Rzewski Plays Rzewski: Piano Works, 1975-1999

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This seven-CD retrospective celebrates 25 years of solo-piano compositions by American composer/pianist Frederic Rzewski, his provocative style, and marriage of composition with improvisation. The New York Times called his performances here “very much worth hearing,” saying “there is a brilliance here, a blinding intensity, that is thrilling in itself.”

Description

Emerging in the 1960s with the improv collective Music Elettronica Viva, expatriate American composer Frederic Rzewski spent his entire career apart from what he has described as the “elitist contemporary music establishment,” and established his own unique compositional style in which improvisation and composition are inextricably linked.

Nonesuch Records celebrated Rzewski’s distinctive body of work with the release of a 7-CD, 25-year retrospective of the composer’s piano-based work, Rzewski Plays Rzewski: Piano Works 1975-1999, on September 24, 2002. The discs feature all new recordings performed by the composer of such classic works as The People United Will Never Be Defeated! and De Profundis, a dramatic work incorporating the Oscar Wilde letter to Lord Alfred Douglas, spoken by the pianist. Also included are Mayn Yingele, inspired by the verse of Morris Rosenfeld, poet of the New York sweatshops; the Piano Sonata, with variations on “L’Homme Armé”; the Fantasia; and four of eight parts of The Road, a seven-hour work he had been assembling since 1995, conceptualized as being “like an epic Russian novel in the tradition of Tolstoy or Dostoyevsky.”

He was a student of Charles Mackey in the 1950s; at Harvard and Princeton he met valued kindred spirits such as Christian Wolff and David Behrman. Moving to Rome with a Fullbright Scholarship in 1960, he found his unique voice, felt freed from academia, and he settled there to create his own brand of provocative music. Rzewski lived in Brussels, where he was Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, from 1977 until his death in 2021.

ProductionCredits

PRODUCTION CREDITS
Produced and edited by Marc-Henri Cykiert
Recorded March 1998-March 2001 at Odéon 120/The Right Place, Brussels
Sound Engineer: Michaël W. Huon
Piano: Steinway D274 (Pianos Maene, Brussels)

Design by John Gall
Photography by Michael Wilson

Executive Producer: Robert Hurwitz

Nonesuch Selection Number

79623

Number of Discs in Set
7discs
Album Status
Artist Name
Frederic Rzewski
MusicianDetails

MUSICIANS
Frederic Rzewski, piano

Cover Art
UPC/Price
Label
CD+MP3
Price
0.00
UPC
075597962321BUN
Label
MP3
Price
39.00
UPC
603497079063
  • 79623

News & Reviews

  • In celebration of Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, an extremely limited quantity of 100 box sets containing newly created prints from his Nonesuch archive, out now. You can take a quick look inside here. Designed by the Grammy-winning team at SMOG Design, each box comprises twenty 12" x 12" prints, numbered and signed by the photographer. Artists featured are Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres, who wrote a note for the box.

  • For Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, 100 box sets of 20 newly created prints from his Nonesuch archive, due September 13. Here, Wilson shares stories from the photo sessions behind the images in the box, with Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres.

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  • About This Album

    Emerging in the 1960s with the improv collective Music Elettronica Viva, expatriate American composer Frederic Rzewski spent his entire career apart from what he has described as the “elitist contemporary music establishment,” and established his own unique compositional style in which improvisation and composition are inextricably linked.

    Nonesuch Records celebrated Rzewski’s distinctive body of work with the release of a 7-CD, 25-year retrospective of the composer’s piano-based work, Rzewski Plays Rzewski: Piano Works 1975-1999, on September 24, 2002. The discs feature all new recordings performed by the composer of such classic works as The People United Will Never Be Defeated! and De Profundis, a dramatic work incorporating the Oscar Wilde letter to Lord Alfred Douglas, spoken by the pianist. Also included are Mayn Yingele, inspired by the verse of Morris Rosenfeld, poet of the New York sweatshops; the Piano Sonata, with variations on “L’Homme Armé”; the Fantasia; and four of eight parts of The Road, a seven-hour work he had been assembling since 1995, conceptualized as being “like an epic Russian novel in the tradition of Tolstoy or Dostoyevsky.”

    He was a student of Charles Mackey in the 1950s; at Harvard and Princeton he met valued kindred spirits such as Christian Wolff and David Behrman. Moving to Rome with a Fullbright Scholarship in 1960, he found his unique voice, felt freed from academia, and he settled there to create his own brand of provocative music. Rzewski lived in Brussels, where he was Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, from 1977 until his death in 2021.

    Credits

    MUSICIANS
    Frederic Rzewski, piano

    PRODUCTION CREDITS
    Produced and edited by Marc-Henri Cykiert
    Recorded March 1998-March 2001 at Odéon 120/The Right Place, Brussels
    Sound Engineer: Michaël W. Huon
    Piano: Steinway D274 (Pianos Maene, Brussels)

    Design by John Gall
    Photography by Michael Wilson

    Executive Producer: Robert Hurwitz