Chris Thile and his fellow Punch Brothers host a new musical variety show, The Energy Curfew Music Hour, out now via Audible and available wherever you get your podcasts. Created by Thile and Claire Coffee, the series' eight episodes feature musical guests like Kacey Musgraves, Jason Isbell, Jon Batiste, Norah Jones, James Taylor, Lake Street Dive, Gaby Moreno, yMusic, and others, recorded live at Audible’s Minetta Lane Theatre in NYC.

Chris Thile has announced his inaugural Acousticamp to take place July 30–August 3 at Glen Cove Mansion in Glen Cove, New York. For the four-day event, he and his fellow instructor/collaborators—including several Punch Brothers and Nickel Creek band mates—will explore the width and breadth of acoustic music practice, performance, and composition, anchored by but not limited to string band instruments and vernacular singing, buoyed by coffee and cocktails, all bookended by intimate concerts from Nickel Creek and Punch Brothers.

Punch Brothers recently concluded a US tour with Béla Fleck’s My Bluegrass Heart featuring Sierra Hull. You can now watch a holiday medley from their December 15 Indianapolis show—including “The Chipmunk Song,” “Sleigh Ride,” and letters to Santa—here. Punch Brothers' latest album, Hell on Church Street, a reimagining of, and homage to, the late bluegrass great Tony Rice’s landmark solo album Church Street Blues, has been nominated for the Grammy Award for Best Folk Album.

Congratulations to all of the Nonesuch nominees for the 65th Grammy Awards: Molly Tuttle for Best New Artist and Best Bluegrass Album for Crooked Tree with Golden Highway; The Black Keys for Best Rock Album for Dropout Boogie and Best Rock Performance for "Wild Child"; Dan Auerbach for Producer of the Year, Non-Classical; Cécile McLorin Salvant for Best Jazz Vocal Album for Ghost Song and Best Arrangement, Instrumental and Vocals for "Optimistic Voices / No Love Dying"; Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade's LongGone for Best Instrumental Album; Brad Mehldau's Jacob's Ladder for Best Contemporary Instrumental Album; Punch Brothers' Hell on Church Street for Best Folk Album; Caroline Shaw & Attacca Quartet's Evergreen for Best Chamber Music/Small Ensemble Performance; Taj Mahal & Ry Cooder's GET ON BOARD for Best Traditional Blues Album; Wilco's Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition) for Best Historical Album and Best Album Notes for Bob Mehr; and Astor Piazzolla: The American Clavé Recordings. for Best Album Notes for Fernando González. 

The New York Philharmonic has announced the lineups for the first two installments of The 65th Street Session, a NY Phil presentation curated by Chris Thile, its 2022–23 Creative Partner, in the Wu Tsai Theater of Lincoln Center’s David Geffen Hall: Thile with Brad Mehldau and Tune-Yards on October 11 and with Punch Brothers, Watchhouse, and Sarah Jarosz, as part of their American Acoustic Tour, on December 6. Fan pre-sale is on now with code 65THSTREET. General on-sale begins September 13. Lineups and ticket info for the final two performances, February 14 and March 28, 2023, will be announced at a later date.

Punch Brothers, who conclude their American Acoustic tour of the United States with Watchhouse and Sarah Jarosz on the East Coast next week, have announced a tour with Béla Fleck in December. The tour kicks off with three stops in Texas—Dallas, Austin, and Houston—followed by shows in Birmingham, Greensboro, Indianapolis, Ann Arbor, and Buffalo.

The Royal Conservatory of Music’s Koerner Hall in Toronto has announced its 2022–23 concert season, including performances from Nonesuch artists Tigran Hamasyan, Kronos Quartet, Punch Brothers, Jeremy Denk, Cécile McLorin Salvant, and Joshua Redman.

Punch Brothers were on The Late Show with Stephen Colbert last night to perform Jimmie Rodgers’ “Any Old Time,” from their new album, Hell on Church Street, a reimagining of, and homage to, the late bluegrass great Tony Rice’s landmark solo album Church Street Blues. You can watch the performance here. Punch Brothers perform at Telluride Bluegrass Festival, ROMP Fest, Ottawa Jazz Festival, and Blue Ox Music Festival in June and are then joined by Watchhouse and Sarah Jarosz for the American Acoustic tour across the US.

Punch Brothers and Watchhouse join forces this summer for the second American Acoustic US tour, with dates in Seattle, Portland, Los Angeles, Salt Lake City, and New Haven, among others; Sarah Jarosz also joins them for most of the dates. Thile says: “It took five years, but I’m elated to announce the second traveling edition of American Acoustic for this summer. Joining my fellow Punch Brothers and me in front of a pair of large condenser microphones will be our dear friends, Watchhouse and Sarah Jarosz, for a collaborative evening of music that traverses our respective catalogues and celebrates being together.”

Punch Brothers are on the latest episode of NPR’s World Cafe. Chris Thile and “Critter” Eldridge talk with host Raina Douris about Punch Brothers’ new album, Hell on Church Street, a reimagining of, and homage to, the landmark solo album Church Street Blues by the late bluegrass great Tony Rice, whom Thile calls “a beacon of creative energy in the roots community.” The band also shares live performances of four album tracks: Norman Blake’s “Church Street Blues” and “Orphan Annie,” the traditional tune “Cattle in the Cane," and Gordon Lightfoot’s “Wreck of the Edmund Fitzgerald.” You can hear it all here.

Punch Brothers were on CBS Saturday Morning to perform a Saturday Sessions set of three songs from their new album, Hell on Church Street: Jimmie Rodgers’ “Any Old Time,” the traditional tune “Cattle in the Cane,” and Norman Blake’s “Church Street Blues.” You can watch all three performances here.

Punch Brothers guitarist Chris "Critter" Eldridge is on the Fretboard Journal Guitar Podcast to talk with host Jason Verlinde about the band's new album, Hell on Church Street, a reimagining of, and homage to, the late bluegrass great Tony Rice’s landmark solo album Church Street Blues. You can hear their conversation here. Rice was a hero to all the Punch Brothers, but perhaps to no one more than Eldridge, who, as a college student, had worked out a deal where he could study one-on-one with the notoriously reclusive guitarist in exchange for school credit.