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Cécile McLorin Salvant performs "Moon Song"—from her Grammy-nominated Nonesuch debut album, Ghost Song—in a new video recorded during her two-night engagement at New York’s Jazz at Lincoln Center this past spring. The video features Salvant along with pianist Sullivan Fortner, percussionist Keita Ogawa, guitarist Marvin Sewell, flutist Alexa Tarantino, and bassist Yasushi Nakamura, all of whom are on the album. You can watch it here.
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Cécile McLorin Salvant has released a live performance video of "Moon Song," from her Nonesuch debut, Ghost Song, which has been nominated for two Grammy Awards. Recorded during her two-night engagement at New York’s Jazz at Lincoln Center this past spring, the video features Salvant along with pianist Sullivan Fortner, percussionist Keita Ogawa, guitarist Marvin Sewell, flutist Alexa Tarantino, and bassist Yasushi Nakamura, all of whom also are on the album. The “Moon Song” video may be seen below. Details of Salvant’s next album, coming in spring 2023, will be announced soon.
Ghost Song, released earlier this year on Nonesuch Records, has received critical acclaim and has earned two Grammy nominations: Best Jazz Vocal Album and Best Arrangement, Instrumental and Vocals for the album track “Optimistic Voices / No Love Dying.” Ghost Song features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. It has landed Number 1 spots on the New York Times’ list of the Best Jazz Albums of 2022 and Jazzwise’s list of the 20 Best Jazz Albums of 2022, where it was called “music of sensitivity and intelligence, which underlines Salvant’s growth as an artist of stature who stylistic choices are as daring as they are mature.” In the Wall Street Journal, Larry Blumenfeld says the album “is her boldest act yet. Here, Ms. Salvant displays yet more sonic range and nuance—soaring through intervals, moving nimbly through tricky rhythms, and reveling in pithy turns of phrase. Her voice is singularly arresting, yet it is never a single sound.”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form song cycle based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist.
Watch: Cécile McLorin Salvant Performs “Moon Song,” From Grammy-Nominated Album 'Ghost Song,' Live From Jazz at Lincoln Center
Cécile McLorin Salvant has released a live performance video of "Moon Song," from her Nonesuch debut, Ghost Song, which has been nominated for two Grammy Awards. Recorded during her two-night engagement at New York’s Jazz at Lincoln Center this past spring, the video features Salvant along with pianist Sullivan Fortner, percussionist Keita Ogawa, guitarist Marvin Sewell, flutist Alexa Tarantino, and bassist Yasushi Nakamura, all of whom also are on the album. The “Moon Song” video may be seen below. Details of Salvant’s next album, coming in spring 2023, will be announced soon.
Ghost Song, released earlier this year on Nonesuch Records, has received critical acclaim and has earned two Grammy nominations: Best Jazz Vocal Album and Best Arrangement, Instrumental and Vocals for the album track “Optimistic Voices / No Love Dying.” Ghost Song features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. It has landed Number 1 spots on the New York Times’ list of the Best Jazz Albums of 2022 and Jazzwise’s list of the 20 Best Jazz Albums of 2022, where it was called “music of sensitivity and intelligence, which underlines Salvant’s growth as an artist of stature who stylistic choices are as daring as they are mature.” In the Wall Street Journal, Larry Blumenfeld says the album “is her boldest act yet. Here, Ms. Salvant displays yet more sonic range and nuance—soaring through intervals, moving nimbly through tricky rhythms, and reveling in pithy turns of phrase. Her voice is singularly arresting, yet it is never a single sound.”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form song cycle based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Watch: Cécile McLorin Salvant Performs “Moon Song,” From Grammy-Nominated Album 'Ghost Song,' Live From Jazz at Lincoln Center
Cécile McLorin Salvant has released a live performance video of "Moon Song," from her Nonesuch debut, Ghost Song, which has been nominated for two Grammy Awards. Recorded during her two-night engagement at New York’s Jazz at Lincoln Center this past spring, the video features Salvant along with pianist Sullivan Fortner, percussionist Keita Ogawa, guitarist Marvin Sewell, flutist Alexa Tarantino, and bassist Yasushi Nakamura, all of whom also are on the album. The “Moon Song” video may be seen below. Details of Salvant’s next album, coming in spring 2023, will be announced soon.
Ghost Song, released earlier this year on Nonesuch Records, has received critical acclaim and has earned two Grammy nominations: Best Jazz Vocal Album and Best Arrangement, Instrumental and Vocals for the album track “Optimistic Voices / No Love Dying.” Ghost Song features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. It has landed Number 1 spots on the New York Times’ list of the Best Jazz Albums of 2022 and Jazzwise’s list of the 20 Best Jazz Albums of 2022, where it was called “music of sensitivity and intelligence, which underlines Salvant’s growth as an artist of stature who stylistic choices are as daring as they are mature.” In the Wall Street Journal, Larry Blumenfeld says the album “is her boldest act yet. Here, Ms. Salvant displays yet more sonic range and nuance—soaring through intervals, moving nimbly through tricky rhythms, and reveling in pithy turns of phrase. Her voice is singularly arresting, yet it is never a single sound.”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form song cycle based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist.
The Way Out of Easy, the first album from guitarist Jeff Parker and his long-running ETA IVtet—saxophonist Josh Johnson, bassist Anna Butterss, drummer Jay Bellerose—since their 2022 debut Mondays at the Enfield Tennis Academy, which Pitchfork named one of the Best Albums of the 2020s So Far, is out now on International Anthem / Nonesuch Records. Like that album, The Way Out of Easy comprises recordings from LA venue ETA, where Parker and the ensemble held a weekly residency for seven years. During that time, the ETA IVtet evolved from a band that played mostly standards into a group known for its transcendent, long-form journeys into innovative, groove-oriented improvised music. All four tracks on The Way Out of Easy come from a single night in 2023, providing an unfiltered view of the ensemble, fully in their element.
The Staves' new EP Happy New Year, out today, includes three acoustic versions of tracks from their new album, All Now—"I Don't Say It, But I Feel It," "After School," and "All Now"—and a cover of The Beatles' "She's Leaving Home." Also out now: an acoustic performance video for "After School," which the duo calls "a love song to our sister Emily inspired by the bands we were listening to in the '90s. Putting on the rose-tinted glasses and embracing nostalgia."
