Wanda Jackson Is Featured in New York Times; Washington Post Calls New Album "Wild Fun," Vanity Fair Says "Inspired"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

There's just one more day till the release of Wanda Jackson's new album, The Party Ain't Over, produced by Jack White; they'll celebrate as musical guests on Conan on Tuesday. Jackson is featured in the New York Times, which traces her influence on generations of performers. The Boston Globe cites "delicious and unexpected delights on her new album." The Washington Post calls it "wild fun." Vanity Fair calls it "inspired ... unmistakably and perfectly 'Wanda.'” The Detroit Free Press sees it as "a fun, feel-good achievement." The Independent names it CD of the Week, one that "cannot help but put a smile on your face." The Times of London calls it "extraordinary."

Copy

There's just one more day till the Third Man / Nonesuch Records release of Wanda Jackson's new album, The Party Ain't Over, produced by Jack White, and just one more day to pre-order the album in the Nonesuch Store with a limited-edition poster autographed by Jackson herself. Jackson, White, and The Third Man House Band will celebrate the record's release as musical guests on Conan tomorrow night at 11 PM EST on TBS.

Jackson, White, and the band are in Los Angeles to perform the second of two sold-out record release shows at the El Rey Theatre, following last night's El Rey show and Friday night's sold-out show at the Music Hall of Williamsburg in Brooklyn, New York. Consequence of Sound reports from the Brooklyn show that "the whole evening was nothing less than captivating and if you knew not of Jackson before attending, it was impossible not only to walk away impressed but a fan." Read more at consequenceofsound.com. There's also a review and several photos from the show at spinner.com. And following last night's first El Rey show, the Los Angeles Times said: "Half a century after the King first anointed her, Jackson is still very much the First Lady of Rockabilly" read the review at latimes.com.

The New York Times picks up the story from Jackson's previous Brooklyn outing, last fall, in a feature article published in yesterday's Sunday Times, that goes back to the earliest days of her career, in 1956, touring with Elvis Presley, goes behind the scenes on the making of the new record, and traces Jackson's influence on generations of performers since.

“She’s influential to every modern female singer, whether they know about her or not,” Jack White tells the Times's Melena Ryzik. “She broke down those walls in the beginning, when it was the hardest to do.”

Read the article at nytimes.com.

---

Jackson is also featured in the Boston Globe, whose James Reed describes the early release of her take on the Amy Winehouse hit "You Know I'm No Good" as "a tease for the delicious and unexpected delights on her new album." On the record, White, its producer, "extracts the essence of what made Jackson such a singular talent, but The Party Ain’t Over couldn’t be a more distinctive record." Read more at boston.com.

---

The Washington Post's Chris Richards describes the pairing as a "romp through 11 covers, all expertly produced. There's a roadhouse-ready take on Bob Dylan's 'Thunder on the Mountain,' a slinkier version of Amy Winehouse's 'You Know I'm No Good,' and a dusky read of Jimmie Rodgers's 'Blue Yodel No. 6.'"

Yet Richards says "it's the buzzy, brassy 'Shakin' All Over' that reveals the duo's trans-generational chemistry: White brings the noise, Jackson brings the septuagenarian sass."

The Party Ain't Over, he concludes, is "wild fun."

Read more at washingtonpost.com.

---

Vanity Fair's Marc Spitz spoke with Jackson about what he calls her "inspired and dignified" new album of songs from a wide range of styles that nevertheless "are unmistakably and perfectly 'Wanda.'” Spitz begins the interview saying:

There’s a quality to a Wanda Jackson song, old or new—like a Beach Boys song or a Ramones song—that uplifts the listener. It doesn’t matter what the song is, it’s always in there. A very pure, very American quality that presses the right serotonin buttons in your head and makes you smile.

You can read the Q&A at vanityfair.com.

---

In a feature for Reuters, writer Mike Ayers describes Jackson's new album as "a fresh approach to her patented brand of rockabilly." To read the article, which takes a look at Jackson's career and her teaming up with White on the new album, visit reuters.com.

---

Jackson's hometown paper, The Oklahoman, spoke with her about the new record. The paper's Gene Triplett says The Party Ain't Over "is probably one of the most rocking, artfully raucous albums the 'sweet lady with the nasty voice' has ever recorded, from the opening cover of Johnny Kidd and the Pirates' hit 'Shakin' All Over' to the slapback-echo treatment of Jimmie Rodgers' 'Blue Yodel #6.'” You'll find the article at newsok.com.

---

Jackson is also featured in White's adopted hometown paper, The Tennessean.

“Janis Joplin, Pat Benatar, even Lady Gaga owe something to Wanda Jackson,” says music historian and critic Rich Kienzle tells The Tennessean's Peter Cooper. “She opened the door for everybody else because she had a sense not only of the musical but also of the visual. There were other great female rockers around that time, but Wanda projected this blend of sexuality and glamour on top of her vocals that was something no one else could touch.”

