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Punch Brothers' first self-produced album, All Ashore, is out now on CD/digitally on Nonesuch, with the vinyl out September 7. "It's a meditation on committed relationships in the present day, particularly in the present political climate," says Chris Thile. The Independent's four-star review calls it "an album of rich instrumentation and understated beauty that reveals deeper nuances on each and every listen." The Boston Globe says it's "a deeply meaningful and downright gorgeous record."
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Punch Brothers' new album, All Ashore, is out now on CD and digitally on Nonesuch Records. The vinyl is due September 7. The record, Punch Brothers' first self-produced album, includes nine original songs written by the band. Pick up a copy today at your local record store, iTunes, Amazon, the Punch Brothers Store, and the Nonesuch Store, where orders include a download of the complete album at checkout; you can also listen now on Spotify and Apple Music. To celebrate the occasion, the band is taking part in a Facebook Live Q&A in partnership with The Bluegrass Situation today at 3pm CT; you can watch it live here. The band is performing songs from the new album in cities across the United States on its extensive summer tour, which stops in Nashville for two shows at the historic Ryman Auditorium tonight and Saturday. See below for tour details or visit nonesuch.com/on-tour.
All Ashore earns a perfect five stars in the Irish Times, which calls it "a thrilling marriage of head and heart." Reviewer Joe Breen says "it is Punch Brothers' ability to strike an endlessly fascinating conversation between the two that makes them among the greatest exponents of acoustic music around today."
The Independent gives All Ashore four stars. It's "an album of rich instrumentation and understated beauty that reveals deeper nuances on each and every listen," writes reviewer Dave Beech. "A breath of fresh Appalachian air. Both forward-thinking and imbued with an appreciation of the traditional sounds of America ..."
The Boston Globe says: "Punch Brothers have crafted a deeply meaningful and downright gorgeous record that takes the world for what it is, but doesn’t use that as an excuse to give up."
"It’s a lovely way to find beauty in chaos, a safe port in our increasingly tumultuous times," says Newsday.
All Ashore follows Punch Brothers' critically acclaimed T Bone Burnett–produced 2015 release,The Phosphorescent Blues, of which NPR said, "Punch Brothers sing of distraction and isolation in the digital age … the sound is all their own." For All Ashore, the quintet—guitarist Chris Eldridge, bassist Paul Kowert, banjo player Noam Pikelny, mandolinist and lead singer Chris Thile, and fiddler Gabe Witcher—again attempt to make sense of the world around them.
As Thile says, the album is "a meditation on committed relationships in the present day, particularly in the present political climate." He continues, "We were hoping to create something that would be convincing as a complete thought, in this case as a nine-movement, or nine-piece, thought. Though it's rangy in what it's talking about, and in the characters who are doing the talking…"
Punch Brothers returned to the same room at United Recording Studios in Hollywood (formerly Ocean Way) where they had recorded both The Phosphorescent Blues and their 2010 Jon Brion–produced Antifogmatic. Thile says they felt they had "established a rapport" with the space; the same "level of trust and love that breeds confidence" also led them to produce the album themselves, for the first time.
"After four previous experiences we felt like we knew what we wanted. Going in we knew what we needed it to sound like and I think we had a specific enough vision to make the reality match up with that—as opposed to having someone navigate us toward something," Thile explains. "Also, T Bone last time around, with engineer Mike Piersante, led us to a sonic place where we knew we wanted to be again."
Punch Brothers formed in 2006. Its first Nonesuch record, Punch, was released in 2008 and combined elements of the band's many musical interests. In 2009, they began a residency at NYC's intimate club The Living Room, trying out new songs and ultimately spawning Antifogmatic. In 2012, the band released Who's Feeling Young Now?, which Q praised for its "astonishing, envelope-pushing vision," while Rolling Stone said, "The acoustic framework dazzles—wild virtuosity used for more than just virtuosity." Its follow-up, The Phosphorescent Blues, was called "a typical genre-busting melange of avant-roots music that fuses jazz instrumental chops and acoustic earthiness, Beach Boys harmonies and Debussy string dances, slinky acoustic rock songs and blues laments" by the Chicago Tribune and a mixture of "chamber-music intricacy, improvisational flash, lump-in-throat balladry, and a puckish Debussy cover; T Bone Burnett's canny production simultaneously captures the band's woodsy caress and enhances its emotional impact," by the Boston Globe.
Recently, Chris Thile took over hosting duties of Live from Here (formerly A Prairie Home Companion) in 2016 and releasedThanks for Listening in late 2017—a collection of songs written for his popular radio show. Chris Eldridge partnered with Julian Lage for Mount Royal and Noam Pikelny released his fourth solo album, Universal Favorite. Both Mount Royal and Universal Favorite earned Grammy nominations and were produced by Gabe Witcher, who was also behind Sara Watkins' latest album, Young in All the Wrong Ways. Paul Kowert has been recording and touring with the Dave Rawlings Machine and recently released Unless, the debut album from Hawktail, Kowert's band with Jordan Tice, Brittney Haas, and Dominick Leslie.
