Louis Andriessen's "Anaïs Nin" to Receive UK Premiere in London Sinfonietta Concert Also Featuring His Classic "De Staat"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Louis Andriessen's Anaïs Nin will receive its UK premiere at the Queen Elizabeth Hall in London on April 14 in a staging by the London Sinfonietta, with Cristina Zavalloni in the title role. The London Sinfonietta co-commissioned the work, which explores Nin's erotic memories of 1930s Paris, and will perform it in an all-Andriessen program alongside his minimalist classic from the 1970s, De Staat, featuring Synergy Vocals. The composer will be in attendance for the performance.

Copy

Louis Andriessen's monodrama Anaïs Nin will receive its UK premiere at the Queen Elizabeth Hall in London on April 14 in a staging by the London Sinfonietta, with Cristina Zavalloni in the title role. The London Sinfonietta co-commissioned the work, which explores Nin's erotic memories of 1930s Paris, and will perform it in an all-Andriessen program alongside his minimalist classic from the 1970s, De Staat, conducted by the ensemble's co-founder David Atherton and featuring Synergy Vocals. The composer will be in attendance for the performance.

Andriessen composed Anaïs Nin in 2009-10, and it was premiered at the Accademia Musicale Chigiana in Siena in July 2010. Performances by co-commissioners Nieuw Amsterdams Peil have followed on tour in the Netherlands and Germany. The 30-minute work, summed up in an NRC Handelsblad review as "a short but masterful monodrama," combines song, speech and film, with an ensemble of eight instrumentalists.

Andriessen describes how he "had the framework of a half-hour theatre piece, so needed to home in on suitable texts. In the ’90s the unabridged version of Anaïs Nin’s journal Incest was published, covering the period 1931-33 when she lived in Paris with her mother. The sexual relationship with her father, who showed up after an absence of about 20 years, was clearly to be central to my piece, and this particular part of her journal has lots of beautiful and poetic writing about this. It also provided the necessary context with material about her other lovers at that time, the actor Antonin Artaud, the psychiatrist René Allendy and the writer Henry Miller."

You can read more of what Andriessen has to say about Anaïs Nin in the full interview at boosey.com, where you can also watch a trailer for the piece. Listen to the London Sinfonietta's podcast interview with Andriessen at londonsinfonietta.org. For tickets to the performance, visit southbankcentre.co.uk.

Andriessen's new monodrama is the latest in a series of theatrical projects, following his full-evening Dante-inspired opera La Commedia, which won the prestigious 2011 Grawemeyer Award. Throughout his composing career, Andriessen has been engaged in the interaction of music and theatre, and has evolved new approaches to the incorporation of film, working extensively with Peter Greenaway (ROSA The Death of a Composer; M is for Man, Music, Mozart; Writing to Vermeer) and Hal Hartley (La Commedia). The film elements in Anaïs Nin are Andriessen's own work.

A further music and film collaboration receives its UK premiere by Bang on a Can at LSO St Luke's in London on 7 May. Life, composed in 2009, combines Andriessen's music with film sequences by Marijke van Warmerdam, and is presented as part of the Barbican's weekend Reverberations: The Influence of Steve Reich.

To peruse Andriessen's Nonesuch catalog, which includes De Staat, visit the Nonesuch Store.

featuredimage
Louis Andriessen
  • Thursday, March 24, 2011
    Louis Andriessen's "Anaïs Nin" to Receive UK Premiere in London Sinfonietta Concert Also Featuring His Classic "De Staat"

    Louis Andriessen's monodrama Anaïs Nin will receive its UK premiere at the Queen Elizabeth Hall in London on April 14 in a staging by the London Sinfonietta, with Cristina Zavalloni in the title role. The London Sinfonietta co-commissioned the work, which explores Nin's erotic memories of 1930s Paris, and will perform it in an all-Andriessen program alongside his minimalist classic from the 1970s, De Staat, conducted by the ensemble's co-founder David Atherton and featuring Synergy Vocals. The composer will be in attendance for the performance.

    Andriessen composed Anaïs Nin in 2009-10, and it was premiered at the Accademia Musicale Chigiana in Siena in July 2010. Performances by co-commissioners Nieuw Amsterdams Peil have followed on tour in the Netherlands and Germany. The 30-minute work, summed up in an NRC Handelsblad review as "a short but masterful monodrama," combines song, speech and film, with an ensemble of eight instrumentalists.

    Andriessen describes how he "had the framework of a half-hour theatre piece, so needed to home in on suitable texts. In the ’90s the unabridged version of Anaïs Nin’s journal Incest was published, covering the period 1931-33 when she lived in Paris with her mother. The sexual relationship with her father, who showed up after an absence of about 20 years, was clearly to be central to my piece, and this particular part of her journal has lots of beautiful and poetic writing about this. It also provided the necessary context with material about her other lovers at that time, the actor Antonin Artaud, the psychiatrist René Allendy and the writer Henry Miller."

    You can read more of what Andriessen has to say about Anaïs Nin in the full interview at boosey.com, where you can also watch a trailer for the piece. Listen to the London Sinfonietta's podcast interview with Andriessen at londonsinfonietta.org. For tickets to the performance, visit southbankcentre.co.uk.

    Andriessen's new monodrama is the latest in a series of theatrical projects, following his full-evening Dante-inspired opera La Commedia, which won the prestigious 2011 Grawemeyer Award. Throughout his composing career, Andriessen has been engaged in the interaction of music and theatre, and has evolved new approaches to the incorporation of film, working extensively with Peter Greenaway (ROSA The Death of a Composer; M is for Man, Music, Mozart; Writing to Vermeer) and Hal Hartley (La Commedia). The film elements in Anaïs Nin are Andriessen's own work.

    A further music and film collaboration receives its UK premiere by Bang on a Can at LSO St Luke's in London on 7 May. Life, composed in 2009, combines Andriessen's music with film sequences by Marijke van Warmerdam, and is presented as part of the Barbican's weekend Reverberations: The Influence of Steve Reich.

    To peruse Andriessen's Nonesuch catalog, which includes De Staat, visit the Nonesuch Store.

    Journal Articles:Artist News

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, November 1, 2024
    Friday, November 1, 2024

    The Black Keys have released a new song, “I’m With The Band,” written with and featuring Beck, from the upcoming Ohio Players (Trophy Edition). It's the third song from that expanded version of the band's latest album on which Beck sings and which he co-wrote with The Black Keys, including the original Ohio Players tracks “Paper Crown,” featuring Juicy J, and “Beautiful People (Stay High).” The Black Keys have added new tour dates at festival in Monterrey, Mexico, and Tempe, AZ, in early 2025.

    Journal Topics: Artist News
  • Friday, October 25, 2024
    Friday, October 25, 2024

    The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.

    Journal Topics: Album ReleaseArtist NewsTelevisionVideo