Times (UK): Four Stars for Kronos Quartet's "Floodplain," "One of Their Most Inspired So Far"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Kronos Quartet's Floodplain is out now, and the reviews from the UK prove that Kronos's latest global exploration is as expansive as its repertoire. The Sunday Times gives the album four stars, calling it both "one of their most inspired so far" and "one of the albums of the year." The Guardian gives it four stars, too, calling the music "engaging, challenging, complex and rewarding." The Observer Music Monthly, in its four-star review, sees the Quartet "as intellectually engaging as ever." The Evening Standard gives Floodplain a perfect five stars, calling its repertoire "vivid and powerful ... music that grabs by the throat and doesn't let go." Scotland's Herald also gives it a perfect five stars, dubbing it "an entrancing journey."

Copy

Kronos Quartet's Floodplain was released worldwide on Nonesuch last week, and the reviews from the UK are proving that Kronos's latest global exploration, featuring music from Africa to Azerbaijan to Serbia, is as expansive as its repertoire. You can now watch videos of Kronos performing songs from the album at London's Barbican Hall, as part of the Ramadan Nights Festival, September 26, 2008, at nonesuch.com/media.

The Sunday Times gives it four stars. "David Harrington and his colleagues may be no strangers to border-crossing experiments," writes music critic Clive Davis, "but this journey has to be one of their most inspired so far."

Davis says that the pieces Kronos has included in this border-less repertoire "combine classical rigour with the unquenchable vitality of folk music," proving that the Quartet shows "a preternatural ability to speak in tongues. In short, this is one of the albums of the year."

Read the complete review at entertainment.timesonline.co.uk.

---

The Guardian gives Floodplain four stars as well. Reviewer John L. Walters describes Kronos Quartet's recent recordings as "exemplary reminders that classical music is 'world music,' too, and vice versa," with their latest being no exception. "This generous, 12-track album is based around the concept that the world's great floodplains, such as those of the Nile, Ganges and Volga, are the cradles of humankind, and sublime sources of sustenance and fear," writes Walters, citing "several blockbusters" on the album and concluding: "Kronos's selection of music from these regions is engaging, challenging, complex and rewarding." Read the review at guardian.co.uk.

The Guardian's sister publication, The Observer Music Monthly, also giving the album four stars, describes the Quartet "as intellectually engaging as ever."

---

The Evening Standard gives the album a perfect five stars and places it among the CDs of the week. Reviewer Simon Broughton too notes Kronos's ability to showcase the shared currents of classical and "world" music, saying, "there are few bands so in tune with the sounds of the world." He describes the album's music as "vivid and powerful," citing as its centerpiece "Getme, Getme," the Quartet's "transcendental" collaboration with Alim Qasimov. Broughton concludes: "It's music that grabs by the throat and doesn't let go." Read the review at thisislondon.co.uk.

The Herald out of Scotland also gives the album a perfect five stars, dubbing it "an entrancing journey."

featuredimage
Kronos Quartet, "Floodplain" [cover]
  • Tuesday, May 26, 2009
    Times (UK): Four Stars for Kronos Quartet's "Floodplain," "One of Their Most Inspired So Far"

    Kronos Quartet's Floodplain was released worldwide on Nonesuch last week, and the reviews from the UK are proving that Kronos's latest global exploration, featuring music from Africa to Azerbaijan to Serbia, is as expansive as its repertoire. You can now watch videos of Kronos performing songs from the album at London's Barbican Hall, as part of the Ramadan Nights Festival, September 26, 2008, at nonesuch.com/media.

    The Sunday Times gives it four stars. "David Harrington and his colleagues may be no strangers to border-crossing experiments," writes music critic Clive Davis, "but this journey has to be one of their most inspired so far."

    Davis says that the pieces Kronos has included in this border-less repertoire "combine classical rigour with the unquenchable vitality of folk music," proving that the Quartet shows "a preternatural ability to speak in tongues. In short, this is one of the albums of the year."

    Read the complete review at entertainment.timesonline.co.uk.

    ---

    The Guardian gives Floodplain four stars as well. Reviewer John L. Walters describes Kronos Quartet's recent recordings as "exemplary reminders that classical music is 'world music,' too, and vice versa," with their latest being no exception. "This generous, 12-track album is based around the concept that the world's great floodplains, such as those of the Nile, Ganges and Volga, are the cradles of humankind, and sublime sources of sustenance and fear," writes Walters, citing "several blockbusters" on the album and concluding: "Kronos's selection of music from these regions is engaging, challenging, complex and rewarding." Read the review at guardian.co.uk.

    The Guardian's sister publication, The Observer Music Monthly, also giving the album four stars, describes the Quartet "as intellectually engaging as ever."

    ---

    The Evening Standard gives the album a perfect five stars and places it among the CDs of the week. Reviewer Simon Broughton too notes Kronos's ability to showcase the shared currents of classical and "world" music, saying, "there are few bands so in tune with the sounds of the world." He describes the album's music as "vivid and powerful," citing as its centerpiece "Getme, Getme," the Quartet's "transcendental" collaboration with Alim Qasimov. Broughton concludes: "It's music that grabs by the throat and doesn't let go." Read the review at thisislondon.co.uk.

    The Herald out of Scotland also gives the album a perfect five stars, dubbing it "an entrancing journey."

    Journal Articles:Reviews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Tuesday, April 16, 2024
    Tuesday, April 16, 2024

    The Black Keys have secured the No. 1 Current Rock Album and No. 1 Current Alternative Album in US sales following the release of their new album, Ohio Players, last week. The album also is the highest debut of the week on Billboard’s Top Rock Albums Chart and Top Alternative Albums Chart, at No. 5 on both charts, and has reached No. 4 on Overall Current Album sales and No. 26 on the Billboard 200. Internationally, Ohio Players is the band’s sixth consecutive top 20 album in the UK, as well as top 20 in Austria, Belgium, France, Germany, Netherlands, New Zealand, and Switzerland, among others. 

    Journal Topics: Album ReleaseArtist NewsReviews
  • Friday, January 19, 2024
    Friday, January 19, 2024

    Ambrose Akinmusire's album Owl Song, Cécile McLorin Salvant's Ghost Song and Mélusine, and Yussef Dayes' Black Classical Music are all topics of conversation on the latest New York Times Popcast episode, "An Elastic and Impressive Moment in Jazz," hosted by Times music critic Jon Caramanica, with guests and Times music writers Marcus J. Moore and Giovanni Russonello. You can hear their conversation about "impressive recent releases" and this moment in jazz here.

    Journal Topics: Artist NewsPodcastReviews