Sam Amidon’s Self-Titled Album Out Now on Nonesuch Records

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Sam Amidon’s self-titled album is out digitally and on CD today, with the vinyl due January 22. "A fine showcase for Amidon’s studio experimentation," says Rolling Stone; "incorporates elements of spacious, echoing ambient electronic music to complement Amidon’s warm vocals, reminiscent of Nick Drake and Arthur Russell." No Depression says "this LP, full of delicate noise and artful sophistication, deserves a pause in a harried time." A video of the album track "Cuckoo," recorded live in concert at Kings Place in London earlier this month, can be seen here.

Copy

Sam Amidon’s self-titled album is out digitally and on CD today on Nonesuch Records. You can buy it and listen here, where you can also pre-order the vinyl, due January 22. Nonesuch Store orders of the CD and vinyl include a limited-edition signed print while supplies last. A live performance video of the album track "Cuckoo," recorded in concert at Kings Place in London earlier this month, can be seen below.

“A fine showcase for Amidon’s studio experimentation," says Rolling Stone, the album "incorporates elements of spacious, echoing ambient electronic music to complement Amidon’s warm vocals, reminiscent of Nick Drake and Arthur Russell."

“Sometimes artists like Sam Amidon tend to slip through the cracks in the frenzy of the world," says No Depression. "But this LP, full of delicate noise and artful sophistication, deserves a pause in a harried time."

The new album, which Amidon considers the fullest realization to date of his artistic vision, comprises his radical reworkings of nine mostly traditional folk songs, performed with his band of longtime friends and collaborators. Amidon produced the record, applying the sonic universe of his 2017 The Following Mountain to these beloved tunes, many of which he first learned as a child. "Pretty Polly," for example, was one of the first traditional tunes he learned to play, and "Time Has Made a Change" is a song that his parents—singers who were on the 1977 Nonesuch recording Rivers of Delight with the Word of Mouth Chorus—sang around the house when he was young.

Amidon and his frequent band of multi-instrumentalist Shahzad Ismaily and drummer Chris Vatalaro were joined in the studio by Belgian guitarist Bert Cools (who played on his last EP), as well as Amidon’s wife, Beth Orton, who adds vocals on three songs. Acoustic bassist Ruth Goller and saxophonist and labelmate Sam Gendel also play on the album, which was mixed by Leo Abrahams. Sam Amidon was mostly recorded live in the studio. Amidon arranged the songs, which are traditional tunes, with the exception of Taj Mahal’s “Light Rain Blues,” Harkins Frye’s “Time Has Made a Change,” and “Hallelujah,” which is an 1835 William Walker shape-note tune using earlier words by Charles Wesley, found in the Sacred Harp collection of early American folk-hymns.

Sam Amidon is Amidon’s fifth recording on Nonesuch and follows the 2019 EP Fatal Flower Garden (A Tribute to Harry Smith). Additional recordings include his 2017 album The Following Mountain and Kronos Quartet’s Folk Songs the same year, on which he was a featured singer along with Rhiannon Giddens, Natalie Merchant, and Olivia Chaney; Lily-O in 2014; and his label debut, Bright Sunny South, in 2013.

featuredimage
Sam Amidon [cover]
  • Friday, October 23, 2020
    Sam Amidon’s Self-Titled Album Out Now on Nonesuch Records

    Sam Amidon’s self-titled album is out digitally and on CD today on Nonesuch Records. You can buy it and listen here, where you can also pre-order the vinyl, due January 22. Nonesuch Store orders of the CD and vinyl include a limited-edition signed print while supplies last. A live performance video of the album track "Cuckoo," recorded in concert at Kings Place in London earlier this month, can be seen below.

    “A fine showcase for Amidon’s studio experimentation," says Rolling Stone, the album "incorporates elements of spacious, echoing ambient electronic music to complement Amidon’s warm vocals, reminiscent of Nick Drake and Arthur Russell."

    “Sometimes artists like Sam Amidon tend to slip through the cracks in the frenzy of the world," says No Depression. "But this LP, full of delicate noise and artful sophistication, deserves a pause in a harried time."

    The new album, which Amidon considers the fullest realization to date of his artistic vision, comprises his radical reworkings of nine mostly traditional folk songs, performed with his band of longtime friends and collaborators. Amidon produced the record, applying the sonic universe of his 2017 The Following Mountain to these beloved tunes, many of which he first learned as a child. "Pretty Polly," for example, was one of the first traditional tunes he learned to play, and "Time Has Made a Change" is a song that his parents—singers who were on the 1977 Nonesuch recording Rivers of Delight with the Word of Mouth Chorus—sang around the house when he was young.

    Amidon and his frequent band of multi-instrumentalist Shahzad Ismaily and drummer Chris Vatalaro were joined in the studio by Belgian guitarist Bert Cools (who played on his last EP), as well as Amidon’s wife, Beth Orton, who adds vocals on three songs. Acoustic bassist Ruth Goller and saxophonist and labelmate Sam Gendel also play on the album, which was mixed by Leo Abrahams. Sam Amidon was mostly recorded live in the studio. Amidon arranged the songs, which are traditional tunes, with the exception of Taj Mahal’s “Light Rain Blues,” Harkins Frye’s “Time Has Made a Change,” and “Hallelujah,” which is an 1835 William Walker shape-note tune using earlier words by Charles Wesley, found in the Sacred Harp collection of early American folk-hymns.

    Sam Amidon is Amidon’s fifth recording on Nonesuch and follows the 2019 EP Fatal Flower Garden (A Tribute to Harry Smith). Additional recordings include his 2017 album The Following Mountain and Kronos Quartet’s Folk Songs the same year, on which he was a featured singer along with Rhiannon Giddens, Natalie Merchant, and Olivia Chaney; Lily-O in 2014; and his label debut, Bright Sunny South, in 2013.

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Wednesday, January 8, 2025
    Wednesday, January 8, 2025

    David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”

    Journal Topics: Album ReleaseArtist NewsVideo
  • Thursday, December 12, 2024
    Thursday, December 12, 2024

    The Way Out of Easy, the new album from guitarist Jeff Parker and his ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose—is now available on all streaming platforms. Upon the album's physical release last month, it debuted at No. 1 on Billboard's Current Contemporary Jazz Albums chart, and Pitchfork named it Best New Music, saying: "The vibe is laid-back, but it rewards rapt attention ... This exceptional record fixes your attention on the present moment."

    Journal Topics: Album ReleaseArtist News