X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to NONESUCH'S mailing list.
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Olivia Chaney kicks off a three-week North American tour featuring music from her debut album, The Longest River, at Roulette in Brooklyn on Wednesday, culminating in a return to NYC for a show at Joe's Pub on June 25. "With an earthiness to her expressive soprano, Chaney is bringing the grand tradition of British folk music into the 21st century," says the New Yorker. "Baez, Collins, Mitchell, Marling," exclaims PopMatters; "the debut folk album by Olivia Chaney shows that she belongs in this company. It's pretty much perfect."
Copy
London-based singer, songwriter, and multi-instrumentalist Olivia Chaney, whose debut album, The Longest River, was released on Nonesuch Records this spring, kicks off a North American tour featuring music from the new album with a performance at Roulette in Brooklyn, New York, on Wednesday. The show, part of the Spinning on Air series curated by WNYC's David Garland, is the first on a three-week tour of the United States and Canada culminating with a return to New York for a performance at Joe's Pub on June 25. See below for all of the currently scheduled dates and tickets; for all the latest, visit nonesuch.com/on-tour. Before the tour launch, she performs songs from the new album on WFMU's Irene Trudel show, which you can hear here.
"She embraces songs about sex, death, unrequited love, and murder, and, following in the tradition of June Tabor, Maddy Prior, and Sandy Denny, has a talent for savvy arrangements," says The New Yorker's John Donohue. "With an earthiness to her expressive soprano, Chaney is bringing the grand tradition of British folk music into the twenty-first century."
"Live, Chaney has a casual yet commanding presence," Donohue goes on to say. "When she takes her place behind the harmonium to summon its low moaning notes and, with a steely gaze, starts singing, it’s as if a mystical spirit has entered the room."
"Baez, Collins, Mitchell, Marling," exclaims PopMatters; "the debut folk album by Olivia Chaney shows that she belongs in this company. It's pretty much perfect."
"Every few years I discover an album by a band whose music I don’t know, and I’m simply blown away by their talent, by how much their songs make me feel and imagine," says PopMatters reviewer Mark Allister. "It’s happened again, though this time not with a rock band but, to my surprise, with a British folk singer.
Allister goes on to explain: "Each song is unique—after enough listens, you realize it’s exactly what you didn’t know you were waiting for. I am not aficionado enough of traditional British folk music to rave about this record because of the traditional ballads, as good as they are. What makes this album transcendent is how Chaney’s original compositions speak to, enlarge, and finally contain within themselves this line of traditional music even as they’re exploring contemporary subjects."
He concludes: "Chaney is a major talent, whose record doesn’t just suggest that there’s greatness ahead. The record is great."
The Longest River is available at iTunes and the Nonesuch Store, where CD orders include a download of the complete album at checkout; the album is also available to purchase there in HD digital.
London-based singer, songwriter, and multi-instrumentalist Olivia Chaney, whose debut album, The Longest River, was released on Nonesuch Records this spring, kicks off a North American tour featuring music from the new album with a performance at Roulette in Brooklyn, New York, on Wednesday. The show, part of the Spinning on Air series curated by WNYC's David Garland, is the first on a three-week tour of the United States and Canada culminating with a return to New York for a performance at Joe's Pub on June 25. See below for all of the currently scheduled dates and tickets; for all the latest, visit nonesuch.com/on-tour. Before the tour launch, she performs songs from the new album on WFMU's Irene Trudel show, which you can hear here.
"She embraces songs about sex, death, unrequited love, and murder, and, following in the tradition of June Tabor, Maddy Prior, and Sandy Denny, has a talent for savvy arrangements," says The New Yorker's John Donohue. "With an earthiness to her expressive soprano, Chaney is bringing the grand tradition of British folk music into the twenty-first century."
"Live, Chaney has a casual yet commanding presence," Donohue goes on to say. "When she takes her place behind the harmonium to summon its low moaning notes and, with a steely gaze, starts singing, it’s as if a mystical spirit has entered the room."
"Baez, Collins, Mitchell, Marling," exclaims PopMatters; "the debut folk album by Olivia Chaney shows that she belongs in this company. It's pretty much perfect."
"Every few years I discover an album by a band whose music I don’t know, and I’m simply blown away by their talent, by how much their songs make me feel and imagine," says PopMatters reviewer Mark Allister. "It’s happened again, though this time not with a rock band but, to my surprise, with a British folk singer.
Allister goes on to explain: "Each song is unique—after enough listens, you realize it’s exactly what you didn’t know you were waiting for. I am not aficionado enough of traditional British folk music to rave about this record because of the traditional ballads, as good as they are. What makes this album transcendent is how Chaney’s original compositions speak to, enlarge, and finally contain within themselves this line of traditional music even as they’re exploring contemporary subjects."
He concludes: "Chaney is a major talent, whose record doesn’t just suggest that there’s greatness ahead. The record is great."
The Longest River is available at iTunes and the Nonesuch Store, where CD orders include a download of the complete album at checkout; the album is also available to purchase there in HD digital.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
London-based singer, songwriter, and multi-instrumentalist Olivia Chaney, whose debut album, The Longest River, was released on Nonesuch Records this spring, kicks off a North American tour featuring music from the new album with a performance at Roulette in Brooklyn, New York, on Wednesday. The show, part of the Spinning on Air series curated by WNYC's David Garland, is the first on a three-week tour of the United States and Canada culminating with a return to New York for a performance at Joe's Pub on June 25. See below for all of the currently scheduled dates and tickets; for all the latest, visit nonesuch.com/on-tour. Before the tour launch, she performs songs from the new album on WFMU's Irene Trudel show, which you can hear here.
"She embraces songs about sex, death, unrequited love, and murder, and, following in the tradition of June Tabor, Maddy Prior, and Sandy Denny, has a talent for savvy arrangements," says The New Yorker's John Donohue. "With an earthiness to her expressive soprano, Chaney is bringing the grand tradition of British folk music into the twenty-first century."
"Live, Chaney has a casual yet commanding presence," Donohue goes on to say. "When she takes her place behind the harmonium to summon its low moaning notes and, with a steely gaze, starts singing, it’s as if a mystical spirit has entered the room."
"Baez, Collins, Mitchell, Marling," exclaims PopMatters; "the debut folk album by Olivia Chaney shows that she belongs in this company. It's pretty much perfect."
"Every few years I discover an album by a band whose music I don’t know, and I’m simply blown away by their talent, by how much their songs make me feel and imagine," says PopMatters reviewer Mark Allister. "It’s happened again, though this time not with a rock band but, to my surprise, with a British folk singer.
Allister goes on to explain: "Each song is unique—after enough listens, you realize it’s exactly what you didn’t know you were waiting for. I am not aficionado enough of traditional British folk music to rave about this record because of the traditional ballads, as good as they are. What makes this album transcendent is how Chaney’s original compositions speak to, enlarge, and finally contain within themselves this line of traditional music even as they’re exploring contemporary subjects."
He concludes: "Chaney is a major talent, whose record doesn’t just suggest that there’s greatness ahead. The record is great."
The Longest River is available at iTunes and the Nonesuch Store, where CD orders include a download of the complete album at checkout; the album is also available to purchase there in HD digital.
The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element.
The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."
