Carnegie Hall has announced its 2021–22 concert season, sharing plans to reopen its landmark concert venue to the general public in October, and among the performers taking the esteemed hall's stages are Sō Percussion with Dawn Upshaw and Gilbert Kalish, and Kronos Quartet; as well as Youssou N'Dour. The season also features works by composers including Caroline Shaw, John Adams, Nico Muhly, Sarah Kirkland Snider, and Michael Gordon.

Pulitzer Prize–winning composer Caroline Shaw's second Nonesuch album, Narrow Sea, is out now. Shaw wrote the album's title piece, for Sō Percussion, Dawn Upshaw, and Gilbert Kalish, who perform it here: five parts, each a new setting of a text from The Sacred Harp, the 19th-century collection of shape-note hymns. Video for all five parts of the piece can be seen here. Also on the album is Sō Percussion's performance of Shaw's Taxidermy, which she wrote for the ensemble.

Composer Caroline Shaw's new album, Narrow Sea, featuring Sō Percussion, Dawn Upshaw, and Gilbert Kalish's performance of the title piece—five parts, each a new setting of a text from The Sacred Harp, the 19th-century collection of shape-note hymns—is due next Friday, January 22, on Nonesuch. Here, the artists talk with writer Matthew Guerrieri about the album, which also includes Sō Percussion's performance of Shaw's Taxidermy. Find out why she tells Guerrieri: "I was telling a friend, half-jokingly, that, in a lot of my music, I’m trying to figure out a way to talk about death and mortality, or think about it."

Nonesuch Records releases its second album from Pulitzer Prize–winning composer Caroline Shaw, Narrow Sea, on January 22, 2021. The title piece was written for Sō Percussion, Dawn Upshaw, and Gilbert Kalish, who perform it on this recording: five parts, each a new setting of a text from The Sacred Harp nineteenth century collection of shape-note hymns. Also on the album is Sō Percussion's performance of Shaw's Taxidermy, which she wrote for the ensemble. A video for Part 2 of Narrow Sea can be seen here.

The Brooklyn Academy of Music's wide-ranging series of concerts and events Nonesuch Records at BAM: Celebrating a Label Without Labels, celebrating the 50th anniversary of Nonesuch Records, kicks off Tuesday night with the first of three consecutive nights of concerts from Philip Glass and Steve Reich plus a separate solo set from Brad Mehldau and continues through September 28. The New York Times says the series "reflects the broad curiosity and high standard of a label that has had notable successes ... with no guiding criteria other than instinct and taste." In conjunction with these events, BAMcinématek presents Nonesuch Records on Film, a salute to the label’s rich catalogue of movie soundtracks.

In honor of the 50th anniversary of Nonesuch Records, the Brooklyn Academy of Music (BAM) presents a wide-ranging series of concerts, September 9–28. Part of the 2014 Next Wave Festival, these diverse engagements—featuring 23 evenings of music—underscore the longstanding relationship between Nonesuch artists and BAM. Performs include Philip Glass, Steve Reich, Timo Andres, Brad Mehldau, Chris Thile, Dawn Upshaw, Alarm Will Sound performing works by John Adams, Youssou N'Dour, Rhiannon Giddens, Devendra Banhart, Stephin Merritt, Iron and Wine, Kronos Quartet, Natalie Merchant, Sam Amidon, Olivia Chaney, Laurie Anderson, Rokia Traoré, Toumani & Sidiki Diabaté, Caetano Veloso, and Robert Plant.

Dawn Upshaw and pianist Gilbert Kalish performed at Boston's Jordan Hall on Sunday afternoon, in what the Boston Globe calls a "memorable" recital. "She is, indisputably, a great singer, with a voice that radiates power and unforced warmth," says the Globe. "But her secret weapon is a casual, unpretentious demeanor that lessens the distance between stage and audience. Listeners in her presence experience music not as the inaccessible product of a holy art but as a thing of open, approachable beauty." Later this month, Nonesuch will reissue, as MP3 albums, exclusively in the Nonesuch Store, five recordings of the Haydn piano sonatas Kalish made for the label between 1975 and 1980.