Congratulations to Cécile McLorin Salvant, Makaya McCraven, and Jeff Parker, each of whom has won the Deutscher Jazzpreis in Germany. Salvant won for International Vocal Album for her Nonesuch debut album, Ghost Song; McCraven for International Drums/Percussion; and Parker for International String Instrument. Winners were announced at an awards ceremony in Bremen today.
Congratulations to Cécile McLorin Salvant, Makaya McCraven, and Jeff Parker, each of whom has won the Deutscher Jazzpreis in Germany. Salvant won for International Vocal Album for her Nonesuch debut album, Ghost Song; McCraven for International Drums/Percussion; and Parker for International String Instrument. Winners were announced at an awards ceremony in Bremen today.
Cécile McLorin Salvant's Ghost Song features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. The Arts Desk exclaims: "The treasure trove of marvels that is Ghost Song exceeds all expectations." Salvant’s new album, Mélusine, a mix of five originals and interpretations of nine songs, dating as far back as the 12th century, mostly sung in French along with Occitan, English, and Haitian Kreyòl, was released last month.
Makaya McCraven’s new album, In These Times, was released on International Anthem / XL Recordings in Europe this past September, on Nonesuch in the US. It made several year's best album lists, including those of Pitchfork ("a high-water mark for [his] technique"), NPR Music's Nate Chinen ("the culmination of a years-long experiment in groove ... just might be Makaya McCraven's manifesto"), and Treble ("McCraven's masterwork").
Jeff Parker’s latest album, Forfolks, was released on International Anthem in December 2021, on Nonesuch as well in the US. The solo guitar album includes interpretations of Thelonious Monk's “Ugly Beauty” and the standard “My Ideal,” plus six original compositions: two earlier tunes, “Four Folks" and “La Jetée,” and four new loop-driven, stratiform works that marry melodic improvisation with electronic textures. "A beautifully freewheeling, guitar-driven expression of joy and musical exploration," says Guitar World, "a masterpiece of improvisation." "Beautiful, resonant, and focused," says the Quietus. "This matches anything he’s produced during his career so far."
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