Nonesuch Records Releases Caetano Veloso’s "Abraçaço" March 25; Pre-Order to Download Two Tracks Now

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Nonesuch Records releases Caetano Veloso’s album Abraçaço in North America on March 25, 2014. The album, which was released in 2012 in South America and Europe, won a Latin Grammy for Best Singer-Songwriter Album. Abraçaço is the final installment of a trilogy with the youthful trio of 2007’s and 2009’s zii e zie known as the Banda Cê. A fusion of the traditional Tropicália style and the indie pop of contemporary Rio, Abraçaço includes 11 original songs written by Veloso. Nonesuch Store pre-orders include instant downloads of the album tracks "A Bossa Nova É Foda," which you can hear here, and "Um Abraçaço." A US tour, which includes a September 21 Hollywood Bowl show with Andrew Bird and Devendra Banhart, will be announced at a later date.

Copy

Nonesuch Records releases Caetano Veloso’s album Abraçaço in North America on March 25, 2014. The album, which was released in 2012 in South America and Europe, won a Latin Grammy for Best Singer-Songwriter Album and earned the #1 spot on Rolling Stone Brazil’s Best National Albums of 2012 list. Produced by Pedro Sá and Caetano Veloso’s son Moreno Veloso, Abraçaço is the final installment of a trilogy with the youthful trio he employed on 2007’s and 2009’s zii e zie known as the Banda Cê: Pedro Sá on electric guitar, Ricardo Dias Gomes on bass and Rhodes piano, and Marcelo Callado on drums. “We are people of different generations sharing similar musical and human interests,” Veloso says.

A fusion of the traditional Tropicália style and the indie pop of contemporary Rio, Abraçaço includes 11 original songs written by Veloso. The album is available to pre-order in the Nonesuch Store with instant downloads of the album tracks "A Bossa Nova É Foda," which you can hear below, and "Um Abraçaço." A US tour, which includes a September 21 Hollywood Bowl show with Andrew Bird and Nonesuch label mate Devendra Banhart, will be announced at a later date.

The title of the record, Abraçaço, meaning “big hug,” is an expression the singer uses to sign off on emails and is employed here to mark the end of the critically acclaimed musical trilogy. David Byrne said of in Artforum, “Veloso has found a sparse, post-rock beauty in which strange yet simple rock instrumentation is juxtaposed with softly seething vocals.” Of zii e zie, the Times (UK) says, “The Brazilian master remains in a league of his own. Forty years after injecting a rock beat into Brazilian pop (and earning the disapproval of the country’s military rulers in the process), Veloso has returned to similar territory ... fans won’t be disappointed.”

Caetano Veloso is among the most influential and beloved artists to emerge from Brazil, where he began his musical career in the 1960s. He has over 50 recordings to his credit, including 14 on Nonesuch. Absorbing musical and aesthetic ideas from sources as diverse as The Beatles, concrete poetry, the French Dadaists, and the Brazilian modernist poets of the 1920s, Veloso—together with Gilberto Gil, Gal Costa, Tom Zé, his sister Maria Bethânia, and a number of other poets and intellectuals—founded the Tropicália movement and permanently altered the course of his country’s popular music.

Hear "A Bossa Nova É Foda," the opening track to Abraçaço, here:

featuredimage
Caetano Veloso: "Abraçaço" [cover]
  • Monday, February 10, 2014
    Nonesuch Records Releases Caetano Veloso’s "Abraçaço" March 25; Pre-Order to Download Two Tracks Now

    Nonesuch Records releases Caetano Veloso’s album Abraçaço in North America on March 25, 2014. The album, which was released in 2012 in South America and Europe, won a Latin Grammy for Best Singer-Songwriter Album and earned the #1 spot on Rolling Stone Brazil’s Best National Albums of 2012 list. Produced by Pedro Sá and Caetano Veloso’s son Moreno Veloso, Abraçaço is the final installment of a trilogy with the youthful trio he employed on 2007’s and 2009’s zii e zie known as the Banda Cê: Pedro Sá on electric guitar, Ricardo Dias Gomes on bass and Rhodes piano, and Marcelo Callado on drums. “We are people of different generations sharing similar musical and human interests,” Veloso says.

    A fusion of the traditional Tropicália style and the indie pop of contemporary Rio, Abraçaço includes 11 original songs written by Veloso. The album is available to pre-order in the Nonesuch Store with instant downloads of the album tracks "A Bossa Nova É Foda," which you can hear below, and "Um Abraçaço." A US tour, which includes a September 21 Hollywood Bowl show with Andrew Bird and Nonesuch label mate Devendra Banhart, will be announced at a later date.

    The title of the record, Abraçaço, meaning “big hug,” is an expression the singer uses to sign off on emails and is employed here to mark the end of the critically acclaimed musical trilogy. David Byrne said of in Artforum, “Veloso has found a sparse, post-rock beauty in which strange yet simple rock instrumentation is juxtaposed with softly seething vocals.” Of zii e zie, the Times (UK) says, “The Brazilian master remains in a league of his own. Forty years after injecting a rock beat into Brazilian pop (and earning the disapproval of the country’s military rulers in the process), Veloso has returned to similar territory ... fans won’t be disappointed.”

    Caetano Veloso is among the most influential and beloved artists to emerge from Brazil, where he began his musical career in the 1960s. He has over 50 recordings to his credit, including 14 on Nonesuch. Absorbing musical and aesthetic ideas from sources as diverse as The Beatles, concrete poetry, the French Dadaists, and the Brazilian modernist poets of the 1920s, Veloso—together with Gilberto Gil, Gal Costa, Tom Zé, his sister Maria Bethânia, and a number of other poets and intellectuals—founded the Tropicália movement and permanently altered the course of his country’s popular music.

    Hear "A Bossa Nova É Foda," the opening track to Abraçaço, here:

    Journal Articles:Album ReleaseArtist News

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, October 25, 2024
    Friday, October 25, 2024

    The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.

    Journal Topics: Album ReleaseArtist NewsTelevisionVideo
  • Friday, October 18, 2024
    Friday, October 18, 2024

    Jeremy Denk's album Ives Denk is out now. Released in celebration of the 150th anniversary of Ives' birth this Saturday, it features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian." Denk writes of Ives' music in the Times: "Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears."

    Journal Topics: Album ReleaseArtist News