Nicholas Payton Releases Nonesuch Debut, "Most Mature and Fully Realized Album" (Pop Matters)

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Copy

Today marks the release of Nicholas Payton's Nonesuch debut, Into the Blue, and, writes Pop Matters' Will Layman, for the renowned trumpeter, who has "had an unusually ripe and attractive sound" from the very beginning, the new album feels "like a self-discovery." The site gives Into the Blue an 8 out of 10 and notes both the genuineness and the variety apparent on the album that combine to make something new:

Into the Blue was recorded in New Orleans with Payton's regular group, but it is not a recital that uses the delta city as a gimmick. Rather, the feeling here is one of letting go---Payton seems just to be playing, letting his horn speak plainly and naturally in a variety of settings ... This amalgam of sources, however, has now been filtered through Payton's own conception, and the cross-breeding has produced something pleasingly new. Nicholas Payton, it would seem, has grown up before our ... ears.

Layman compliments Payton's solo playing, finding "a cinematic feeling" in the songs that allows each solo to seem "like a journey over a tumbling landscape." He also praises the pairing between the trumpeter and pianist Kevin Hays, which creates "a sense of precision and fullness that gives the disc stylistic range." Approaching that diversity of styles, the entire band, says Layman, is able to "make all these transitions with utmost ease ... Nothing is cluttered or overplayed." Furthermore, he credits producer Bob Belden, who has helped to bring about a number of Miles Davis reissues from the 1960s and '70s, with finding "ways to encourage Payton to explore his Miles-ian side without resorting to explicit Davis mimicry."

The Pop Matters review concludes:

Into the Blue is Nicholas Payton's most mature and fully realized album because it breaks new ground without abandoning the past. By invoking both his personal history (the clarion cry of his early playing as well as the groove-based recent work) and some of the history of the music, Payton has built something that knows what it is about. ... [He] has put himself in a superb position to define himself as a mature jazz artist.  And now we know: he is as much a storyteller as he is a player, and

that creates certain anticipation for more great music to come.

To read the full review, visit popmatters.com.


Payton_blue_lg_2 Click here to add the Into the Blue CD directly to your Shopping Cart for $16, along with the album MP3s at no additional cost.

featuredimage
Nicholas Payton: Into the Blue [cover]
  • Monday, April 21, 2008
    Nicholas Payton Releases Nonesuch Debut, "Most Mature and Fully Realized Album" (Pop Matters)

    Today marks the release of Nicholas Payton's Nonesuch debut, Into the Blue, and, writes Pop Matters' Will Layman, for the renowned trumpeter, who has "had an unusually ripe and attractive sound" from the very beginning, the new album feels "like a self-discovery." The site gives Into the Blue an 8 out of 10 and notes both the genuineness and the variety apparent on the album that combine to make something new:

    Into the Blue was recorded in New Orleans with Payton's regular group, but it is not a recital that uses the delta city as a gimmick. Rather, the feeling here is one of letting go---Payton seems just to be playing, letting his horn speak plainly and naturally in a variety of settings ... This amalgam of sources, however, has now been filtered through Payton's own conception, and the cross-breeding has produced something pleasingly new. Nicholas Payton, it would seem, has grown up before our ... ears.

    Layman compliments Payton's solo playing, finding "a cinematic feeling" in the songs that allows each solo to seem "like a journey over a tumbling landscape." He also praises the pairing between the trumpeter and pianist Kevin Hays, which creates "a sense of precision and fullness that gives the disc stylistic range." Approaching that diversity of styles, the entire band, says Layman, is able to "make all these transitions with utmost ease ... Nothing is cluttered or overplayed." Furthermore, he credits producer Bob Belden, who has helped to bring about a number of Miles Davis reissues from the 1960s and '70s, with finding "ways to encourage Payton to explore his Miles-ian side without resorting to explicit Davis mimicry."

    The Pop Matters review concludes:

    Into the Blue is Nicholas Payton's most mature and fully realized album because it breaks new ground without abandoning the past. By invoking both his personal history (the clarion cry of his early playing as well as the groove-based recent work) and some of the history of the music, Payton has built something that knows what it is about. ... [He] has put himself in a superb position to define himself as a mature jazz artist.  And now we know: he is as much a storyteller as he is a player, and

    that creates certain anticipation for more great music to come.

    To read the full review, visit popmatters.com.


    Payton_blue_lg_2 Click here to add the Into the Blue CD directly to your Shopping Cart for $16, along with the album MP3s at no additional cost.

    Journal Articles:Album ReleaseReviews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Wednesday, November 20, 2024
    Wednesday, November 20, 2024

    Nonesuch releases a deluxe edition of Wilco’s 2004 Grammy Award–winning album A Ghost Is Born on February 7, 2025. The box set comprises either nine vinyl LPs and four CDs or nine CDs—including the original album, alternates, outtakes, and demos, charting the making of A Ghost Is Born—plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions. It includes sixty-five previously unreleased music tracks as well as a forty-eight-page hardcover book with previously unpublished photos and a new liner note by Grammy-winning writer Bob Mehr. An alternate version of “Handshake Drugs,” recorded during the studio sessions at New York’s Sear Sound, twenty-one years ago this month, is out now. There will also be a new vinyl pressing of the original album in a two-disc package, and a two-CD expanded version of the original album with bonus track highlights from the full deluxe edition repertoire. The two-CD version will also be available on streaming services worldwide.

    Journal Topics: Album ReleaseArtist News
  • Friday, November 15, 2024
    Friday, November 15, 2024

    The Black Keys' Ohio Players (Trophy Edition), an expanded version of their latest album, which received two Grammy nominations last week, is out now. The new release features a two-LP set in a gatefold jacket complete with four new tracks, an alternate cover, and new album sequencing. The new tracks include collaborations with DannyLux, Alice Cooper, and Beck. The fourth new song, “Sin City,” co-written by Dan Auerbach and Patrick Carney with Greg Kurstin and Beck, who also perform on the track, debuts today.

     

    Journal Topics: Album ReleaseArtist NewsVideo