On "Leave Your Sleep," Natalie Merchant Creates "Ideal Fit Between Poetic and Musical Rhythms," Says Wall Street Journal

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Natalie Merchant offered an intimate performance at the 2010 Poetry Conference at West Chester University on Saturday. The Wall Street Journal reports that "poets, scholars and other enthusiasts reveling in rhyme, meter and narrative in verse were lined up like smitten rock fans waiting for Natalie Merchant to sign copies of her new, deluxe-edition, double-disc recording, Leave Your Sleep." The songs on album, says the Journal, "reveal an ideal fit between poetic and musical rhythms."

Copy

As noted last week in the Nonesuch Journal, Natalie Merchant offered an intimate performance of songs from her recent Nonesuch debut album, Leave Your Sleep, for attendees of the 2010 Poetry Conference at Pennsylvania's West Chester University on Saturday. It was the culminating event of the conference. The Wall Street Journal's Earle Hitchner reports that "poets, scholars and other enthusiasts reveling in rhyme, meter and narrative in verse were lined up like smitten rock fans waiting for Natalie Merchant to sign copies of her new, deluxe-edition, double-disc recording, Leave Your Sleep."

In the Wall Street Journal article, Hitchner examines the new album and how well-suited its songs were for the Poetry Conference, given that she used the work of poets like Edward Lear, Ogden Nash, and Robert Graves as their lyrics. Dana Gioa, the co-founder of the Conference and former chair of the National Endowment for the Arts, who had recently described the album to the Philadelphia Inquirer as "unprecedented," tells Hitchner that Merchant "has done something important and innovative ... She has created something akin to pop art song and re-created the link between song and poetry."

For his part, Hitchner says that the songs on Leave Your Sleep "often reveal an ideal fit between poetic and musical rhythms," citing these examples

For Albert Bigelow Paine's "The Dancing Bear," Ms. Merchant provided an irresistibly danceable klezmer beat propelled by the Klezmatics. For Jack Prelutsky's "Bleezer's Ice-Cream," the spoken savor of the flavors found in Ebenezer Bleezer's freezer ... would excite even Ben & Jerry's well-tested taste buds. To that delicious churn of words, Ms. Merchant added an enticing mix of New Orleans jazz from trumpeter Wynton Marsalis and gospel harmony from the Fairfield Four. And for Edward Lear's "Calico Pie," she brought in Richard Stearns on banjo and Judy Hyman on fiddle to give the song an Appalachian old-timey texture."

The article goes on to gives some idea of what's to come in Merchant's summer tour of the United States, which begins on July 12. You'll find the tour schedule at nonesuch.com/on-tour and can read the complete Wall Street Journal article at wsj.com.

featuredimage
Natalie Merchant: "Leave Your Sleep" [cover]
  • Wednesday, June 16, 2010
    On "Leave Your Sleep," Natalie Merchant Creates "Ideal Fit Between Poetic and Musical Rhythms," Says Wall Street Journal

    As noted last week in the Nonesuch Journal, Natalie Merchant offered an intimate performance of songs from her recent Nonesuch debut album, Leave Your Sleep, for attendees of the 2010 Poetry Conference at Pennsylvania's West Chester University on Saturday. It was the culminating event of the conference. The Wall Street Journal's Earle Hitchner reports that "poets, scholars and other enthusiasts reveling in rhyme, meter and narrative in verse were lined up like smitten rock fans waiting for Natalie Merchant to sign copies of her new, deluxe-edition, double-disc recording, Leave Your Sleep."

    In the Wall Street Journal article, Hitchner examines the new album and how well-suited its songs were for the Poetry Conference, given that she used the work of poets like Edward Lear, Ogden Nash, and Robert Graves as their lyrics. Dana Gioa, the co-founder of the Conference and former chair of the National Endowment for the Arts, who had recently described the album to the Philadelphia Inquirer as "unprecedented," tells Hitchner that Merchant "has done something important and innovative ... She has created something akin to pop art song and re-created the link between song and poetry."

    For his part, Hitchner says that the songs on Leave Your Sleep "often reveal an ideal fit between poetic and musical rhythms," citing these examples

    For Albert Bigelow Paine's "The Dancing Bear," Ms. Merchant provided an irresistibly danceable klezmer beat propelled by the Klezmatics. For Jack Prelutsky's "Bleezer's Ice-Cream," the spoken savor of the flavors found in Ebenezer Bleezer's freezer ... would excite even Ben & Jerry's well-tested taste buds. To that delicious churn of words, Ms. Merchant added an enticing mix of New Orleans jazz from trumpeter Wynton Marsalis and gospel harmony from the Fairfield Four. And for Edward Lear's "Calico Pie," she brought in Richard Stearns on banjo and Judy Hyman on fiddle to give the song an Appalachian old-timey texture."

    The article goes on to gives some idea of what's to come in Merchant's summer tour of the United States, which begins on July 12. You'll find the tour schedule at nonesuch.com/on-tour and can read the complete Wall Street Journal article at wsj.com.

    Journal Articles:Artist NewsReviews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, November 22, 2024
    Friday, November 22, 2024

    The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element. 

    Journal Topics: Album ReleaseArtist News
  • Friday, November 22, 2024
    Friday, November 22, 2024

    The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."

    Journal Topics: Artist News