Listen: Jeff Tweedy, Mountain Man Talk on 'Talkhouse Podcast'

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Wilco's Jeff Tweedy and the members of Mountain Man—Amelia Meath, Alexandra Sauser-Monnig, and Molly Sarlé—talk with each other on the latest episode of the Talkhouse Podcast. "Somehow as if by magic," Talkhouse Executive Editor Josh Modell says of Mountain Man in his introduction, "their voices perfectly intertwined." You can hear the conversation here.

Copy

Wilco's Jeff Tweedy and all three members of Mountain Man—Amelia Meath, Alexandra Sauser-Monnig, and Molly Sarlé—talk with each other on the latest episode of the Talkhouse Podcast. "Somehow as if by magic," Talkhouse Executive Editor Josh Modell says of Mountain Man in his introduction, "their voices perfectly intertwined." You can hear the converation below.

Over the past few years, Mountain Man has released a series of cover singles on Nonesuch, including Wilco’s “You and I.” Last year, Nonesuch released the trio's live album, Look at Me Don’t Look at Me, recorded in November 2018 at Saint Mark’s Cathedral in Seattle. Mountain Man’s Nonesuch debut album, Magic Ship, was released in 2018 to critical acclaim.

featuredimage
Jeff Tweedy, Mountain Man: 'Talkhouse Podcast,' December 2021
  • Thursday, December 2, 2021
    Listen: Jeff Tweedy, Mountain Man Talk on 'Talkhouse Podcast'
    Talkhouse

    Wilco's Jeff Tweedy and all three members of Mountain Man—Amelia Meath, Alexandra Sauser-Monnig, and Molly Sarlé—talk with each other on the latest episode of the Talkhouse Podcast. "Somehow as if by magic," Talkhouse Executive Editor Josh Modell says of Mountain Man in his introduction, "their voices perfectly intertwined." You can hear the converation below.

    Over the past few years, Mountain Man has released a series of cover singles on Nonesuch, including Wilco’s “You and I.” Last year, Nonesuch released the trio's live album, Look at Me Don’t Look at Me, recorded in November 2018 at Saint Mark’s Cathedral in Seattle. Mountain Man’s Nonesuch debut album, Magic Ship, was released in 2018 to critical acclaim.

    Journal Articles:Artist NewsPodcast

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Tuesday, January 21, 2025
    Tuesday, January 21, 2025

    Yasmin Williams stopped by Acoustic Guitar to perform songs from her new album, Acadia, and more and to discuss the album. You can watch the session here. "Yasmin Williams is known for extending the boundaries of solo fingerstyle guitar, with progressive techniques and original compositions that blossom out of traditional folk and roots touchstones," writes Acoustic Guitar's Joey Lusterman. "On her latest record, Acadia, she expands her distinctive sound world even further." Williams kicks off a US tour later this month.

    Journal Topics: Artist NewsVideo
  • Monday, January 13, 2025
    Monday, January 13, 2025

    Congratulations to composer and pianist Timo Andres on receiving the Chamber Music Society of Lincoln Center's Elise L. Stoeger Prize—a $25,000 cash prize, awarded biennially by CMS to recognize significant contributions to the field of chamber music composition. Andres says: “I feel equally challenged and freed to take risks when I write chamber music, and writing it, I’ve learned the most about becoming a better composer and musician. To be recognized in this medium by one of its greatest institutional standard-bearers is a huge and unexpected honor.”

    Journal Topics: Artist News