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"This was the first song we recorded for the album, and we had just written it so there’s a freshness and an immediacy to it for us,” The Staves say of "I Don’t Say It, But I Feel It," the new song from their upcoming album, All Now. “The song is about passing surges of emotions and memories that often don't get expressed or articulated. It’s exploring that state of stillness on the outside but with a flurry of things happening below the surface and how, often, we don’t let on what we’re really feeling most of the time or how much we’re feeling it."
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The Staves have released their new single, "I Don’t Say It, But I Feel It," the latest track from their upcoming album, All Now, due March 22. You can hear it here and watch a lyric video here:
“This was the first song we recorded for the album, and we had just written it so there’s a freshness and an immediacy to it for us,” The Staves’ Jessica and Camilla Staveley-Taylor say. “The song is about passing surges of emotions and memories that often don't get expressed or articulated. It’s exploring that state of stillness on the outside but with a flurry of things happening below the surface and how, often, we don’t let on what we’re really feeling most of the time or how much we’re feeling it. Even the question ‘how are you?’ can prove difficult to find the answer to ... The song came from a train ride down to Brighton with friends with the scenery whizzing by—the transient flashes as things come in and out of focus. The song is built around this two-chord pattern that kind of chugs along and motors through, picking out these jolts of feeling or memory that rush by.”
The Staves will join Nickel Creek as special guests on tour of the US Midwest and South in February. The two-week tour kicks off in Iowa City on February 6, with stops in Wisconsin, Indiana, Illinois, Michigan, Ohio, Kentucky, North Carolina, and Florida. As the Nickel Creek's tour continues, The Staves begin their own US headline tour—their first since 2017—in Washington, DC, on April 7, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), All Now features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
The Staves Release "I Don't Say It But I Feel It" From Upcoming Album, 'All Now'
The Staves have released their new single, "I Don’t Say It, But I Feel It," the latest track from their upcoming album, All Now, due March 22. You can hear it here and watch a lyric video here:
“This was the first song we recorded for the album, and we had just written it so there’s a freshness and an immediacy to it for us,” The Staves’ Jessica and Camilla Staveley-Taylor say. “The song is about passing surges of emotions and memories that often don't get expressed or articulated. It’s exploring that state of stillness on the outside but with a flurry of things happening below the surface and how, often, we don’t let on what we’re really feeling most of the time or how much we’re feeling it. Even the question ‘how are you?’ can prove difficult to find the answer to ... The song came from a train ride down to Brighton with friends with the scenery whizzing by—the transient flashes as things come in and out of focus. The song is built around this two-chord pattern that kind of chugs along and motors through, picking out these jolts of feeling or memory that rush by.”
The Staves will join Nickel Creek as special guests on tour of the US Midwest and South in February. The two-week tour kicks off in Iowa City on February 6, with stops in Wisconsin, Indiana, Illinois, Michigan, Ohio, Kentucky, North Carolina, and Florida. As the Nickel Creek's tour continues, The Staves begin their own US headline tour—their first since 2017—in Washington, DC, on April 7, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), All Now features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
The Staves Release "I Don't Say It But I Feel It" From Upcoming Album, 'All Now'
The Staves have released their new single, "I Don’t Say It, But I Feel It," the latest track from their upcoming album, All Now, due March 22. You can hear it here and watch a lyric video here:
“This was the first song we recorded for the album, and we had just written it so there’s a freshness and an immediacy to it for us,” The Staves’ Jessica and Camilla Staveley-Taylor say. “The song is about passing surges of emotions and memories that often don't get expressed or articulated. It’s exploring that state of stillness on the outside but with a flurry of things happening below the surface and how, often, we don’t let on what we’re really feeling most of the time or how much we’re feeling it. Even the question ‘how are you?’ can prove difficult to find the answer to ... The song came from a train ride down to Brighton with friends with the scenery whizzing by—the transient flashes as things come in and out of focus. The song is built around this two-chord pattern that kind of chugs along and motors through, picking out these jolts of feeling or memory that rush by.”
The Staves will join Nickel Creek as special guests on tour of the US Midwest and South in February. The two-week tour kicks off in Iowa City on February 6, with stops in Wisconsin, Indiana, Illinois, Michigan, Ohio, Kentucky, North Carolina, and Florida. As the Nickel Creek's tour continues, The Staves begin their own US headline tour—their first since 2017—in Washington, DC, on April 7, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), All Now features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element.
The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."
