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Hurray for the Riff Raff (aka Alynda Segarra) has released “JUPITER'S DANCE,” a new song from their upcoming Nonesuch debut album, LIFE ON EARTH, due February 18. Segarra says it's "a song in the shape of a guardian angel. Protection prayer for us all as we live in uncertain and violent times. Manifesting blessings into reality. Posing the question that perhaps the future could be joyous as well as terrifying?” The video, directed by Segarra, is a collection of historical footage of the Bomba and Plena traditions in Puerto Rico, clips Segarra shot on a hand-held camcorder during lockdown, recording studio footage captured by Joshua Shoemaker, and visuals of outer space from NASA. You can watch it here.
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Hurray for the Riff Raff (aka Alynda Segarra) has released “JUPITER'S DANCE,” a new song from their upcoming Nonesuch debut album, LIFE ON EARTH, due February 18, 2022. You can watch the video below and hear the song here. Hurray for the Riff Raff tours North America this spring, beginning March 19 in Atlanta and continuing through April 20 in Nashville, with stops in Austin, Chicago, Los Angeles, and New York, among others (full schedule below; Anjimile supports). International tour dates will be announced shortly. Life on Earth is available to preorder now here; preorders from the Nonesuch Store and the Hurray for the Riff Raff Store include a limited-edition signed print.
Segarra says “Jupiter’s Dance” is: “A song in the shape of a guardian angel. Protection prayer for us all as we live in uncertain and violent times. Manifesting blessings into reality. Posing the question that perhaps the future could be joyous as well as terrifying?”
The video for “Jupiter’s Dance,” directed by Segarra, is a collection of historical footage of the Bomba and Plena traditions in Puerto Rico, clips Segarra shot on a hand-held camcorder during lockdown, recording studio footage captured by Joshua Shoemaker, and visuals of outer space from NASA.
Life on Earth is a departure for the Bronx-born, New Orleans-based Segarra. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).
The first single from Life on Earth, “RHODODENDRON,” was released earlier this fall, along with a video directed by New Orleans-based artist Lucia Honey. That song has received critical praise, with the New York Times calling it “frisky and poetic” and praising Segarra’s “wonderfully Dylan-esque growl,” while NPR praises their “adventurous spirit” and noted that they are “one step ahead of the curve, as usual,” adding that they “modulate the Velvet [Underground’s] spirit for their own purposes.” Stereogum called “Rhododendron” “a chugging rocker with a serious sense of swagger to it.”
Alynda Segarra was born and raised in the Bronx, which they left at age seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).
Hurray for the Riff Raff Releases "JUPITER’S DANCE" from Upcoming Nonesuch Debut, 'LIFE ON EARTH'
Hurray for the Riff Raff (aka Alynda Segarra) has released “JUPITER'S DANCE,” a new song from their upcoming Nonesuch debut album, LIFE ON EARTH, due February 18, 2022. You can watch the video below and hear the song here. Hurray for the Riff Raff tours North America this spring, beginning March 19 in Atlanta and continuing through April 20 in Nashville, with stops in Austin, Chicago, Los Angeles, and New York, among others (full schedule below; Anjimile supports). International tour dates will be announced shortly. Life on Earth is available to preorder now here; preorders from the Nonesuch Store and the Hurray for the Riff Raff Store include a limited-edition signed print.
Segarra says “Jupiter’s Dance” is: “A song in the shape of a guardian angel. Protection prayer for us all as we live in uncertain and violent times. Manifesting blessings into reality. Posing the question that perhaps the future could be joyous as well as terrifying?”
The video for “Jupiter’s Dance,” directed by Segarra, is a collection of historical footage of the Bomba and Plena traditions in Puerto Rico, clips Segarra shot on a hand-held camcorder during lockdown, recording studio footage captured by Joshua Shoemaker, and visuals of outer space from NASA.
Life on Earth is a departure for the Bronx-born, New Orleans-based Segarra. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).
The first single from Life on Earth, “RHODODENDRON,” was released earlier this fall, along with a video directed by New Orleans-based artist Lucia Honey. That song has received critical praise, with the New York Times calling it “frisky and poetic” and praising Segarra’s “wonderfully Dylan-esque growl,” while NPR praises their “adventurous spirit” and noted that they are “one step ahead of the curve, as usual,” adding that they “modulate the Velvet [Underground’s] spirit for their own purposes.” Stereogum called “Rhododendron” “a chugging rocker with a serious sense of swagger to it.”
Alynda Segarra was born and raised in the Bronx, which they left at age seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Hurray for the Riff Raff Releases "JUPITER’S DANCE" from Upcoming Nonesuch Debut, 'LIFE ON EARTH'
Hurray for the Riff Raff (aka Alynda Segarra) has released “JUPITER'S DANCE,” a new song from their upcoming Nonesuch debut album, LIFE ON EARTH, due February 18, 2022. You can watch the video below and hear the song here. Hurray for the Riff Raff tours North America this spring, beginning March 19 in Atlanta and continuing through April 20 in Nashville, with stops in Austin, Chicago, Los Angeles, and New York, among others (full schedule below; Anjimile supports). International tour dates will be announced shortly. Life on Earth is available to preorder now here; preorders from the Nonesuch Store and the Hurray for the Riff Raff Store include a limited-edition signed print.
Segarra says “Jupiter’s Dance” is: “A song in the shape of a guardian angel. Protection prayer for us all as we live in uncertain and violent times. Manifesting blessings into reality. Posing the question that perhaps the future could be joyous as well as terrifying?”
The video for “Jupiter’s Dance,” directed by Segarra, is a collection of historical footage of the Bomba and Plena traditions in Puerto Rico, clips Segarra shot on a hand-held camcorder during lockdown, recording studio footage captured by Joshua Shoemaker, and visuals of outer space from NASA.
Life on Earth is a departure for the Bronx-born, New Orleans-based Segarra. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).
The first single from Life on Earth, “RHODODENDRON,” was released earlier this fall, along with a video directed by New Orleans-based artist Lucia Honey. That song has received critical praise, with the New York Times calling it “frisky and poetic” and praising Segarra’s “wonderfully Dylan-esque growl,” while NPR praises their “adventurous spirit” and noted that they are “one step ahead of the curve, as usual,” adding that they “modulate the Velvet [Underground’s] spirit for their own purposes.” Stereogum called “Rhododendron” “a chugging rocker with a serious sense of swagger to it.”
Alynda Segarra was born and raised in the Bronx, which they left at age seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).
The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element.
The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."
