Jeremy Denk’s Ives Denk is out now on Nonesuch Records, available here. The pianist, known as a champion of Charles Ives, is acclaimed for his performances of the great American composer’s works. Ives Denk, released in celebration of the 150th anniversary of Ives’ birth this Saturday, features the composer’s four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk’s 2010 debut recording, Jeremy Denk Plays Ives. 

Also out today is an essay Denk has written for the New York Times, titled "At 150, Charles Ives Still Reflects the Darkness and Hope of America." "At worst, he shows us some of the poison in the American psyche," Denk writes. "But the essential argument for Ives is that his music also offers us the antidote. Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears." You can read it here.

In his liner note, Denk says that Ives’ “deepest dream was to create an original musical style, a fresh and uniquely American voice. He achieved this. But it was a voice most didn’t want to hear, and still don’t. He is one of history’s least popular populists ... Ives’ writings—especially the later ones, when he was in terrible physical decline—are ... often unhinged with anger, full of mean-spirited nicknames and simplistic binaries, they reflect some of the worst angles of America. One thing that saves Ives’ music from these dangers is his sense of humor, and his willingness to embrace failure.”

“If there is one piece that sums up for me Ives’ difficult virtues, it is the slow movement of the first violin sonata, a jagged musical reflection on the Civil War, so eerily relevant now, with America split into red-blue madness. It is interesting to compare this kind of piece, profound yet unloved, with the far more identifiably American voice of Aaron Copland ... Ives is optimistic but always messy, always falling apart at the seams. His music suggests America will just have to muddle through, and wrestle with its own failure. At this particular historical moment, Ives seems to be more right than ever.”

 “Mr. Denk’s playing exuded affinity for Ives and vivid imagination," says the New York Times. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian.”

“Denk is a multi-faceted, intelligent pianist, equally at home playing solo in recital or concertos with orchestra," says the Guardian, "a natural, instinctive educator with a rare ability to reach out to his audience.”

Jeremy Denk is one of America’s foremost pianists, proclaimed by the New York Times as “a pianist you want to hear no matter what he performs.” Denk is also a New York Times bestselling author, the recipient of both the MacArthur “Genius” Fellowship and the Avery Fisher Prize, and a member of the American Academy of Arts and Sciences.

Denk’s previous album of Mozart piano concertos was released in 2021 on Nonesuch Records. The album was deemed “urgent and essential” by BBC Radio 3 and also was Classic FM's Album of the Week. His recording of the Goldberg Variations reached No. 1 on the Billboard Classical Charts, and his recording of Beethoven’s Piano Sonata Op. 111 paired with Ligeti’s Études was named one of the best discs of the year by the New Yorker, NPR, and the Washington Post, while his account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano. His New York Times bestselling memoir, Every Good Boy Does Fine, was published to universal acclaim in 2022.