Read the article at tennessean.com.

---

And White's former home town paper, the Detroit Free Press, gives The Party Ain't Over three stars. White serves up "a dynamic energy and artful retro touch," says reviewer Brian McCollum. The record is "a fun, feel-good achievement, right down to the album cover's throwback design ... Jackson sounds invigorated but coolly seasoned, owning the material without overplaying her hand." Read more at freep.com.

---

In the UK, The Observer says Jackson "proves she still has plenty of puff" on the new album. "Big guitars and vintage amps, a kicking horn section and White's winning way with overdrive and ancient reverb help, but the closing rendition of Jimmie Rodgers's "Blue Yodel #6", with one-man band White on acoustic guitar and tambourine, is a great finish." Read the review at guardian.co.uk.

The Independent on Sunday names it its CD of the Week. "Jackson was about as vitally important a figure as it's possible to get," says reviewer Simon Price. White allows "that voice – its rough edges still intact – to do what it does best." The album closer, Jimmie Rodgers' "Blue Yodle #6," provides "a moment which—like the entire album—cannot help but put a smile on your face." Read the review at independent.co.uk.

The Sunday Times of London calls it "an extraordinary album." Metro says "Jackson’s finally getting the respect she deserves."

Jackson and White spoke with a number of BBC Radio programs last week, including BBC Radio 4's Today show last week, which you can hear here, and Woman's Hour (click here), and BBC Radio 2's Steve Wright (click here).

---

The Australian Broadcast Company's Alice Springs bureau has named the album Album of the Week, calling it "a red hot frenzy of horns and guitars, with Jackson's unmistakable voice and charisma breathing new life into each interpretation."

---

To pick up a copy of The Party Ain't Over, head to the Nonesuch Store now. To find out where Jackson will be performing in the coming months, visit nonesuch.com/on-tour.

featuredimage
Wanda Jackson: "The Party Ain't Over" [cover]
  • Monday, January 24, 2011
    Wanda Jackson Is Featured in New York Times; Washington Post Calls New Album "Wild Fun," Vanity Fair Says "Inspired"

    There's just one more day till the Third Man / Nonesuch Records release of Wanda Jackson's new album, The Party Ain't Over, produced by Jack White, and just one more day to pre-order the album in the Nonesuch Store with a limited-edition poster autographed by Jackson herself. Jackson, White, and The Third Man House Band will celebrate the record's release as musical guests on Conan tomorrow night at 11 PM EST on TBS.

    Jackson, White, and the band are in Los Angeles to perform the second of two sold-out record release shows at the El Rey Theatre, following last night's El Rey show and Friday night's sold-out show at the Music Hall of Williamsburg in Brooklyn, New York. Consequence of Sound reports from the Brooklyn show that "the whole evening was nothing less than captivating and if you knew not of Jackson before attending, it was impossible not only to walk away impressed but a fan." Read more at consequenceofsound.com. There's also a review and several photos from the show at spinner.com. And following last night's first El Rey show, the Los Angeles Times said: "Half a century after the King first anointed her, Jackson is still very much the First Lady of Rockabilly" read the review at latimes.com.

    The New York Times picks up the story from Jackson's previous Brooklyn outing, last fall, in a feature article published in yesterday's Sunday Times, that goes back to the earliest days of her career, in 1956, touring with Elvis Presley, goes behind the scenes on the making of the new record, and traces Jackson's influence on generations of performers since.

    “She’s influential to every modern female singer, whether they know about her or not,” Jack White tells the Times's Melena Ryzik. “She broke down those walls in the beginning, when it was the hardest to do.”

    Read the article at nytimes.com.

    ---

    Jackson is also featured in the Boston Globe, whose James Reed describes the early release of her take on the Amy Winehouse hit "You Know I'm No Good" as "a tease for the delicious and unexpected delights on her new album." On the record, White, its producer, "extracts the essence of what made Jackson such a singular talent, but The Party Ain’t Over couldn’t be a more distinctive record." Read more at boston.com.

    ---

    The Washington Post's Chris Richards describes the pairing as a "romp through 11 covers, all expertly produced. There's a roadhouse-ready take on Bob Dylan's 'Thunder on the Mountain,' a slinkier version of Amy Winehouse's 'You Know I'm No Good,' and a dusky read of Jimmie Rodgers's 'Blue Yodel No. 6.'"

    Yet Richards says "it's the buzzy, brassy 'Shakin' All Over' that reveals the duo's trans-generational chemistry: White brings the noise, Jackson brings the septuagenarian sass."

    The Party Ain't Over, he concludes, is "wild fun."

    Read more at washingtonpost.com.

