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The Staves have announced their first North American tour since 2017, in celebration of their new album, All Now, due March 22. The tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles.
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The Staves have announced a North American tour, their first since 2017, in celebration of their new album, All Now, due March 22, 2024, on Nonesuch Records in the US. The ten-city headlining tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), the album features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
The Staves to Tour the US in April 2024 with New Album, 'All Now'
The Staves have announced a North American tour, their first since 2017, in celebration of their new album, All Now, due March 22, 2024, on Nonesuch Records in the US. The ten-city headlining tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), the album features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
The Staves to Tour the US in April 2024 with New Album, 'All Now'
The Staves have announced a North American tour, their first since 2017, in celebration of their new album, All Now, due March 22, 2024, on Nonesuch Records in the US. The ten-city headlining tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), the album features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
The Staves stopped by the NPR offices in Washington, DC, while on tour to perform a Tiny Desk Concert of four songs from their new album, All Now: the title track, "Fundamental Memory," "I'll Never Leave You Alone," and "So Gracefully." "The Tiny Desk setting perfectly illuminates the power and talent of their voices," says NPR's Kara Frame. You can watch it here.
The original cast album of Adam Guettel’s Broadway musical Days of Wine and Roses, with a book by Craig Lucas, starring Kelli O’Hara and Brian d’Arcy James, is now available on CD, following its recent digital release. “Repeated listenings compound the amazement,” the New York Times says of Guettel’s work, which “has always offered that kind of challenge—initially leaving a feeling of: Beautiful, but wait, I need to hear it again—and those up for it have a way of coming away shining like Moses down from the Mount. The new score has the same effect.” Guettel, O'Hara, and d'Arcy James—all of whom have been nominated for Tony Awards for Days of Wine and Roses—will sign copies of the CD at the Drama Book Shop in NYC this Wednesday, May 22.
