Pitchfork Names Jonny Greenwood, Philip Glass Scores Among "The 50 Best Movie Scores of All Time"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Pitchfork has published its list of The 50 Best Movie Scores of All Time, including four for which Nonesuch Records has released recordings: Jonny Greenwood's There Will Be Blood and Phantom Thread and Philip Glass's Mishima: A Life in Four Chapters (featuring Kronos Quartet) and Koyaanisqatsi.

Copy

Pitchfork, as part of its inaugural Music & Movies week ahead of the Oscars, has published its list of The 50 Best Movie Scores of All Time, and among them are four for which Nonesuch Records has released recordings: Jonny Greenwood's There Will Be Blood and Phantom Thread and Philip Glass's Mishima: A Life in Four Chapters and Koyaanisqatsi.

Philip Glass's score to Godfrey Reggio's 1982 film Koyaanisqatsi is on the list at No. 43. Nonesuch released a new, fuller recording in 1998, and Glass's own Orange Mountain Music released the complete soundtrack in 2009. In Reggio's hypnotic, wordless film, images of natural wonders are contrasted with environmental devastation. "A microcosm of a million moving parts, Glass' score makes everything feel important and urgent, with enormous dynamic sweeps and interwoven melodies that seem to multiply and surround you," writes Pitchfork's Grayson Haver Currin. "Koyaanisqatsi marked the start of Glass' career as a major film composer, but it also helped redefine how tightly bound film and sound can be, and how much they can say together."

Glass is on the list again for his score to Paul Schrader's 1985 film Mishima: A Life in Four Chapters, a highly stylized vision of the life of Japanese author Yukio Mishima, at No. 17. Nonesuch released the soundtrack, performed by Kronos Quartet. "[T]he fact that Glass chose to adhere exclusively to Western tonalities only drives home the film’s operatic nature," writes Pitchfork's Noah Yoo. "It remains an important work for Glass, who described it as a turning point in the development of his film-scoring technique."

Jonny Greenwood's fourth and most recent collaboration with director Paul Thomas Anderson, Phantom Thread, for which Nonesuch released the soundtrack in January 2018, is on the list at No. 21. The film is set in the glamour of 1950s post-war London, and the soundtrack, which was nominated for an Academy Award, includes eighteen compositions by Greenwood and was recorded in London with a sixty-piece string orchestra. "Phantom Thread is a film about the limits of perfection. The pursuit of beauty is solitary and futile; love brings bitterness and disappointment," writes Pitchfork's Matthew Strauss. "The Phantom Thread score captures the hope that’s always out of reach, the desire for something more, and the acknowledgment that as you settle back down to reality, you realize that what’s around you is not to be taken for granted."

Greenwood returns to the list, at No. 3, for his first collaboration with Anderson, 2007's There Will Be Blood. "Anderson treats his adaptation of muckraker Upton Sinclair’s novel Oil! as a tale of demonic possession. The demon in question, though, happens to be money. So if Radiohead guitarist Jonny Greenwood’s original music for There Will Be Blood sounds like the score for a horror movie, that’s because it is," writes Pitchfork's Sean T. Collins. "Greenwood creates a soundtrack for a haunted hotel where the elevator doors gush crude, and the killer’s ax is embedded in the earth itself."

To read more and see Pitchfork's complete list of The 50 Best Movie Scores of All Time, visit pitchfork.com. To pick up the Mishima, Phantom Thread, and There Will Be Blood soundtracks, head to the Nonesuch Store now.

featuredimage
Pitchfork: The 50 Best Movie Scores of All Time / Greenwood, Glass
  • Thursday, February 21, 2019
    Pitchfork Names Jonny Greenwood, Philip Glass Scores Among "The 50 Best Movie Scores of All Time"

    Pitchfork, as part of its inaugural Music & Movies week ahead of the Oscars, has published its list of The 50 Best Movie Scores of All Time, and among them are four for which Nonesuch Records has released recordings: Jonny Greenwood's There Will Be Blood and Phantom Thread and Philip Glass's Mishima: A Life in Four Chapters and Koyaanisqatsi.

    Philip Glass's score to Godfrey Reggio's 1982 film Koyaanisqatsi is on the list at No. 43. Nonesuch released a new, fuller recording in 1998, and Glass's own Orange Mountain Music released the complete soundtrack in 2009. In Reggio's hypnotic, wordless film, images of natural wonders are contrasted with environmental devastation. "A microcosm of a million moving parts, Glass' score makes everything feel important and urgent, with enormous dynamic sweeps and interwoven melodies that seem to multiply and surround you," writes Pitchfork's Grayson Haver Currin. "Koyaanisqatsi marked the start of Glass' career as a major film composer, but it also helped redefine how tightly bound film and sound can be, and how much they can say together."

    Glass is on the list again for his score to Paul Schrader's 1985 film Mishima: A Life in Four Chapters, a highly stylized vision of the life of Japanese author Yukio Mishima, at No. 17. Nonesuch released the soundtrack, performed by Kronos Quartet. "[T]he fact that Glass chose to adhere exclusively to Western tonalities only drives home the film’s operatic nature," writes Pitchfork's Noah Yoo. "It remains an important work for Glass, who described it as a turning point in the development of his film-scoring technique."

    Jonny Greenwood's fourth and most recent collaboration with director Paul Thomas Anderson, Phantom Thread, for which Nonesuch released the soundtrack in January 2018, is on the list at No. 21. The film is set in the glamour of 1950s post-war London, and the soundtrack, which was nominated for an Academy Award, includes eighteen compositions by Greenwood and was recorded in London with a sixty-piece string orchestra. "Phantom Thread is a film about the limits of perfection. The pursuit of beauty is solitary and futile; love brings bitterness and disappointment," writes Pitchfork's Matthew Strauss. "The Phantom Thread score captures the hope that’s always out of reach, the desire for something more, and the acknowledgment that as you settle back down to reality, you realize that what’s around you is not to be taken for granted."

    Greenwood returns to the list, at No. 3, for his first collaboration with Anderson, 2007's There Will Be Blood. "Anderson treats his adaptation of muckraker Upton Sinclair’s novel Oil! as a tale of demonic possession. The demon in question, though, happens to be money. So if Radiohead guitarist Jonny Greenwood’s original music for There Will Be Blood sounds like the score for a horror movie, that’s because it is," writes Pitchfork's Sean T. Collins. "Greenwood creates a soundtrack for a haunted hotel where the elevator doors gush crude, and the killer’s ax is embedded in the earth itself."

    To read more and see Pitchfork's complete list of The 50 Best Movie Scores of All Time, visit pitchfork.com. To pick up the Mishima, Phantom Thread, and There Will Be Blood soundtracks, head to the Nonesuch Store now.

    Journal Articles:Artist News

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, November 22, 2024
    Friday, November 22, 2024

    The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element. 

    Journal Topics: Album ReleaseArtist News
  • Friday, November 22, 2024
    Friday, November 22, 2024

    The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."

    Journal Topics: Artist News