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Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date US tour behind Parker's critically acclaimed new album, Suite for Max Brown, at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, NYC, and Miami, culminating at Big Ears Festival in Knoxville, Tennessee, on March 27.
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Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date tour of the United States at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, New York City, and Miami, culminating with a set at Big Ears Festival in Knoxville, Tennessee, on March 27. See below for details and tickets or visit nonesuch.com/on-tour.
Jeff Parker’s new album, Suite for Max Brown, released in January on International Anthem and Nonesuch Records, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and has received widespread critical acclaim. Pitchfork gave it a Best New Music review, saying: "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations. It lives at the vanguard of new jazz music." The Quietus says: "It's an album that if you take it at face value will delight, but if you stick around and penetrate its surface, you’ll find one of the most transfixing albums in recent years."
Jeff Parker & The New Breed Tour US Behind New Album, "Suite for Max Brown"
Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date tour of the United States at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, New York City, and Miami, culminating with a set at Big Ears Festival in Knoxville, Tennessee, on March 27. See below for details and tickets or visit nonesuch.com/on-tour.
Jeff Parker’s new album, Suite for Max Brown, released in January on International Anthem and Nonesuch Records, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and has received widespread critical acclaim. Pitchfork gave it a Best New Music review, saying: "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations. It lives at the vanguard of new jazz music." The Quietus says: "It's an album that if you take it at face value will delight, but if you stick around and penetrate its surface, you’ll find one of the most transfixing albums in recent years."
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Jeff Parker & The New Breed Tour US Behind New Album, "Suite for Max Brown"
Composer/multi-instrumentalist Jeff Parker & The New Breed—Josh Johnson (saxophone, synth, keyboard), Paul Bryan (bass, synth), and Makaya McCraven (drums, sampler)—begin a six-city, seven-date tour of the United States at Gold Diggers in Los Angeles on Thursday. The shows continue in Portland, Chicago, Philadelphia, New York City, and Miami, culminating with a set at Big Ears Festival in Knoxville, Tennessee, on March 27. See below for details and tickets or visit nonesuch.com/on-tour.
Jeff Parker’s new album, Suite for Max Brown, released in January on International Anthem and Nonesuch Records, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and has received widespread critical acclaim. Pitchfork gave it a Best New Music review, saying: "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations. It lives at the vanguard of new jazz music." The Quietus says: "It's an album that if you take it at face value will delight, but if you stick around and penetrate its surface, you’ll find one of the most transfixing albums in recent years."
Composer/trumpeter Ambrose Akinmusire, whose new album, honey from a winter stone, is out next week, stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. He chose recordings by Joni Mitchell, Paul Jacobs (performing Schoenberg), Jonny Greenwood, Mary Halvorson, Cécile McLorin Salvant, Steve Reich, and Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade.
Yasmin Williams stopped by Acoustic Guitar to perform songs from her new album, Acadia, and more and to discuss the album. You can watch the session here. "Yasmin Williams is known for extending the boundaries of solo fingerstyle guitar, with progressive techniques and original compositions that blossom out of traditional folk and roots touchstones," writes Acoustic Guitar's Joey Lusterman. "On her latest record, Acadia, she expands her distinctive sound world even further." Williams kicks off a US tour later this month.
