Kronos Quartet's "Early Music" in Boston Premiere of Paul Taylor Dance Piece

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In a set of performances at Boston's Schubert Theatre last week, the Paul Taylor Dance Company delivered a "sharp, vibrant program," according to the Boston Globe, of two Taylor classics and two pieces receiving their Boston premieres, including Lines of Loss, set to Kronos Quartet's recording of Early Music (Lachryma Antiqua). Writes Thea Singer in her Globe review of the event, Lines of Loss could be seen as the 77-year-old choreographer's reflection on the passage of time, and so the music, fittingly, "weaves through the movement like a scratchy memory." With such a stirring piece, for Singer, the dance's "ending comes almost too soon."

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In a set of performances at Boston's Schubert Theatre last week, the Paul Taylor Dance Company delivered a "sharp, vibrant program," according to the Boston Globe, of two Taylor classics and two pieces receiving their Boston premieres, including Lines of Loss, set to Kronos Quartet's recording of Early Music (Lachryma Antiqua). Writes Thea Singer in her Globe review of the event, Lines of Loss could be seen as the 77-year-old choreographer's reflection on the passage of time, and so the music, fittingly, "weaves through the movement like a scratchy memory." With such a stirring piece, for Singer, the dance's "ending comes almost too soon."

For her complete review, visit boston.com.

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Kronos Quartet: "Early Music" [cover]
  • Sunday, December 2, 2007
    Kronos Quartet's "Early Music" in Boston Premiere of Paul Taylor Dance Piece

    In a set of performances at Boston's Schubert Theatre last week, the Paul Taylor Dance Company delivered a "sharp, vibrant program," according to the Boston Globe, of two Taylor classics and two pieces receiving their Boston premieres, including Lines of Loss, set to Kronos Quartet's recording of Early Music (Lachryma Antiqua). Writes Thea Singer in her Globe review of the event, Lines of Loss could be seen as the 77-year-old choreographer's reflection on the passage of time, and so the music, fittingly, "weaves through the movement like a scratchy memory." With such a stirring piece, for Singer, the dance's "ending comes almost too soon."

    For her complete review, visit boston.com.

    Journal Articles:Dance

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