Punch Brothers' First Self-Produced Album, "All Ashore," Out Now on Nonesuch
Punch Brothers' new album, All Ashore, is out now on CD and digitally on Nonesuch Records. The vinyl is due September 7. The record, Punch Brothers' first self-produced album, includes nine original songs written by the band. Pick up a copy today at your local record store, iTunes, Amazon, the Punch Brothers Store, and the Nonesuch Store, where orders include a download of the complete album at checkout; you can also listen now on Spotify and Apple Music. To celebrate the occasion, the band is taking part in a Facebook Live Q&A in partnership with The Bluegrass Situation today at 3pm CT; you can watch it live here. The band is performing songs from the new album in cities across the United States on its extensive summer tour, which stops in Nashville for two shows at the historic Ryman Auditorium tonight and Saturday. See below for tour details or visit nonesuch.com/on-tour.
All Ashore earns a perfect five stars in the Irish Times, which calls it "a thrilling marriage of head and heart." Reviewer Joe Breen says "it is Punch Brothers' ability to strike an endlessly fascinating conversation between the two that makes them among the greatest exponents of acoustic music around today."
The Independent gives All Ashore four stars. It's "an album of rich instrumentation and understated beauty that reveals deeper nuances on each and every listen," writes reviewer Dave Beech. "A breath of fresh Appalachian air. Both forward-thinking and imbued with an appreciation of the traditional sounds of America ..."
The Boston Globe says: "Punch Brothers have crafted a deeply meaningful and downright gorgeous record that takes the world for what it is, but doesn’t use that as an excuse to give up."
"It’s a lovely way to find beauty in chaos, a safe port in our increasingly tumultuous times," says Newsday.
All Ashore follows Punch Brothers' critically acclaimed T Bone Burnett–produced 2015 release,The Phosphorescent Blues, of which NPR said, "Punch Brothers sing of distraction and isolation in the digital age … the sound is all their own." For All Ashore, the quintet—guitarist Chris Eldridge, bassist Paul Kowert, banjo player Noam Pikelny, mandolinist and lead singer Chris Thile, and fiddler Gabe Witcher—again attempt to make sense of the world around them.
As Thile says, the album is "a meditation on committed relationships in the present day, particularly in the present political climate." He continues, "We were hoping to create something that would be convincing as a complete thought, in this case as a nine-movement, or nine-piece, thought. Though it's rangy in what it's talking about, and in the characters who are doing the talking…"
Punch Brothers returned to the same room at United Recording Studios in Hollywood (formerly Ocean Way) where they had recorded both The Phosphorescent Blues and their 2010 Jon Brion–produced Antifogmatic. Thile says they felt they had "established a rapport" with the space; the same "level of trust and love that breeds confidence" also led them to produce the album themselves, for the first time.
"After four previous experiences we felt like we knew what we wanted. Going in we knew what we needed it to sound like and I think we had a specific enough vision to make the reality match up with that—as opposed to having someone navigate us toward something," Thile explains. "Also, T Bone last time around, with engineer Mike Piersante, led us to a sonic place where we knew we wanted to be again."
Punch Brothers formed in 2006. Its first Nonesuch record, Punch, was released in 2008 and combined elements of the band's many musical interests. In 2009, they began a residency at NYC's intimate club The Living Room, trying out new songs and ultimately spawning Antifogmatic. In 2012, the band released Who's Feeling Young Now?, which Q praised for its "astonishing, envelope-pushing vision," while Rolling Stone said, "The acoustic framework dazzles—wild virtuosity used for more than just virtuosity." Its follow-up, The Phosphorescent Blues, was called "a typical genre-busting melange of avant-roots music that fuses jazz instrumental chops and acoustic earthiness, Beach Boys harmonies and Debussy string dances, slinky acoustic rock songs and blues laments" by the Chicago Tribune and a mixture of "chamber-music intricacy, improvisational flash, lump-in-throat balladry, and a puckish Debussy cover; T Bone Burnett's canny production simultaneously captures the band's woodsy caress and enhances its emotional impact," by the Boston Globe.
Recently, Chris Thile took over hosting duties of Live from Here (formerly A Prairie Home Companion) in 2016 and releasedThanks for Listening in late 2017—a collection of songs written for his popular radio show. Chris Eldridge partnered with Julian Lage for Mount Royal and Noam Pikelny released his fourth solo album, Universal Favorite. Both Mount Royal and Universal Favorite earned Grammy nominations and were produced by Gabe Witcher, who was also behind Sara Watkins' latest album, Young in All the Wrong Ways. Paul Kowert has been recording and touring with the Dave Rawlings Machine and recently released Unless, the debut album from Hawktail, Kowert's band with Jordan Tice, Brittney Haas, and Dominick Leslie.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Punch Brothers' First Self-Produced Album, "All Ashore," Out Now on Nonesuch
Punch Brothers' new album, All Ashore, is out now on CD and digitally on Nonesuch Records. The vinyl is due September 7. The record, Punch Brothers' first self-produced album, includes nine original songs written by the band. Pick up a copy today at your local record store, iTunes, Amazon, the Punch Brothers Store, and the Nonesuch Store, where orders include a download of the complete album at checkout; you can also listen now on Spotify and Apple Music. To celebrate the occasion, the band is taking part in a Facebook Live Q&A in partnership with The Bluegrass Situation today at 3pm CT; you can watch it live here. The band is performing songs from the new album in cities across the United States on its extensive summer tour, which stops in Nashville for two shows at the historic Ryman Auditorium tonight and Saturday. See below for tour details or visit nonesuch.com/on-tour.
