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Brad Mehldau, Christian McBride, and Marcus Gilmore will tour the US in April—with concerts in California, Texas, Indiana, Michigan, and Massachusetts—then head to Hong Kong and Japan for five shows in May. Prior to that, Mehldau will play several solo sets across Europe, including those with music from his new album Après Fauré, in Madrid, Barcelona, London, Lyon, Paris, Grenoble, Bordeaux, Rome, and Vienna.
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Pianist Brad Mehldau, bassist Christian McBride, and drummer Marcus Gilmore will tour the US in April and Hong Kong and Japan in May. The tour begins with shows at the Orpheum Theatre in Los Angeles and Stanford's Bing Concert Hall, followed by four nights at SFJAZZ, two sets at Kuumbwa Jazz in Santa Cruz, and stops in Texas, Indiana, Michigan, and Massachusetts; tickets are on sale now. The tour then heads to Hong Kong on May 6, hits three Tokyo venues, and culminates at Sankei Hall Breeze in Osaka on May 13; tickets on sale soon.
In February and March, Brad Mehldau will play a number of solo shows across Europe, including several featuring music from his album Après Fauré, released earlier this year on Nonesuch, in Madrid, Barcelona, London, Lyon, Paris, Grenoble, Bordeaux, Rome, and Vienna. See below for details and tickets, and visit nonesuch.com/on-tour.
On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor, along with four of Mehldau’s compositions that Fauré inspired presented in a group, bookended by two sections featuring the French composer’s works.
Also released this year is After Bach II, on which Brad Mehldau performs four preludes and one fugue from J.S. Bach’s Well-Tempered Clavier, as well as the Allemande from Partita for Keyboard No. 4 in D Major, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of the Baroque master—including his Variations on Bach’s Goldberg Theme. After Bach II follows 2018’s After Bach album.
Brad Mehldau to Tour with Christian McBride, Marcus Gilmore After 'Après Fauré' Solo Shows
Pianist Brad Mehldau, bassist Christian McBride, and drummer Marcus Gilmore will tour the US in April and Hong Kong and Japan in May. The tour begins with shows at the Orpheum Theatre in Los Angeles and Stanford's Bing Concert Hall, followed by four nights at SFJAZZ, two sets at Kuumbwa Jazz in Santa Cruz, and stops in Texas, Indiana, Michigan, and Massachusetts; tickets are on sale now. The tour then heads to Hong Kong on May 6, hits three Tokyo venues, and culminates at Sankei Hall Breeze in Osaka on May 13; tickets on sale soon.
In February and March, Brad Mehldau will play a number of solo shows across Europe, including several featuring music from his album Après Fauré, released earlier this year on Nonesuch, in Madrid, Barcelona, London, Lyon, Paris, Grenoble, Bordeaux, Rome, and Vienna. See below for details and tickets, and visit nonesuch.com/on-tour.
On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor, along with four of Mehldau’s compositions that Fauré inspired presented in a group, bookended by two sections featuring the French composer’s works.
Also released this year is After Bach II, on which Brad Mehldau performs four preludes and one fugue from J.S. Bach’s Well-Tempered Clavier, as well as the Allemande from Partita for Keyboard No. 4 in D Major, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of the Baroque master—including his Variations on Bach’s Goldberg Theme. After Bach II follows 2018’s After Bach album.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Brad Mehldau to Tour with Christian McBride, Marcus Gilmore After 'Après Fauré' Solo Shows
Pianist Brad Mehldau, bassist Christian McBride, and drummer Marcus Gilmore will tour the US in April and Hong Kong and Japan in May. The tour begins with shows at the Orpheum Theatre in Los Angeles and Stanford's Bing Concert Hall, followed by four nights at SFJAZZ, two sets at Kuumbwa Jazz in Santa Cruz, and stops in Texas, Indiana, Michigan, and Massachusetts; tickets are on sale now. The tour then heads to Hong Kong on May 6, hits three Tokyo venues, and culminates at Sankei Hall Breeze in Osaka on May 13; tickets on sale soon.
In February and March, Brad Mehldau will play a number of solo shows across Europe, including several featuring music from his album Après Fauré, released earlier this year on Nonesuch, in Madrid, Barcelona, London, Lyon, Paris, Grenoble, Bordeaux, Rome, and Vienna. See below for details and tickets, and visit nonesuch.com/on-tour.
On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor, along with four of Mehldau’s compositions that Fauré inspired presented in a group, bookended by two sections featuring the French composer’s works.
Also released this year is After Bach II, on which Brad Mehldau performs four preludes and one fugue from J.S. Bach’s Well-Tempered Clavier, as well as the Allemande from Partita for Keyboard No. 4 in D Major, interspersed with seven compositions or improvisations by Mehldau inspired by the complementary works of the Baroque master—including his Variations on Bach’s Goldberg Theme. After Bach II follows 2018’s After Bach album.
Congratulations to composer and pianist Timo Andres on receiving the Chamber Music Society of Lincoln Center's Elise L. Stoeger Prize—a $25,000 cash prize, awarded biennially by CMS to recognize significant contributions to the field of chamber music composition. Andres says: “I feel equally challenged and freed to take risks when I write chamber music, and writing it, I’ve learned the most about becoming a better composer and musician. To be recognized in this medium by one of its greatest institutional standard-bearers is a huge and unexpected honor.”
David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”
