The Staves to Release "Good Woman," First Album in Six Years, February 5 on Nonesuch in the US

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

The Staves release their first new album in six years, Good Woman, February 5, 2021, on Nonesuch Records in the US. Good Woman was written and recorded in a time of tremendous turmoil and change for the band, between the ending of relationships, the death of their beloved mother, and the birth of Emily’s first child. Produced by John Congleton, the album is a testament to the Stavely-Taylors’ strength and that of other women; to sisters, mothers, and daughters; to love, loss, and change; and to trying to be a good woman.

Copy

English trio the Staves—sisters Emily, Jessica and Camilla Staveley-Taylor—release their first new album in six years, Good Woman, February 5, 2021, on Nonesuch Records in the US. The album is available to pre-order in the Nonesuch Store on vinyl, CD, cassette, and in a bundle with a 7" vinyl of the tracks "Nazareth" b/w "Trying." The album's title track is available here, along with album preorders; a live performance video of “Good Woman” also will be available on Thursday.

Good Woman was written and recorded in a time of tremendous turmoil and change for the band, between the ending of relationships, the death of their beloved mother, and the birth of Emily’s first child. Produced by John Congleton, the album is a testament to the Stavely-Taylors’ strength and that of other women; to sisters, mothers, and daughters; to love, loss, and change; and to trying to be a good woman.

The band explains: “We have been working on this for a long time and are thrilled to share the title track. When we think about making this album we think about moments and snapshots of all the different contexts we were in as it was made. Living in each other’s pockets and then living with oceans between us. Of voice notes and field recordings and ideas in emails sent across continents. We think of homesickness and family. Of being an outsider. Of endless notebooks and scraps of paper. Of studios in the winter and recordings under the summer sun. Of rainy London days and long American nights with coffees and beers, dogs, and cats. We think of love. Big, big love. Our Mum. Our Dad. Our friends. And of loss. Death and birth. Womanhood, motherhood. Sisterhood.

“And coming home.”

The trio recently released two new songs: “Nazareth” and the Good Woman album track “Trying,” marking the band’s first new music since their collaborative EP with the New York based chamber ensemble yMusic in 2017. The band has been busy in the six years since the release of their acclaimed second album, If I Was. Jessica contributed vocals to Leonard Cohen’s final, posthumous record Thanks for The Dance, which was produced by his son, Adam Cohen. And all three sang on a handful of tracks for Paul Weller’s recent album, On Sunset, in addition to performing with artists like Lucy Rose, Bon Iver, and Flyte over the years.

The Staves have recently relaunched their podcast: Dial-A-Stave, an irreverent, fly-on-the-wall listen to the band members’ everyday conversations with one another. They will perform two live shows in London this fall: at Clapham Grand on November 27 and at Hackney Church on December 1.

featuredimage
The Staves: "Good Woman" [cover]
  • Tuesday, October 20, 2020
    The Staves to Release "Good Woman," First Album in Six Years, February 5 on Nonesuch in the US

    English trio the Staves—sisters Emily, Jessica and Camilla Staveley-Taylor—release their first new album in six years, Good Woman, February 5, 2021, on Nonesuch Records in the US. The album is available to pre-order in the Nonesuch Store on vinyl, CD, cassette, and in a bundle with a 7" vinyl of the tracks "Nazareth" b/w "Trying." The album's title track is available here, along with album preorders; a live performance video of “Good Woman” also will be available on Thursday.

    Good Woman was written and recorded in a time of tremendous turmoil and change for the band, between the ending of relationships, the death of their beloved mother, and the birth of Emily’s first child. Produced by John Congleton, the album is a testament to the Stavely-Taylors’ strength and that of other women; to sisters, mothers, and daughters; to love, loss, and change; and to trying to be a good woman.

    The band explains: “We have been working on this for a long time and are thrilled to share the title track. When we think about making this album we think about moments and snapshots of all the different contexts we were in as it was made. Living in each other’s pockets and then living with oceans between us. Of voice notes and field recordings and ideas in emails sent across continents. We think of homesickness and family. Of being an outsider. Of endless notebooks and scraps of paper. Of studios in the winter and recordings under the summer sun. Of rainy London days and long American nights with coffees and beers, dogs, and cats. We think of love. Big, big love. Our Mum. Our Dad. Our friends. And of loss. Death and birth. Womanhood, motherhood. Sisterhood.

    “And coming home.”

    The trio recently released two new songs: “Nazareth” and the Good Woman album track “Trying,” marking the band’s first new music since their collaborative EP with the New York based chamber ensemble yMusic in 2017. The band has been busy in the six years since the release of their acclaimed second album, If I Was. Jessica contributed vocals to Leonard Cohen’s final, posthumous record Thanks for The Dance, which was produced by his son, Adam Cohen. And all three sang on a handful of tracks for Paul Weller’s recent album, On Sunset, in addition to performing with artists like Lucy Rose, Bon Iver, and Flyte over the years.

    The Staves have recently relaunched their podcast: Dial-A-Stave, an irreverent, fly-on-the-wall listen to the band members’ everyday conversations with one another. They will perform two live shows in London this fall: at Clapham Grand on November 27 and at Hackney Church on December 1.

    Journal Articles:Album ReleaseArtist News

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, November 15, 2024
    Friday, November 15, 2024

    The Black Keys' Ohio Players (Trophy Edition), an expanded version of their latest album, which received two Grammy nominations last week, is out now. The new release features a two-LP set in a gatefold jacket complete with four new tracks, an alternate cover, and new album sequencing. The new tracks include collaborations with DannyLux, Alice Cooper, and Beck. The fourth new song, “Sin City,” co-written by Dan Auerbach and Patrick Carney with Greg Kurstin and Beck, who also perform on the track, debuts today.

     

    Journal Topics: Album ReleaseArtist NewsVideo
  • Friday, November 15, 2024
    Friday, November 15, 2024

    Donnacha Dennehy’s Land of Winter is out now. The piece, performed by the composer's longtime collaborators Alarm Will Sound and conductor Alan Pierson, explores the subtleties of Ireland’s seasons via twelve connected sections representing the months of the year. "It is the varying quality of light that truly demarcates the seasons," Dennehy says, "from the shorter days of grey or piercing light in the winter to the warmer but mercurial light of summer days that at solstice stretch almost to midnight. I like this play between light and time, and it is the major inspiration behind the piece." You can watch a video for “July" here.

    Journal Topics: Album ReleaseArtist NewsVideo