All Ashore earns a perfect five stars in the Irish Times, which calls it "a thrilling marriage of head and heart." Reviewer Joe Breen says "it is Punch Brothers' ability to strike an endlessly fascinating conversation between the two that makes them among the greatest exponents of acoustic music around today."
The Independent gives All Ashore four stars. It's "an album of rich instrumentation and understated beauty that reveals deeper nuances on each and every listen," writes reviewer Dave Beech. "A breath of fresh Appalachian air. Both forward-thinking and imbued with an appreciation of the traditional sounds of America ..."
The Boston Globe says: "Punch Brothers have crafted a deeply meaningful and downright gorgeous record that takes the world for what it is, but doesn’t use that as an excuse to give up."
"It’s a lovely way to find beauty in chaos, a safe port in our increasingly tumultuous times," says Newsday.
All Ashore follows Punch Brothers' critically acclaimed T Bone Burnett–produced 2015 release,The Phosphorescent Blues, of which NPR said, "Punch Brothers sing of distraction and isolation in the digital age … the sound is all their own." For All Ashore, the quintet—guitarist Chris Eldridge, bassist Paul Kowert, banjo player Noam Pikelny, mandolinist and lead singer Chris Thile, and fiddler Gabe Witcher—again attempt to make sense of the world around them.
As Thile says, the album is "a meditation on committed relationships in the present day, particularly in the present political climate." He continues, "We were hoping to create something that would be convincing as a complete thought, in this case as a nine-movement, or nine-piece, thought. Though it's rangy in what it's talking about, and in the characters who are doing the talking…"
Punch Brothers returned to the same room at United Recording Studios in Hollywood (formerly Ocean Way) where they had recorded both The Phosphorescent Blues and their 2010 Jon Brion–produced Antifogmatic. Thile says they felt they had "established a rapport" with the space; the same "level of trust and love that breeds confidence" also led them to produce the album themselves, for the first time.
"After four previous experiences we felt like we knew what we wanted. Going in we knew what we needed it to sound like and I think we had a specific enough vision to make the reality match up with that—as opposed to having someone navigate us toward something," Thile explains. "Also, T Bone last time around, with engineer Mike Piersante, led us to a sonic place where we knew we wanted to be again."
Punch Brothers formed in 2006. Its first Nonesuch record, Punch, was released in 2008 and combined elements of the band's many musical interests. In 2009, they began a residency at NYC's intimate club The Living Room, trying out new songs and ultimately spawning Antifogmatic. In 2012, the band released Who's Feeling Young Now?, which Q praised for its "astonishing, envelope-pushing vision," while Rolling Stone said, "The acoustic framework dazzles—wild virtuosity used for more than just virtuosity." Its follow-up, The Phosphorescent Blues, was called "a typical genre-busting melange of avant-roots music that fuses jazz instrumental chops and acoustic earthiness, Beach Boys harmonies and Debussy string dances, slinky acoustic rock songs and blues laments" by the Chicago Tribune and a mixture of "chamber-music intricacy, improvisational flash, lump-in-throat balladry, and a puckish Debussy cover; T Bone Burnett's canny production simultaneously captures the band's woodsy caress and enhances its emotional impact," by the Boston Globe.
Recently, Chris Thile took over hosting duties of Live from Here (formerly A Prairie Home Companion) in 2016 and releasedThanks for Listening in late 2017—a collection of songs written for his popular radio show. Chris Eldridge partnered with Julian Lage for Mount Royal and Noam Pikelny released his fourth solo album, Universal Favorite. Both Mount Royal and Universal Favorite earned Grammy nominations and were produced by Gabe Witcher, who was also behind Sara Watkins' latest album, Young in All the Wrong Ways. Paul Kowert has been recording and touring with the Dave Rawlings Machine and recently released Unless, the debut album from Hawktail, Kowert's band with Jordan Tice, Brittney Haas, and Dominick Leslie.
The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is out now; the documentary airs on November 18 and 19 at 8pm ET on PBS. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. Also out today is a music video for the album track "The Mona Lisa," which can be seen here.
Jeremy Denk's album Ives Denk is out now. Released in celebration of the 150th anniversary of Ives' birth this Saturday, it features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian." Denk writes of Ives' music in the Times: "Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears."