Steve Reich Joins So Percussion for a Celebration of His Music, Premiere of New Work at Stanford

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Steve Reich will join So Percussion in a performance of Clapping Music for an all-Reich program at Stanford University this Saturday. The concert, featuring the US premiere of Reich's latest piece, Mallet Quartet, is the culmination of a number of related events at Stanford this week, including a public conversation with Reich and Beryl Korot. The San Jose Mercury News calls it all "a welcome and rare opportunity for immersion in Reich's rhythmical realm."

Copy

Steve Reich will join the New York-based percussion quartet So Percussion on stage in a performance of the composer's 1972 work Clapping Music for an all-Reich program at Stanford University's Dinkelspiel Auditorium this Saturday. The program, presented by Stanford Lively Arts, features the US premiere of Reich's latest piece, Mallet Quartet—which premiered at the Palace of Arts in Budapest last month—and will cover 40 years of the composer's work, including Music for Pieces of Wood, Four Organs, Nagoya Marimbas, and Drumming Part I. Reich will participate in a pre-performance discussion, and So Percussion will be on hand for a discussion after the show.

Saturday's concert marks the culmination of a number of related events from the performers in the Stanford area this week. It all starts with a free So Percussion "Informance" performance and discussion at the Community School for Music and Arts in Mountain View this evening. On Thursday, Reich and his wife and collaborator Beryl Korot will participate in a free event at Stanford’s Pigott Theater as part of the "Art + Invention" speaker series. And on Friday, So Percussion will present a sold-out student matinee for local schoolchildren at Stanford's Memorial Auditorium.

San Jose Mercury News writer Andrew Gilbert spoke with Reich and members of So Percussion in a preview of this week's events. "If every composer's dream is for his or her music to be performed around the world," writes Gilbert, "Steve Reich has attained nirvana ... Even better than ubiquity though is an intimate connection with one's interpreters, which is what makes So Percussion's residency at Stanford Lively Arts such a welcome and rare opportunity for immersion in Reich's rhythmical realm." Read the complete article at mercurynews.com.

For more information on Saturday's concert and all the related events, visit livelyarts.stanford.edu.

featuredimage
Steve Reich - color
  • Wednesday, January 6, 2010
    Steve Reich Joins So Percussion for a Celebration of His Music, Premiere of New Work at Stanford
    Wonge Bergmann

    Steve Reich will join the New York-based percussion quartet So Percussion on stage in a performance of the composer's 1972 work Clapping Music for an all-Reich program at Stanford University's Dinkelspiel Auditorium this Saturday. The program, presented by Stanford Lively Arts, features the US premiere of Reich's latest piece, Mallet Quartet—which premiered at the Palace of Arts in Budapest last month—and will cover 40 years of the composer's work, including Music for Pieces of Wood, Four Organs, Nagoya Marimbas, and Drumming Part I. Reich will participate in a pre-performance discussion, and So Percussion will be on hand for a discussion after the show.

    Saturday's concert marks the culmination of a number of related events from the performers in the Stanford area this week. It all starts with a free So Percussion "Informance" performance and discussion at the Community School for Music and Arts in Mountain View this evening. On Thursday, Reich and his wife and collaborator Beryl Korot will participate in a free event at Stanford’s Pigott Theater as part of the "Art + Invention" speaker series. And on Friday, So Percussion will present a sold-out student matinee for local schoolchildren at Stanford's Memorial Auditorium.

    San Jose Mercury News writer Andrew Gilbert spoke with Reich and members of So Percussion in a preview of this week's events. "If every composer's dream is for his or her music to be performed around the world," writes Gilbert, "Steve Reich has attained nirvana ... Even better than ubiquity though is an intimate connection with one's interpreters, which is what makes So Percussion's residency at Stanford Lively Arts such a welcome and rare opportunity for immersion in Reich's rhythmical realm." Read the complete article at mercurynews.com.

    For more information on Saturday's concert and all the related events, visit livelyarts.stanford.edu.

    Journal Articles:On TourArtist News

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, December 13, 2024
    Friday, December 13, 2024

    Cécile McLorin Salvant, Sullivan Fortner perform at Carnegie Hall and University of Iowa. Mary Halvorson, Tomas Fujiwara play free at The Whitney Museum in NYC. John Adams, Steve Reich are performed in Paris. Emmylou Harris is in Washington, DC. Yasmin Williams tours California.

    Journal Topics: On TourWeekend Events
  • Thursday, December 12, 2024
    Thursday, December 12, 2024

    Chris Thile and his fellow Punch Brothers have announced tapings for the second season of their musical variety show The Energy Curfew Music Hour at Audible's Minetta Lane Theatre in New York City, January 11 and 16 and February 13, 18, and 24; special guests to be announced. (The first season is available now on all major podcast platforms). They have also announced the third annual Chris Thile Acousticamp, returning to Asilomar Hotel in Pacific Grove, CA, June 27–July 1, with fellow instructor/collaborators Julian Lage, Michael Daves, Maddie Witler, and first time faculty Josh Ritter.

    Journal Topics: Artist EssaysOn Tour