Nonesuch Records Signs the Carolina Chocolate Drops

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Nonesuch Records has signed North Carolina–based trio the Carolina Chocolate Drops, a young string band in the centuries-old Piedmont banjo and fiddle musical tradition. The group’s members—Dom Flemons, Rhiannon Giddens, and Justin Robinson—all trade duties as singers and swap instruments, too. The band, which has toured continuously since its formation in 2005, has several US concert dates this spring before taking a summer sabbatical, during which Giddens is expecting her first child. They will resume touring in the fall; their label debut is scheduled for early 2010.

Copy

Nonesuch Records is proud to announce the signing of North Carolina–based trio the Carolina Chocolate Drops, a young string band in the centuries-old Piedmont banjo and fiddle musical tradition. The group’s members—Dom Flemons, Rhiannon Giddens, and Justin Robinson—all trade duties as singers and swap instruments, too. The band, which has toured continuously since its formation in 2005, has several US concert dates this spring before taking a summer sabbatical, during which Giddens is expecting her first child. For upcoming tour dates, visit nonesuch.com/on-tour. They will resume touring in the fall; their label debut is scheduled for early 2010.

Old-time Southern string music is often associated with Caucasian musicians from Appalachia, not African-Americans from the North Carolina Piedmont. But as Giddens pointed out in a recent NPR interview, “It seems that two things get left out of the history books. One, that there was string band music in the Piedmont, period. And that ... black folk was such a huge part of string tradition.” Carolina Chocolate Drops seek to not only correct this misunderstanding, but to keep the old-time string music tradition alive.

The group was formed after Flemons, Giddens, and Robinson met at the Black Banjo Gathering in Boone, NC. They have learned that tradition under the tutelage of Joe Thompson—who at age 90 is believed to be the last living performer from the Piedmont string band heyday. Their repertoire is centered around the traditional music of the early twentieth century but also includes original material as well as a show-stopping cover of Blu Cantrell’s 2001 single “Hit ‘Em Up Style.”

The members of Carolina Chocolate Drops come from diverse musical backgrounds. Born and raised in Phoenix, Arizona, Dom Flemons has immersed himself in music of the past, with a prodigious record collection and an immense knowledge of the different playing styles of the blues, country, and string band traditions. His influences include Ma Rainey, the Beatles, and the Band. As a part of the Carolina Chocolate Drops, Flemons uses his harmonicas for additional melody, and his jug and guitar root the band’s rhythm.

Rhiannon Giddens, a Piedmont native, grew up with the sounds of bluegrass from one side of her family and classic blues and jazz records on the other. After graduating the Oberlin Conservatory, she fell into contra dancing and became inspired by the Roundpeak–style old time bands she heard at the dances. She worked extra jobs to buy her first banjo and fiddle, and hasn’t looked back since. Giddens’ style is heavily influenced by the playing of Joe and Odell Thompson. She also calls contra and social dances, and is working on playing and calling simultaneously.

Justin Robinson is the group’s main fiddler and also plays banjo. He grew up in a house full of musicians—his mother is a classically trained opera singer and cellist, his sister a classical pianist, and his grandfather a harmonica player. Robinson played classical violin from the age of nine. Besides Piedmont string band music, he also is interested in Revolutionary War music, and fife and drum tradition of African Americans in the Deep South.

featuredimage
Carolina Chocolate Drops vertical theater ceiling
  • Wednesday, April 15, 2009
    Nonesuch Records Signs the Carolina Chocolate Drops
    Julie Roberts

    Nonesuch Records is proud to announce the signing of North Carolina–based trio the Carolina Chocolate Drops, a young string band in the centuries-old Piedmont banjo and fiddle musical tradition. The group’s members—Dom Flemons, Rhiannon Giddens, and Justin Robinson—all trade duties as singers and swap instruments, too. The band, which has toured continuously since its formation in 2005, has several US concert dates this spring before taking a summer sabbatical, during which Giddens is expecting her first child. For upcoming tour dates, visit nonesuch.com/on-tour. They will resume touring in the fall; their label debut is scheduled for early 2010.

    Old-time Southern string music is often associated with Caucasian musicians from Appalachia, not African-Americans from the North Carolina Piedmont. But as Giddens pointed out in a recent NPR interview, “It seems that two things get left out of the history books. One, that there was string band music in the Piedmont, period. And that ... black folk was such a huge part of string tradition.” Carolina Chocolate Drops seek to not only correct this misunderstanding, but to keep the old-time string music tradition alive.

    The group was formed after Flemons, Giddens, and Robinson met at the Black Banjo Gathering in Boone, NC. They have learned that tradition under the tutelage of Joe Thompson—who at age 90 is believed to be the last living performer from the Piedmont string band heyday. Their repertoire is centered around the traditional music of the early twentieth century but also includes original material as well as a show-stopping cover of Blu Cantrell’s 2001 single “Hit ‘Em Up Style.”

    The members of Carolina Chocolate Drops come from diverse musical backgrounds. Born and raised in Phoenix, Arizona, Dom Flemons has immersed himself in music of the past, with a prodigious record collection and an immense knowledge of the different playing styles of the blues, country, and string band traditions. His influences include Ma Rainey, the Beatles, and the Band. As a part of the Carolina Chocolate Drops, Flemons uses his harmonicas for additional melody, and his jug and guitar root the band’s rhythm.

    Rhiannon Giddens, a Piedmont native, grew up with the sounds of bluegrass from one side of her family and classic blues and jazz records on the other. After graduating the Oberlin Conservatory, she fell into contra dancing and became inspired by the Roundpeak–style old time bands she heard at the dances. She worked extra jobs to buy her first banjo and fiddle, and hasn’t looked back since. Giddens’ style is heavily influenced by the playing of Joe and Odell Thompson. She also calls contra and social dances, and is working on playing and calling simultaneously.

    Justin Robinson is the group’s main fiddler and also plays banjo. He grew up in a house full of musicians—his mother is a classically trained opera singer and cellist, his sister a classical pianist, and his grandfather a harmonica player. Robinson played classical violin from the age of nine. Besides Piedmont string band music, he also is interested in Revolutionary War music, and fife and drum tradition of African Americans in the Deep South.

    Journal Articles:Artist News

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Thursday, November 21, 2024
    Thursday, November 21, 2024

    Composer and trumpeter Ambrose Akinmusire’s honey from a winter stone is out January 17, 2025, on Nonesuch Records. The album, which Ambrose calls a “self-portrait,” features improvisational vocalist Kokayi, pianist Sam Harris, Chiquitamagic on synthesizer, drummer Justin Brown, and the Mivos Quartet. Akinmusire says, “In many respects this entire work is inspired by and is an homage to the work of the composer Julius Eastman and his organic music concept." The opening track, “muffled screams,” is out now.

     

    Journal Topics: Album ReleaseArtist News
  • Wednesday, November 20, 2024
    Wednesday, November 20, 2024

    Nonesuch releases a deluxe edition of Wilco’s 2004 Grammy Award–winning album A Ghost Is Born on February 7, 2025. The box set comprises either nine vinyl LPs and four CDs or nine CDs—including the original album, alternates, outtakes, and demos, charting the making of A Ghost Is Born—plus the complete 2004 concert recording from Boston’s Wang Center and the band’s “fundamentals” workshop sessions. It includes sixty-five previously unreleased music tracks as well as a forty-eight-page hardcover book with previously unpublished photos and a new liner note by Grammy-winning writer Bob Mehr. An alternate version of “Handshake Drugs,” recorded during the studio sessions at New York’s Sear Sound, twenty-one years ago this month, is out now. There will also be a new vinyl pressing of the original album in a two-disc package, and a two-CD expanded version of the original album with bonus track highlights from the full deluxe edition repertoire. The two-CD version will also be available on streaming services worldwide.

    Journal Topics: Album ReleaseArtist News