Video: Rhys Chatham's "A Crimson Grail" Scores Short Film Shot on Kodachrome Super 8mm

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Rhys Chatham made his Nonesuch debut last month with the release of A Crimson Grail, featuring the 200-guitar version recorded at the Lincoln Center Out of Doors Festival. The New York Times says: "It might justly be considered 'music to pray to.’” Now you can experience that music through a short film set to music from the album, shot on rolls of expired, unexposed Kodachrome Super 8mm film. Watch it here.

Copy

Rhys Chatham, recently described as a "'new music' god" by the New York Daily News, made his Nonesuch debut last month with the release of A Crimson Grail, featuring the outdoor version of the piece for 200 guitarists, 16 bassists, five conductors, and one percussionist, recorded at the Lincoln Center Out of Doors Festival. The BBC called it "a remarkable, engrossing work" that "achieves an immersive, exultant sense of the sublime." The New York Times says: "It might justly be considered 'music to pray to.’”

Now you can experience that music in a new way, through a short film set to music from the album. Director Steve Lippman, aka Flip, uses three excerpts from A Crimson Grail as the score to this short, experimental film, he and his DP, David Teague, shot on rolls of expired, unexposed Kodachrome Super 8mm film, adding in some new cartridges of Color & B&W Ektachrome, limited to only nine cartridges total.

"The goal was to embrace the unknown, highlight the decayed textures and grain, and collage it to the hypnotic music," Lippman explains. "To take things further, I used double-image overlays, roll-outs, telecine rewinds, transfer-gate misalignments, and anything else that felt organic to this micro-budget experiment. What emerged from the "limitations" was beauty, and a tribute to the tactile possibilities of Super 8mm film past and present."

Watch it here:

Chatham is currently in Cadiz, Spain, this weekend for Muestra Internacional de Música, and perfoms his Guitar Trio on Monday. Next weekend, he returns to New York's cutting-edge cultural space The Kitchen, of which he was the first music curator in the 1970s, for two nights of multimedia events with artist Angie Eng, drummer Kevin Shea, and electric bassist David Sims. The musicians will accompany Eng's real-time generated projected imagery of hand-manipulated objects and video footage depicting abstracted spiritual symbols and cultural rituals that recreate what Chatham describes as an "enigmatic cinema of flickers, jump cuts, and flying objects all too human too ignore." For more information, visit thekitchen.org.

featuredimage
Rhys Chatham: "A Crimson Grail" [cover]
  • Friday, October 8, 2010
    Video: Rhys Chatham's "A Crimson Grail" Scores Short Film Shot on Kodachrome Super 8mm

    Rhys Chatham, recently described as a "'new music' god" by the New York Daily News, made his Nonesuch debut last month with the release of A Crimson Grail, featuring the outdoor version of the piece for 200 guitarists, 16 bassists, five conductors, and one percussionist, recorded at the Lincoln Center Out of Doors Festival. The BBC called it "a remarkable, engrossing work" that "achieves an immersive, exultant sense of the sublime." The New York Times says: "It might justly be considered 'music to pray to.’”

    Now you can experience that music in a new way, through a short film set to music from the album. Director Steve Lippman, aka Flip, uses three excerpts from A Crimson Grail as the score to this short, experimental film, he and his DP, David Teague, shot on rolls of expired, unexposed Kodachrome Super 8mm film, adding in some new cartridges of Color & B&W Ektachrome, limited to only nine cartridges total.

    "The goal was to embrace the unknown, highlight the decayed textures and grain, and collage it to the hypnotic music," Lippman explains. "To take things further, I used double-image overlays, roll-outs, telecine rewinds, transfer-gate misalignments, and anything else that felt organic to this micro-budget experiment. What emerged from the "limitations" was beauty, and a tribute to the tactile possibilities of Super 8mm film past and present."

    Watch it here:

    Chatham is currently in Cadiz, Spain, this weekend for Muestra Internacional de Música, and perfoms his Guitar Trio on Monday. Next weekend, he returns to New York's cutting-edge cultural space The Kitchen, of which he was the first music curator in the 1970s, for two nights of multimedia events with artist Angie Eng, drummer Kevin Shea, and electric bassist David Sims. The musicians will accompany Eng's real-time generated projected imagery of hand-manipulated objects and video footage depicting abstracted spiritual symbols and cultural rituals that recreate what Chatham describes as an "enigmatic cinema of flickers, jump cuts, and flying objects all too human too ignore." For more information, visit thekitchen.org.

    Journal Articles:Video

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Wednesday, January 8, 2025
    Wednesday, January 8, 2025

    David Longstreth’s Song of the Earth, a song cycle for orchestra and voices, is due April 4. Performed by Longstreth with his band Dirty Projectors—Felicia Douglass, Maia Friedman, Olga Bell—and the Berlin-based chamber orchestra s t a r g a z e, conducted by André de Ridder, the album also features Phil Elverum (Mount Eerie), Steve Lacy, Patrick Shiroishi, Anastasia Coope, Tim Bernardes, Ayoni, Portraits of Tracy, and the author David Wallace-Wells. Longstreth says that while Song of the Earth—his biggest-yet foray into the field of concert music—"is not a ‘climate change opera,’” he wanted to “find something beyond sadness: beauty spiked with damage. Acknowledgement flecked with hope, irony, humor, rage.”

    Journal Topics: Album ReleaseArtist NewsVideo
  • Tuesday, January 7, 2025
    Tuesday, January 7, 2025

    Composer Steve Reich talks about creating his 1970–71 piece Drumming—which the Village Voice hailed as “the most important work of the whole minimalist music movement"—in a new video from his publisher Boosey & Hawkes. Steve Reich and Musicians gave the world premiere performance of Drumming at the Museum of Modern Art in NYC in December 1971. Their 1987 Nonesuch recording is included in the forthcoming Steve Reich Collected Works, a twenty-seven disc box set, due March 14.

    Journal Topics: Artist NewsVideo