NPR: Assads New Album Takes Guitar to New Levels

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Jardim Abandonado, the latest album from Sérgio and Odair Assad, was reviewed in today's edition of All Things Considered on NPR. Says Banning Eyre, these "legends of the classical-guitar world" have done their instrument and their precursors proud. Listen to the review here.

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Jardim Abandonado, the latest album from Sérgio and Odair Assad, was reviewed in today's edition of All Things Considered on NPR. Says Banning Eyre, these "legends of the classical-guitar world" have done their instrument and their precursors proud:

Sérgio and Odair Assad came up in the wake of Andres Segovia, widely credited with legitimizing guitar as a classical instrument. With their maturity and dazzling technical skills, the Assads easily qualify as masters in the house that Andre built. But happily, they aim for more. By bringing Latin-American music, jazz, original compositions and any other thing they please into the mix, they remain interlopers—loyal more to the humble, shape-shifting guitar than to any musical genre.

And even amidst works by Jobim, Gershwin, and Debussy, Eyre says "the CD's most electrifying composition," is a piece by Sérgio himself.

Listen to that piece and to Eyre's review here:

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Sérgio and Odair Assad "Jardim Abandonado" [cover]
  • Tuesday, December 11, 2007
    NPR: Assads New Album Takes Guitar to New Levels

    Jardim Abandonado, the latest album from Sérgio and Odair Assad, was reviewed in today's edition of All Things Considered on NPR. Says Banning Eyre, these "legends of the classical-guitar world" have done their instrument and their precursors proud:

    Sérgio and Odair Assad came up in the wake of Andres Segovia, widely credited with legitimizing guitar as a classical instrument. With their maturity and dazzling technical skills, the Assads easily qualify as masters in the house that Andre built. But happily, they aim for more. By bringing Latin-American music, jazz, original compositions and any other thing they please into the mix, they remain interlopers—loyal more to the humble, shape-shifting guitar than to any musical genre.

    And even amidst works by Jobim, Gershwin, and Debussy, Eyre says "the CD's most electrifying composition," is a piece by Sérgio himself.

    Listen to that piece and to Eyre's review here:

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