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Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date US tour behind Parker's critically acclaimed new album, Suite for Max Brown, at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, NYC, and Miami, culminating at Big Ears Festival in Knoxville, Tennessee, on March 27.
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Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date tour of the United States at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, New York City, and Miami, culminating with a set at Big Ears Festival in Knoxville, Tennessee, on March 27. See below for details and tickets or visit nonesuch.com/on-tour.
Jeff Parker’s new album, Suite for Max Brown, released in January on International Anthem and Nonesuch Records, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and has received widespread critical acclaim. Pitchfork gave it a Best New Music review, saying: "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations. It lives at the vanguard of new jazz music." The Quietus says: "It's an album that if you take it at face value will delight, but if you stick around and penetrate its surface, you’ll find one of the most transfixing albums in recent years."
Jeff Parker & The New Breed Tour US Behind New Album, "Suite for Max Brown"
Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date tour of the United States at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, New York City, and Miami, culminating with a set at Big Ears Festival in Knoxville, Tennessee, on March 27. See below for details and tickets or visit nonesuch.com/on-tour.
Jeff Parker’s new album, Suite for Max Brown, released in January on International Anthem and Nonesuch Records, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and has received widespread critical acclaim. Pitchfork gave it a Best New Music review, saying: "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations. It lives at the vanguard of new jazz music." The Quietus says: "It's an album that if you take it at face value will delight, but if you stick around and penetrate its surface, you’ll find one of the most transfixing albums in recent years."
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By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Jeff Parker & The New Breed Tour US Behind New Album, "Suite for Max Brown"
Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date tour of the United States at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, New York City, and Miami, culminating with a set at Big Ears Festival in Knoxville, Tennessee, on March 27. See below for details and tickets or visit nonesuch.com/on-tour.
Jeff Parker’s new album, Suite for Max Brown, released in January on International Anthem and Nonesuch Records, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and has received widespread critical acclaim. Pitchfork gave it a Best New Music review, saying: "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations. It lives at the vanguard of new jazz music." The Quietus says: "It's an album that if you take it at face value will delight, but if you stick around and penetrate its surface, you’ll find one of the most transfixing albums in recent years."
The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element.
The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."