    ---

    Vanity Fair's Marc Spitz spoke with Jackson about what he calls her "inspired and dignified" new album of songs from a wide range of styles that nevertheless "are unmistakably and perfectly 'Wanda.'” Spitz begins the interview saying:

    There’s a quality to a Wanda Jackson song, old or new—like a Beach Boys song or a Ramones song—that uplifts the listener. It doesn’t matter what the song is, it’s always in there. A very pure, very American quality that presses the right serotonin buttons in your head and makes you smile.

    You can read the Q&A at vanityfair.com.

    ---

    In a feature for Reuters, writer Mike Ayers describes Jackson's new album as "a fresh approach to her patented brand of rockabilly." To read the article, which takes a look at Jackson's career and her teaming up with White on the new album, visit reuters.com.

    ---

    Jackson's hometown paper, The Oklahoman, spoke with her about the new record. The paper's Gene Triplett says The Party Ain't Over "is probably one of the most rocking, artfully raucous albums the 'sweet lady with the nasty voice' has ever recorded, from the opening cover of Johnny Kidd and the Pirates' hit 'Shakin' All Over' to the slapback-echo treatment of Jimmie Rodgers' 'Blue Yodel #6.'” You'll find the article at newsok.com.

    ---

    Jackson is also featured in White's adopted hometown paper, The Tennessean.

    “Janis Joplin, Pat Benatar, even Lady Gaga owe something to Wanda Jackson,” says music historian and critic Rich Kienzle tells The Tennessean's Peter Cooper. “She opened the door for everybody else because she had a sense not only of the musical but also of the visual. There were other great female rockers around that time, but Wanda projected this blend of sexuality and glamour on top of her vocals that was something no one else could touch.”

    Read the article at tennessean.com.

    ---

    And White's former home town paper, the Detroit Free Press, gives The Party Ain't Over three stars. White serves up "a dynamic energy and artful retro touch," says reviewer Brian McCollum. The record is "a fun, feel-good achievement, right down to the album cover's throwback design ... Jackson sounds invigorated but coolly seasoned, owning the material without overplaying her hand." Read more at freep.com.

    ---

    In the UK, The Observer says Jackson "proves she still has plenty of puff" on the new album. "Big guitars and vintage amps, a kicking horn section and White's winning way with overdrive and ancient reverb help, but the closing rendition of Jimmie Rodgers's "Blue Yodel #6", with one-man band White on acoustic guitar and tambourine, is a great finish." Read the review at guardian.co.uk.

    The Independent on Sunday names it its CD of the Week. "Jackson was about as vitally important a figure as it's possible to get," says reviewer Simon Price. White allows "that voice – its rough edges still intact – to do what it does best." The album closer, Jimmie Rodgers' "Blue Yodle #6," provides "a moment which—like the entire album—cannot help but put a smile on your face." Read the review at independent.co.uk.

    The Sunday Times of London calls it "an extraordinary album." Metro says "Jackson’s finally getting the respect she deserves."

    Jackson and White spoke with a number of BBC Radio programs last week, including BBC Radio 4's Today show last week, which you can hear here, and Woman's Hour (click here), and BBC Radio 2's Steve Wright (click here).

    ---

    The Australian Broadcast Company's Alice Springs bureau has named the album Album of the Week, calling it "a red hot frenzy of horns and guitars, with Jackson's unmistakable voice and charisma breathing new life into each interpretation."

    ---

    To pick up a copy of The Party Ain't Over, head to the Nonesuch Store now. To find out where Jackson will be performing in the coming months, visit nonesuch.com/on-tour.

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, November 15, 2024
    Friday, November 15, 2024

    American Railroad, the new album from the Silkroad Ensemble with Rhiannon Giddens, is out now. It is the culmination of four years of research, collaboration, and music-making, having brought Silkroad artists all across the US to uncover and uplift stories of those who built the transcontinental railroad and connecting railways across North America. "The result is a tapestry of stories, traditions, and music that have shaped our multifaceted cultural identity, and that must be heard and recognized," Giddens says. Also out now are a performance video of the track "Mahk Jchi" and the first episode of the American Railroad podcast series. The US fall tour continues to November 23.

    Journal Topics: Album ReleaseArtist NewsOn TourVideo
  • Friday, November 15, 2024
    Friday, November 15, 2024

    Cécile McLorin Salvant inaugurates four-part Carnegie Hall concert series. John Adams conducts NY Phil at David Geffen Hall. Laurie Anderson continues premiere of new piece in Manchester. Rhiannon Giddens and Silkroad Ensemble take American Railroad to Georgia. Mary Halvorson plays Elbphilharmonie's Marc Ribot festival in Hamburg. Hurray for the Riff Raff plays Mexico City's Corona Capital Festival. Kronos Quartet performs at Bozar in Brussels. Mandy Patinkin performs in Charleston. Caroline Shaw and Gabriel Kahane are in Oregon. The Staves are in Atlanta and Birmingham. Molly Tuttle & Golden Highway tour the East Coast.

    Journal Topics: On TourWeekend Events