Joachim Cooder Releases Recording of Steve Earle’s "Christmas in Washington"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Joachim Cooder releases a cover of Steve Earle’s timely “Christmas in Washington” today. Recorded two weeks ago in Los Angeles, the single features Cooder, who produced the track, on vocals, array mbira, and percussion; Rayna Gellert on fiddle; and Juliette Commagere on backing vocals. "Since Steve Earle released ‘Christmas in Washington’ in 1997," says Cooder, "I’ve been listening to it year in and year out. After the election and the last four years we’ve been through, and with Christmas approaching, I thought it was time we all checked back in with Steve. Now more than ever, it seems all a man can do is call out for Woody Guthrie to rise again."

Copy

Singer, songwriter, and multi-instrumentalist Joachim Cooder, who made his Nonesuch debut earlier this fall with Over That Road I’m Bound, releases a cover of Steve Earle’s timely “Christmas in Washington” today, December 18, 2020. You can watch a visualizer for it below and hear it and download it here. Recorded two weeks ago in Los Angeles, the single features Cooder, who produced the track, on vocals, array mbira, and percussion; Rayna Gellert on fiddle; and Juliette Commagere on backing vocals.

Cooder said, “Since Steve Earle released ‘Christmas in Washington’ in 1997 I’ve been listening to it year in and year out. After the election and the last four years we’ve been through, and with Christmas approaching, I thought it was time we all checked back in with Steve. Now more than ever, it seems all a man can do is call out for Woody Guthrie to rise again.”

“Christmas in Washington” was first released on Earle’s album El Corazón. As he said when he performed it on Austin City Limits in 2000: “This song is four years old. The reason I know that is I wrote it on election night last time around … And as freaked out as everybody is about this one, I was pretty freaked out last time. It wasn’t about who won or who lost, it was about how much difference it was gonna make, no matter who won … When it’s all over and they’re done counting ballots … I have serious doubts as to whether it’s gonna make any difference in the lives of people in East Austin, South Nashville, Kensington in Philadelphia, and literally thousands of other communities like that. I can show you places in your own country that look like what you would associate with a third-world nation … I think what’s lacking in the process this go-round is heroes. This is a song about heroes. It’s about my heroes.”

Joachim Cooder has been a sought-after percussionist for two decades now, on now-legendary recordings with his father, Ry Cooder, like the landmark Buena Vista Social Club sessions and on his own with artists like Ali Farka Touré, who inspired Cooder to take up the mbira. He has produced albums for other artists, composed for film, and collaborated with choreographer Daniel Ezralow.

On Over That Road I’m Bound, Cooder uses the plain-spoken songs country-music progenitor and banjo player Uncle Dave Macon recorded as a jumping off point, playing with the lyrics and reworking melodies for his chosen instrument: an electric mbira (a variation on an African thumb piano). Uncut called the album, “Warm, uplifting and quietly spectacular,” and Mojo said, “However sui generis Over That Road I’m Bound is, there’s a reassuringly Cooderesque familiarity to it. Perfect late-night listening accompanied by a tumbler of something strong.” BBC Radio 2’s Mark Radcliffe said it was “one of the most intriguing releases we’ve heard this year.”

featuredimage
Joachim Cooder: "Christmas in Washington" [cover]
  • Friday, December 18, 2020
    Joachim Cooder Releases Recording of Steve Earle’s "Christmas in Washington"

    Singer, songwriter, and multi-instrumentalist Joachim Cooder, who made his Nonesuch debut earlier this fall with Over That Road I’m Bound, releases a cover of Steve Earle’s timely “Christmas in Washington” today, December 18, 2020. You can watch a visualizer for it below and hear it and download it here. Recorded two weeks ago in Los Angeles, the single features Cooder, who produced the track, on vocals, array mbira, and percussion; Rayna Gellert on fiddle; and Juliette Commagere on backing vocals.

    Cooder said, “Since Steve Earle released ‘Christmas in Washington’ in 1997 I’ve been listening to it year in and year out. After the election and the last four years we’ve been through, and with Christmas approaching, I thought it was time we all checked back in with Steve. Now more than ever, it seems all a man can do is call out for Woody Guthrie to rise again.”

    “Christmas in Washington” was first released on Earle’s album El Corazón. As he said when he performed it on Austin City Limits in 2000: “This song is four years old. The reason I know that is I wrote it on election night last time around … And as freaked out as everybody is about this one, I was pretty freaked out last time. It wasn’t about who won or who lost, it was about how much difference it was gonna make, no matter who won … When it’s all over and they’re done counting ballots … I have serious doubts as to whether it’s gonna make any difference in the lives of people in East Austin, South Nashville, Kensington in Philadelphia, and literally thousands of other communities like that. I can show you places in your own country that look like what you would associate with a third-world nation … I think what’s lacking in the process this go-round is heroes. This is a song about heroes. It’s about my heroes.”

    Joachim Cooder has been a sought-after percussionist for two decades now, on now-legendary recordings with his father, Ry Cooder, like the landmark Buena Vista Social Club sessions and on his own with artists like Ali Farka Touré, who inspired Cooder to take up the mbira. He has produced albums for other artists, composed for film, and collaborated with choreographer Daniel Ezralow.

    On Over That Road I’m Bound, Cooder uses the plain-spoken songs country-music progenitor and banjo player Uncle Dave Macon recorded as a jumping off point, playing with the lyrics and reworking melodies for his chosen instrument: an electric mbira (a variation on an African thumb piano). Uncut called the album, “Warm, uplifting and quietly spectacular,” and Mojo said, “However sui generis Over That Road I’m Bound is, there’s a reassuringly Cooderesque familiarity to it. Perfect late-night listening accompanied by a tumbler of something strong.” BBC Radio 2’s Mark Radcliffe said it was “one of the most intriguing releases we’ve heard this year.”

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Wednesday, February 5, 2025
    Wednesday, February 5, 2025

    Rhiannon Giddens reunites with her former Carolina Chocolate Drops bandmate Justin Robinson on What Did the Blackbird Say to the Crow, due April 18. Produced by Giddens and Joseph "joebass" DeJarnette, the album features Giddens on banjo and Robinson on fiddle, playing eighteen of their favorite North Carolina tunes. Many were learned from their late mentor, legendary North Carolina Piedmont musician Joe Thompson; one is from another musical hero, the late Etta Baker. Giddens and Robinson recorded outdoors at Thompson’s and Baker’s North Carolina homes, as well as the former plantation Mill Prong House, accompanied by the sounds of nature, including two different broods of cicadas, which had not emerged simultaneously since 1803, creating a true once-in-a-lifetime soundscape. A video of “Hook and Line,” a traditional tune from Joe Thompson’s repertoire and filmed at his home in Mebane, NC, may be seen here. The duo, along with four other string musicians, embarks on Rhiannon Giddens & The Old-Time Revue Tour April 25.

    Journal Topics: Album ReleaseArtist NewsVideo
  • Friday, January 31, 2025
    Friday, January 31, 2025

    Composer and trumpeter Ambrose Akinmusire’s album honey from a winter stone, which he calls a “self-portrait,” is out now. It features improvisational vocalist Kokayi, pianist Sam Harris, Chiquitamagic on synthesizer, drummer Justin Brown, and the Mivos Quartet. “For arguably the most technically gifted trumpeter of his generation, a lot of Ambrose Akinmusire’s breakthroughs actually come from letting go of standards and structures," says the New York Times. "Lately Akinmusire has been making some of the most intimate, spellbinding music of his career.”

    Journal Topics: Album ReleaseArtist News