2014–15 season included appearances across Europe, including Iceland, and tours to the USA (West and East Coasts), Canada, and China. The Orchestra broadcasts regularly on television and radio, and has recorded soundtracks for numerous films including The Lord of the Rings. In 2005 it began releasing live, studio, and archive recordings on its own CD label.
Symphony No. 4 received its US premiere in January of this year, by co-commissioner Los Angeles Philharmonic, and was performed in February by the Netherlands Radio Philharmonic Orchestra at the Concertgebouw (which is home to the piece’s third co-commissioner, the ZaterdagMatinee concert series). This recording was supported by the Adam Mickiewicz Institute as part of the Polska Music program.
PRODUCTION CREDITS
Cover photograph by William Clift
Design by John Heiden
Executive Producer: Robert Hurwitz
For musician and production credits:
Disc 1, Lerchenmusik, click here
Disc 2, Symphony No. 3, click here
Disc 3, Already It Is Dusk / Quasi una fantasia, click here
Disc 4, Miserere, click here
Disc 5, Kleines Requiem für eine Polka / Harpsichord Concerto / Good night, click here
Disc 6, ...songs are sung, click here
Disc 7, Symphony No. 4, click here
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MUSICIANS
For musician and production credits:
Disc 1, Lerchenmusik, click here
Disc 2, Symphony No. 3, click here
Disc 3, Already It Is Dusk / Quasi una fantasia, click here
Disc 4, Miserere, click here
Disc 5, Kleines Requiem für eine Polka / Harpsichord Concerto / Good night, click here
Disc 6, ...songs are sung, click here
Disc 7, Symphony No. 4, click here